A Walk in the Spring Rain
Brief Synopsis
Cast & Crew
Guy Green
Anthony Quinn
Ingrid Bergman
Fritz Weaver
Katherine Crawford
Tom Fielding
Film Details
Technical Specs
Synopsis
Professor Roger Meredith and his wife, Libby, journey to rural Tennessee, where Roger hopes to spend his sabbatical writing a law text. Arriving on a snowy winter night, the middle-aged couple stops for the key to their rented house at the home of farmer-mechanic Will Cade, Cade's loquacious wife, and their profligate son, Boy. The earthy Will is attracted to the reserved Libby and courts her, offering blunt compliments and a gift of baby goats. The romance, however, is aborted by Will's and Libby's respective progeny. The Merediths' daughter, Ellen, arrives unexpectedly, announcing her acceptance by Harvard Law School and demanding that Libby return to care for grandson Bucky. Shortly after Libby's refusal, she is molested by drunken Boy Cade but rescued by Will, who accidentally kills his son. The disillusioned Merediths return to the city, Libby having abandoned her romantic hopes, Roger his literary ambitions.
Director
Guy Green
Cast
Anthony Quinn
Ingrid Bergman
Fritz Weaver
Katherine Crawford
Tom Fielding
Virginia Gregg
Mitchell Silberman
Crew
Ira Anderson Jr.
Elmer Bernstein
Elmer Bernstein
Malcolm C. Bert
Don Black
Tom Coleman
Alex D'alessio
Ronald De Waay
Don Feld
Les Fresholtz
Robert Gilmore
Doug Grant
Guy Green
Morris Hoffman
Virginia Jones
Ben Lane
Charles Lang
Harold Lee
John Monte
Janet Nelson
John O'gorman
Phil Parslow
Kenneth Peach Jr.
Arthur Piantadosi
Chris Schwiebert
Mark Silliphant
Stirling Silliphant
Stirling Silliphant
Stirling Silliphant
Edna Taylor
United States Department Of The Interior--national Park Service
Guy Verhille
Herbert Wallerstein
Ferris Webster
Marshall Wolins
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Articles
A Walk in the Spring Rain
Producer Stirling Silliphant (who also wrote the screenplay) had visited Bergman at her home in Danhomen in 1968 to show her the unfinished script for the film. Bergman, who had complained that there were so few scripts for women her age, liked the story and wanted to work with Anthony Quinn again (they were co-starred in the 1964 film The Visit), so she agreed. The director would be Guy Green, best known as David Lean's cameraman on Oliver Twist (1948) and Great Expectations (1946).
Shot on location in Cades Cove, Great Smoky Mountains National Park, Gatlinburg, and Knoxville, Tennessee, the film's climactic fight scene between Anthony Quinn and his son (played by Tom Fielding) was choreographed by martial arts legend Bruce Lee. Lee, a friend of Silliphant's, was on location from April 16-24, 1969.
Regarding Bergman's co-star Anthony Quinn, the actress wrote in her autobiography, "...Tony and I were very good friends. But that doesn't mean we didn't argue heatedly about various scenes as I always had great difficulty in being diplomatic and didn't think about what I was going to say before I said it. I remember in one scene, the sun was just right, everything was ready to shoot. We did a rehearsal and I turned to Tony and said, "You are not going to play it that way, are you?" Well, he was furious. "Who is directing this movie, anyway, you or Guy?" He went over to Guy Green and said he wanted to get out of the picture. Burt Lancaster was free and he was sure Burt would be happy to do the part with me. He'd had enough of my interfering." With the ideal lighting conditions at stake, Bergman swallowed her pride and went over to the director, saying "I'm sorry. I am so terribly sorry. I shall never ever open my mouth again about how you should play a scene. Let's just go on shooting, because we want this picture in the can." So we made up."
A Walk in the Spring Rain had its premiere in Knoxville, Tennessee, on April 9, 1970 with Bergman and the book's author in attendance. According to Bergman, "I sat next to Rachel Maddux, and all through the film she was saying to me, "What is this?...What happened to the scene when she?...This isn't meant to be here...this is later...Haven't they understood that?"...I didn't know what I could do to help her. The book had been so well written, full of the country and the true feelings of a woman in this situation...and now poor Rachel Maddux had seen her book go down the drain. So she went to the ladies' room and cried. I went after her and tried to comfort her...The film had been a good try. We'd started off with such high hopes. I thought maybe we could do a film with that elusive feeling which Brief Encounter [1945] had. We'd worked hard. We'd done our best and at the end of it we'd made Rachel Maddux cry."
