War Hunt


1h 21m 1962
War Hunt

Brief Synopsis

A war hero tries to help a kill-crazy private during the Korean War.

Film Details

Genre
War
Action
Drama
Release Date
Jan 1962
Premiere Information
Los Angeles showing: Jul 1962
Production Company
T-D Enterprises
Distribution Company
United Artists
Country
United States

Technical Specs

Duration
1h 21m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
1.66 : 1

Synopsis

Each night during the fighting in Korea, U. S. A. Pvt. Raymond Endore blackens his face, sneaks into enemy territory, kills a Chinese Communist guard with his stiletto, and then performs a mock Indian war dance over the corpse. A loner among the other members of his platoon, Endore has as his only companion Charlie, an 8-year-old Korean war orphan. Endore's unhealthy influence on Charlie is challenged by a replacement, Pvt. Roy Loomis, and the two men engage in a bitter struggle to dominate him. When the cease-fire order arrives and the GI's start a mild celebration, Loomis sees Endore sneak away for his nightly ritual, and he notifies his superior, Captain Pratt. Together, they go in search of the now psychopathic Endore. They find him, with Charlie, holed up in a caved-in bunker. Endore attacks Pratt and Loomis with his stiletto, and Pratt has no choice but to shoot him. Little Charlie looks at Endore's lifeless body, claps his hands to his ears, and runs off into no man's land.

Film Details

Genre
War
Action
Drama
Release Date
Jan 1962
Premiere Information
Los Angeles showing: Jul 1962
Production Company
T-D Enterprises
Distribution Company
United Artists
Country
United States

Technical Specs

Duration
1h 21m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
1.66 : 1

Articles

War Hunt


Seeing War Hunt (1962) today is quite a different experience than seeing it when first released. Viewers at the time might have remembered the young blonde actor in the second lead from a few TV appearances like Perry Mason or Alfred Hitchcock Presents. Now, though, it's impossible to ignore Robert Redford in what was his first feature appearance and it's an excellent debut. Despite its status as the type of film relegated to double bills in the sixties, War Hunt is actually a sharp and gripping drama that hasn't yet received the acclaim it deserves.

Redford plays Private Roy Loomis, the new man in a unit during the Korean War. He finds that combat isn't exactly what he expected, particularly in the frightening activities of Private Endore (John Saxon) who goes on near-psychotic binges of stalking and killing enemy soldiers. The commanding officer overlooks Endore's murderous behavior because he values the soldier's military cunning but Loomis opposes it, especially when Endore reveals his plans for a local Korean boy.

War Hunt was a low-budget quickie, taking just 15 days and $250,000 to make. Not only did that allow the filmmakers the freedom to explore an unconventional and controversial subject but the film itself turned out to be a fortuitous assignment for several future filmmakers. Redford, for instance, formed a friendship with fellow actor Sydney Pollack who later moved behind the camera, directing Redford in seven films. According to persistent rumors there were two other future directors on the set: Francis Ford Coppola (The Godfather, 1972) drove equipment trucks and Noel Black (Pretty Poison, 1969) did electrical work. Among the cast members, Tom Skerritt would go to Alien (1979), Gavin MacLeod to TV's McHale's Navy (1962-1964) and The Love Boat (1977-1986), and Anthony Ray to a busy producing career (such as The Rose, 1979). War Hunt did win an award at the Locarno International Film Festival and was chosen as one of the year's best English-language films by the National Board of Review.

Even with such powerhouse talent much of the credit for War Hunt's success goes to director Denis Sanders. He started his wide-ranging career in 1955 with a Best Short Subject Oscar (with a second in 1970 for the documentary Czechoslovakia 1968) but really began his Hollywood career a few years later by co-writing the script for The Naked and the Dead (1958) with his brother. Sanders was fascinated by harsh subject matter which undoubtedly limited his commercial prospects but he still directed such films as the concert documentary Elvis: That's the Way It Is (1970), the Norman Vincent Peale biopic One Man's Way (1964), and Invasion of the B-Girls (1973), a favorite of film critic Roger Ebert (no joke).

