Steppenwolf
Brief Synopsis
Harry Haller is a misanthropic writer whose self-absorption and feelings of being a social outsider have led him to plan his suicide at age 50. While contemplating this act, he meets a mysterious woman who takes him into a realm of metaphysical transcendence.
Cast & Crew
Read More
Fred Haines
Director
Niels-peter Rudolph
Dominique Sanda
Helmut Fornbacher
Alfred Baillou
Silvia Reize
Film Details
MPAA Rating
Genre
Drama
Release Date
1974
Technical Specs
Duration
1h 46m
Sound
Stereo
Color
Color
Synopsis
Harry Haller is a misanthropic writer whose self-absorption and feelings of being a social outsider have led him to plan his suicide at age 50. While contemplating this act, he meets a mysterious woman who takes him into a realm of metaphysical transcendence.
Director
Fred Haines
Director
Cast
Niels-peter Rudolph
Dominique Sanda
Helmut Fornbacher
Alfred Baillou
Silvia Reize
Helen Hesse
Roy Bosier
Judith Mellies
Max Von Sydow
Pierre Clementi
Carla Romanelli
Eduard Linkers
Charles Regnier
Crew
Johann Sebastian Bach
Music
Gabria Belloni
Assistant Director
Ernst Bertschi
Assistant Director
R H Borchardt
Sound
Roy Bosier
Choreographer
Jaroslav Bradec
Animator
Joe Burke
Song
Ian Crafford
Sound Editor
Benny Davis
Song
Melvin Fishman
Producer
George Gruntz
Song
George Gruntz
Music
Fred Haines
Song
Fred Haines
Screenplay
Elsie Heckmann
Costumes
Richard Herland
Producer
Hermann Hesse
Source Material (From Novel)
Leo Karen
Art Director
Mati Klarwein
Other
Irving Lerner
Editor
Tomislav Pinter
Director Of Photography
Renato Romano
Assistant Director
Bill Rowe
Sound
Gunther Schmidt
Special Effects
Peter J Sprague
Executive Producer
Klaus Dieter Stoltenberg
Video
Thilo Theilen
Associate Producer
Thilo Thielen
Production Supervisor
Steve Turner
Video
Horst Wenzel
Video
Film Details
MPAA Rating
Genre
Drama
Release Date
1974
Technical Specs
Duration
1h 46m
Sound
Stereo
Color
Color
Articles
Steppenwolf - Max Von Sydow in Hermann Hesse's STEPPENWOLF on DVD
When you consider that his only other screenwriting credit of note is director Joseph Strick's adaptation of Joyce's Ulysses (1967), Haines seemed a glutton for punishment when it came to trying to film the unfilmable. He did have the good fortune of casting Max Von Sydow in the central role of the Hesse surrogate Harry Haller. As the bourgeois intellectual so weary of trying to reconcile his genteel exterior with the "wolf of the Steppes" that he harbors within that he contemplates marking his fiftieth birthday with suicide, Von Sydow deftly and delicately projected the character's crushing angst.
However, Haines had Von Sydow do so through half an hour of hallucinatory meanderings, until Haller makes the acquaintance of the young prostitute Hermine (Dominique Sanda), whose attentions finally draw him outward. Once in her orbit, the reserved old bourgeois gets a taste of life's more decadent pleasures, courtesy of the jazz musician-drug dealer Pablo (Pierre Clemente) and Hermine's sensual colleague Maria (Carla Romanelli). It's through their attentions that Harry finds his long-sought egress into the hallucinatory "Magic Theatre" where he might finally achieve self-realization.
Those contemporary viewers willing and/or patient enough to sift through the panorama of eye candy that Haines utilized to put his story across will get the most out of Steppenwolf; others may want to take a pass. Sanda, an arthouse favorite of the era (The Garden of the Finzi-Continis [1971], The Conformist [1971]) was at the height of her beauty here, if patently uncomfortable performing in English. The bulk of the supporting parts, insofar as they were played out in Haller's fevered imagination, were appropriately cast with grotesques straight out of Breughel, notably Alfred Baillou as a dwarfish Goethe. The picturesque location footage taken in Basel, Switzerland provided an appropriately Gothic feel for Haller's bleak reality.
HomeVision's presentation of Steppenwolf is bare-bones, with an adequately clean image presented in a fullscreen 1.33:1 aspect ratio and Dolby Digital Mono sound. English subtitles for the hard of hearing and the theatrical trailer comprise the breadth of the extras.
For more information about Steppenwolf, visit Image Home Entertainment. To order Steppenwolf, go to TCM Shopping.
by Jay S. Steinberg
Steppenwolf - Max Von Sydow in Hermann Hesse's STEPPENWOLF on DVD
Way, way back in the Woodstock era, the works of the German novelist Herman Hesse and their search-for-self themes enjoyed a vogue
with young intellectuals yearning for some deeper understanding of the world. It was during this time that writer/director Fred Haines took on
the daunting task of taking Hesse's popular 1927 novel of an aging writer's struggles with the dual aspects of his nature and translating it for
the screen. The end product, Steppenwolf (1974), employed period psychedelia, Gilliamesque cut-out animation and
such-as-they-were special effects to try and open a door into a tortured soul. The numbingly literal results, finally introduced to the DVD
market by HomeVision Entertainment and Image Entertainment, remain intriguing if not entirely successful.
When you consider that his only other screenwriting credit of note is director Joseph Strick's adaptation of Joyce's Ulysses (1967),
Haines seemed a glutton for punishment when it came to trying to film the unfilmable. He did have the good fortune of casting Max Von
Sydow in the central role of the Hesse surrogate Harry Haller. As the bourgeois intellectual so weary of trying to reconcile his genteel
exterior with the "wolf of the Steppes" that he harbors within that he contemplates marking his fiftieth birthday with suicide, Von Sydow
deftly and delicately projected the character's crushing angst.
However, Haines had Von Sydow do so through half an hour of hallucinatory meanderings, until Haller makes the acquaintance of the young
prostitute Hermine (Dominique Sanda), whose attentions finally draw him outward. Once in her orbit, the reserved old bourgeois gets a taste
of life's more decadent pleasures, courtesy of the jazz musician-drug dealer Pablo (Pierre Clemente) and Hermine's sensual colleague
Maria (Carla Romanelli). It's through their attentions that Harry finds his long-sought egress into the hallucinatory "Magic Theatre" where he
might finally achieve self-realization.
Those contemporary viewers willing and/or patient enough to sift through the panorama of eye candy that Haines utilized to put his story
across will get the most out of Steppenwolf; others may want to take a pass. Sanda, an arthouse favorite of the era (The
Garden of the Finzi-Continis [1971], The Conformist [1971]) was at the height of her beauty here, if patently uncomfortable
performing in English. The bulk of the supporting parts, insofar as they were played out in Haller's fevered imagination, were appropriately
cast with grotesques straight out of Breughel, notably Alfred Baillou as a dwarfish Goethe. The picturesque location footage taken in Basel,
Switzerland provided an appropriately Gothic feel for Haller's bleak reality.
HomeVision's presentation of Steppenwolf is bare-bones, with an adequately clean image presented in a fullscreen 1.33:1 aspect
ratio and Dolby Digital Mono sound. English subtitles for the hard of hearing and the theatrical trailer comprise the breadth of the extras.
For more information about Steppenwolf, visit Image Home Entertainment. To
order Steppenwolf, go to
TCM
Shopping.
by Jay S. Steinberg
Quotes
Trivia
Miscellaneous Notes
Released in United States 1974
Released in United States 1974