"With Harry," Hitchcock said, "I took melodrama out of the pitch-black night and brought it out into the sunshine. It's as if I had set up a murder alongside a rustling brook and spilled a drop of blood into the clear water. These contrasts establish a counterpart; they elevate the commonplace in life to a higher level."
The film opens with a very young boy (Jerry Mathers, before he gained fame as Theodore "Beaver" Cleaver on the TV series, Leave It to Beaver) stumbling upon a dead body while playing in the golden New England countryside. Wholly unperturbed by the discovery, he alerts his mother, Jennifer Rogers (MacLaine), who recognizes the body as being her ex-husband, Harry Worp. Jennifer recently struck Harry across the head with a bottle, and she's afraid she may have killed him.
Ah, but Jennifer isn't the only possible killer. There's also a retired sea captain (Edmund Gwenn) who thinks he may have shot Harry while hunting rabbits, and a doddering old woman (Mildred Natwick) who believes she may have done him in. This incites a round-robin of people burying Harry, then digging him up again, as they attempt to dispose of the body. A local painter (John Forsythe) is enlisted to help the "killers," and, as you might expect, he finds himself falling in love with MacLaine. Gwenn and Natwick also develop a romance, but, frankly, who cares when there's a body in the bathtub?
MacLaine was as surprised as anybody that she was suddenly starring in an Alfred Hitchcock movie...or any movie at all, for that matter. Originally, Hitchcock wanted Grace Kelly for the role, but she was unavailable. Then he briefly considered Brigitte Auber. But he decided he'd rather not wrestle her French accent in such an American picture. The cast and crew was headed to New England without a lead actress when producer Hal Wallis mentioned MacLaine, a 21 year-old chorus girl who had triumphantly stepped into the lead role for one night in Broadway's The Pajama Game. Having nothing to lose, Hitchcock agreed to interview MacLaine, and was thoroughly charmed by her. He was also intrigued by the prospect of directing a performer who had no film or television experience. None. MacLaine was floored when he told her, "All this simply means is that I shall have fewer bad knots to untie. You're hired." Almost 50 years later, MacLaine is still in the game.
Hitchcock intended to film all of The Trouble with Harry on location, in the towns of Stowe, Morrisville, Craftsbury, and Sugarbush. Unfortunately, the weather didn't always cooperate, and the shoot became a headache. Many scenes where staged on sets that were built at a local gymnasium. Even that was tough, however, as rainfall regularly echoed off the building's tin roof, ruining takes. Later, the woods had to be partially reconstructed on a Hollywood lot, so that Hitchcock could get a few more shots of Harry lying in the leaves. To make it even more difficult, the actor who played the corpse was in New York City, so a double was cast and his head was hidden by a bush to maintain continuity. As a finishing touch, one character's reference to Daniel Boone was changed to Davy Crockett in post-production, to take full advantage of the Crockett-mania that was then sweeping the nation. All in the name of art.
This was Hitchcock's first film with Bernard Herrmann, who would go on to write legendary scores for such pictures as North by Northwest (1959), Vertigo (1958), and Psycho (1960). Herrmann's work on The Trouble with Harry is no less impressive than the above. But, this time around, he served Hitchcock particularly well by inserting Funeral March of the Marionette as temporary music over Harry's opening credit sequence. It later became Hitch's trademark when it was used as the theme song to TV's Alfred Hitchcock Presents.
By the way, if you're looking for Hitchcock's cameo, this one is a little hard to catch. He can be seen through the window of the general store, walking past a Rolls Royce.
Produced and Directed by: Alfred Hitchcock
Screenplay: John Michael Hayes
Editing: Alma Macrorie
Cinematography: Robert Burks
Art Direction: John B. Goodman and Hal Pereira
Music: Bernard Herrmann
Costume Design: Edith Head
Set Design: Sam Comer, Emile Kuri
Makeup: Wally Westmore
Principal Cast: Edmund Gwenn (Capt. Albert Wiles), John Forsythe (Sam Marlowe), Shirley MacLaine (Jennifer Rogers), Mildred Natwick (Miss Ivy Gravely), Jerry Mathers (Arnie Rogers), Royal Dano (Calvin Wiggs), Parker Fennelly (Millionaire), Barry Macollum (Tramp), Dwight Marfield (Dr. Greenbow).
C-100m. Letterboxed. Closed captioning.
by Paul Tatara