Producer: Noel Black (assistant producer), Denis Sanders (co-producer), Terry Sanders
Director: Denis Sanders
Screenplay: Stanford Whitmore
Cinematography: Ted D. McCord
Film Editing: John Hoffman
Original Music: Bud Shank
Principal Cast: John Saxon (Private Raymond Endore), Robert Redford (Private Roy Loomis), Charles Aidman (Captain Wallace Pratt), Sydney Pollack (Sergeant Van Horn), Tommy Matsuda (Charlie),Gavin MacLeod (Private Crotty).
BW-83m. Letterboxed.

by Lang Thompson

War Hunt

War Hunt

Seeing War Hunt (1962) today is quite a different experience than seeing it when first released. Viewers at the time might have remembered the young blonde actor in the second lead from a few TV appearances like Perry Mason or Alfred Hitchcock Presents. Now, though, it's impossible to ignore Robert Redford in what was his first feature appearance and it's an excellent debut. Despite its status as the type of film relegated to double bills in the sixties, War Hunt is actually a sharp and gripping drama that hasn't yet received the acclaim it deserves. Redford plays Private Roy Loomis, the new man in a unit during the Korean War. He finds that combat isn't exactly what he expected, particularly in the frightening activities of Private Endore (John Saxon) who goes on near-psychotic binges of stalking and killing enemy soldiers. The commanding officer overlooks Endore's murderous behavior because he values the soldier's military cunning but Loomis opposes it, especially when Endore reveals his plans for a local Korean boy. War Hunt was a low-budget quickie, taking just 15 days and $250,000 to make. Not only did that allow the filmmakers the freedom to explore an unconventional and controversial subject but the film itself turned out to be a fortuitous assignment for several future filmmakers. Redford, for instance, formed a friendship with fellow actor Sydney Pollack who later moved behind the camera, directing Redford in seven films. According to persistent rumors there were two other future directors on the set: Francis Ford Coppola (The Godfather, 1972) drove equipment trucks and Noel Black (Pretty Poison, 1969) did electrical work. Among the cast members, Tom Skerritt would go to Alien (1979), Gavin MacLeod to TV's McHale's Navy (1962-1964) and The Love Boat (1977-1986), and Anthony Ray to a busy producing career (such as The Rose, 1979). War Hunt did win an award at the Locarno International Film Festival and was chosen as one of the year's best English-language films by the National Board of Review. Even with such powerhouse talent much of the credit for War Hunt's success goes to director Denis Sanders. He started his wide-ranging career in 1955 with a Best Short Subject Oscar (with a second in 1970 for the documentary Czechoslovakia 1968) but really began his Hollywood career a few years later by co-writing the script for The Naked and the Dead (1958) with his brother. Sanders was fascinated by harsh subject matter which undoubtedly limited his commercial prospects but he still directed such films as the concert documentary Elvis: That's the Way It Is (1970), the Norman Vincent Peale biopic One Man's Way (1964), and Invasion of the B-Girls (1973), a favorite of film critic Roger Ebert (no joke). Producer: Noel Black (assistant producer), Denis Sanders (co-producer), Terry Sanders Director: Denis Sanders Screenplay: Stanford Whitmore Cinematography: Ted D. McCord Film Editing: John Hoffman Original Music: Bud Shank Principal Cast: John Saxon (Private Raymond Endore), Robert Redford (Private Roy Loomis), Charles Aidman (Captain Wallace Pratt), Sydney Pollack (Sergeant Van Horn), Tommy Matsuda (Charlie),Gavin MacLeod (Private Crotty). BW-83m. Letterboxed. by Lang Thompson

Quotes

Trivia

Features the film debuts of 'Robert Redford' , Tom Skerritt, and Sydney Pollack.

Miscellaneous Notes

Voted One of the Year's Ten Best Films by the 1962 National Board of Review.

Released in United States Winter January 1, 1961

First collaboration between Sydney Pollack and Robert Redford, as Pollack went on to become a director.

Robert Redford's film debut.

Film was shot on a fifteen day schedule.

Noel Black went on to direct "Pretty Poison" (1968)

Released in United States Winter January 1, 1961