Most critics were also disappointed by A Walk in the Spring Rain. Lawrence J. Quirk wrote in Screen Slant, "[Bergman] is, in fact, better by far than the film itself, for it had been rather indifferently written and produced by Stirling Silliphant and directed by Guy Green with a lack of sharpness and a slackness of approach that fails to take full advantage of the more climactic moments. Indeed, whatever sharpness and romantic power the film possesses can be credited to Miss Bergman, who seems to be dragging the film along with the force of a sleek diesel hitched to a set of toy trolley cars." Howard Thompson in The New York Times called it "a dreary, tedious, unconvincing drama of middle-aged love. [It] should have been a beauty. It's a bore."
Producer: Stirling Silliphant
Director: Guy Green
Screenplay: Stirling Silliphant; Rachel Maddux (novel)
Cinematography: Charles Lang
Music: Elmer Bernstein
Film Editing: Ferris Anderson, Jr.
Cast: Anthony Quinn (Will Cade), Ingrid Bergman (Libby Meredith), Fritz Weaver (Roger Meredith), Katharine Crawford (Ellen Meredith), Tom Fielding (Boy Cade), Virginia Gregg (Ann Cade), Mitchell Silberman (Bucky).
C-98m.
by Lorraine LoBianco
SOURCES:
Bergman, Ingrid & Burgess, Alan Ingrid Bergman: My Story
Campbell, Sid and Lee, Greglon Yimm Remembering the master: Bruce Lee, James Yimm Lee, and the creation of Jeet Kune Do
Quirk, Lawrence J. The Films of Ingrid Bergman
A Walk in the Spring Rain
Guy Green (1913-2005)
He was born on November 5, 1913 in Somerset, England. Long fascinated by cinema, he became a film projectionist while still in his teens, and was a clapper boy by age 20. He bacame a camera operator during World War II in such fine war dramas as One of Our Aircraft Is Missing; In Which We Serve (both 1942) and This Happy Breed (1944). His big break came as a director of photography came for Carol Reed's The Way Ahead (1944). He was eventually chosen by David Lean to photograph Great Expectations (1946), and his moody, corrosive look at Dickensian London deservedly earned an Academy Award. His work as a cinematographer for the next few years were justly celebrated. Film after film: Blanche Fury (1947), Oliver Twist (1948), The Passionate Friends (1949), Captain Horatio Hornblower R.N. (1951), The Beggar's Opera (1953), I Am a Camera (1955), all highlighted his gift for cloud-soaked period pieces with sweeping vistas of broad landscapes.
He made his directorial debut in a modest crime drama, River Beat (1954). Some minor titles followed: Portrait of Alison (1955); House of Secrets (1956); the ingenious mystery thriller The Snorkel (1958); the controversial child molestation drama The Mark (1961) starring Stuart Whitman in an Oscar® nominated performance; and his breakthrough picture, The Angry Silence (1960) which starred Richard Attenborough as an outcast who tries to battle labor union corruption. This film earned Green a BAFTA (a British Oscar equivilant) nomination for Best Director and opened the door for him to Hollywood.
Once there, he proceeded to make some pleasant domestic dramas: Light in the Piazza (1962), and Diamond Head (1963), before moving onto what many critics consider his finest work: A Patch of Blue (1965). The film, based on Elizabeth Kata's novel about the interracial love between a blind girl (Elizabeth Hartman) and a black man (Sidney Poitier) despite the protests of her bigoted mother (Shelley Winters), was a critical and commercial hit, and it earned Green a Golden Globe nomination for Best Director.
Strangely, Green would never enjoy a critical success equal to A Patch of Blue again. Despite his talent for sensitive material and handling of actors, Green's next two films: a forgettable Hayley Mills vehicle Pretty Polly (1967); and The Magus simply didn't attract the moviegoers or the film reviewers. He redeemed himself slightly with the mature Anthony Quinn-Ingrid Bergman love story Walk in the Spring Rain (1970); and the historical drama Luther (1973), before he stooped to lurid dreck with Jacqueline Susan's Once Is Not Enough (1975).
Eventually, Green would find solace directing a series of television movies, the best of which was an adaptation of the Arthur Hailey (of Airport fame) novel Strong Medicine (1986) starring Sam Neill and Annette O’Toole. Green is survived by his wife Josephine.
by Michael T. Toole
Guy Green (1913-2005)
Quotes
Trivia
'Bruce Lee' was fight choreographer for this film.
Notes
Location scenes filmed in the Great Smoky Mountains National Park.
Miscellaneous Notes
Released in United States April 1970
Released in United States Spring April 1970
Panavision
c Technicolor
8822 feet
rtg BBFC A
rtg MPAA M (original)
rtg MPAA PG
Released in United States April 1970
Released in United States Spring April 1970