The Quiet American


2h 1958
The Quiet American

Brief Synopsis

An American economist gets caught between Communists and colonialists in Indochina.

Film Details

Genre
Drama
Action
Adaptation
Political
Release Date
Jan 1958
Premiere Information
not available
Production Company
Figaro, Inc.
Distribution Company
United Artists Corp.
Country
Italy and United States
Location
Rome,Italy; Saigon,Vietnam
Screenplay Information
Based on the novel The Quiet American by Graham Greene (London, 1955).

Technical Specs

Duration
2h
Sound
Mono (Western Electric Sound System)
Color
Black and White

Synopsis

In 1952 Saigon, Vietnam during Chinese New Year celebrations, the body of a young American is found on a river bank. Anxious when the American misses a scheduled meeting, British reporter Thomas Fowler leaves his apartment to look for him, but is summoned to police headquarters by French Inspector Vigot, who is investigating the murder. Vigot inquires about Fowler's meeting and asks if he can verify that Fowler's former girl friend, the beautiful Phuong, and the American are engaged. Fowler is unwilling to discuss Phuong, but admits knowing that the American is a member of Friends of Free Asia, an organization that distributes aid in the form of medicine and food. When Fowler asks if the American is dead, Vigot asks Fowler to identify the body. After confirming that the dead man is the American, Fowler remains in the morgue and recalls one of his first meetings with the American a few months earlier: Over drinks with Phuong, Fowler's local informant Dominguez and the American Fowler cynically dismisses the seriousness of the war being fought in the north between French colonial forces and the Communists, and the American's observation that the Vietnamese should rule themselves. Dominguez, who has just returned from the north, advises Fowler to visit the region. The American invites Fowler and Phuong to the Rendez-Vous restaurant, where the American is distressed by the hired female escorts, choosing instead to dance with Phoung. Fowler is joined by Phuong's sister, Miss Hei, who inquires about the American's financial background. A week later Fowler travels to the north and is surprised when he meets the American, who has been picked up by the military for roaming in the region. The American admits that he braved Communist lines to confess to Fowler that he has fallen in love with Phuong. Fowler scoffs at the American's determination to marry Phuong, but admits that he could never marry her himself because he is already married and his wife's religion forbids divorce. After the American departs, Fowler receives a telegram informing him that he has been promoted to a London post as head foreign editor. Fowler spends the next two weeks covering the war in the north, but remains anxious about Phuong and the American. Upon returning to Saigon, Fowler learns from Dominguez that the American has been receiving shipments of plastics, in addition to the medical supplies for his mission. Fowler also discovers that the American has been with Phuong constantly, but always in the company of Miss Hei. Later, the American, accompanied by his Boxer dog Duke, visits Fowler and Phuong to inform Fowler of his sincerity regarding Phuong. Put off by the American's guilelessness, Fowler challenges him about the plastic shipments, but the American insists that he is helping make children's toys for Chinese New Year. The American asks Fowler for assistance in speaking with Phuong, as he speaks no French or Vietnamese and she does not understand English, and Fowler grudgingly translates the American's proposal of marriage to Phuong. After the American departs, Fowler writes a letter to his wife pleading for a divorce. Several days later, in the countryside, Fowler and other journalists watch the religious ceremony of the Cao-Dai sect and interview the sect's military commandant. The American is present and asks Fowler for a ride back to the city before nightfall when the Communist bombings begin. When Fowler's car runs out of gas at dusk, the two men are forced to seek sanctuary in a guardhouse with two Vietnamese sentries. There, Fowler and the American discuss politics, but the Englishman dismisses the American's hopes for another option for Vietnam other than deteriorating French colonialism or Communism. Near dawn, when the guardhouse is threatened by an approaching Communist army tank, Fowler and the American flee. After Fowler injures his ankle, the American hides with him in a rice paddy, then goes for help. A few days later, as Fowler is leaving the hospital for treatment of his broken ankle, he receives a response from his wife refusing his divorce request. When Phuong asks about the letter, Fowler tells her that his wife has agreed to the divorce and later repeats the lie to the American. Afterward, Dominguez visits Fowler to recommend that he speak with a Chinese acquaintance who has vital information. Fowler agrees and is taken to Mr. Heng, who admits to being a Communist, but nevertheless asserts his confidence that Fowler is neutral and a fair reporter. Heng then shows Fowler an American-labeled, empty can of plastic and cracked plastic moldings. The following day, the American confronts Fowler in a restaurant, revealing that Phuong took the letter from Fowler's wife to her sister for translation and discovered his deception. That afternoon, Heng meets Fowler in town to show him several bicycles carrying plastic tire pumps that match the moldings distributed by the American. Unsettled, Fowler returns to his apartment and, finding no sign of Phuong, realizes she has left him for the American. Soon after, several bicycles explode in the city square, seriously injuring many people. Fowler comes upon the American dispensing medical aid and, believing the American has provided the explosive-bearing plastic pumps to forces supporting an independent Vietnam, berates him. When Fowler rages about the American's naïve political actions to Heng, Heng offers to get rid of him and suggests that Fowler set up a late dinner date with the American that night. That afternoon at Fowler's request, the American and his dog visit and Fowler accuses him of political meddling. The American denies the accusation, explaining a prominent Vietnamese he met at Princeton University spurred his interest in Vietnam. The American reveals that he has been recalled to America and is taking Phuong with him, then agrees to meet Fowler for a late dinner. In the present, Fowler leaves the morgue to tell Phuong that the American is dead. The next day Vigot takes Fowler to the American's apartment and reveals that he knows that Fowler lied about last seeing the American in the square after the bomb blasts. He explains that Duke was found dead near the American's body and that cement on his paws matched fresh cement poured at Fowler's building on the afternoon of the murder. When Fowler attempts to explain the American's misguided activities, Vigot states that Fowler's jealousy of the American has been manipulated by the Communists to help get rid of the American. Fowler is stunned when Vigot reveals that Heng is the chief of a Communist assassination committee and Dominguez is a long-time Communist stooge. Vigot then gives the reporter a telegram from Fowler's wife that was found on Dominguez. In the telegram, Fowler's wife agrees to the divorce, prompting Fowler to go in search of Phuong. To his dismay, he finds her working as an escort girl at the Rendez-Vous, and despite his declarations that he has turned down his new posting and will marry her, Phuong rejects him.

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Film Details

Genre
Drama
Action
Adaptation
Political
Release Date
Jan 1958
Premiere Information
not available
Production Company
Figaro, Inc.
Distribution Company
United Artists Corp.
Country
Italy and United States
Location
Rome,Italy; Saigon,Vietnam
Screenplay Information
Based on the novel The Quiet American by Graham Greene (London, 1955).

Technical Specs

Duration
2h
Sound
Mono (Western Electric Sound System)
Color
Black and White

Articles

The Quiet American


When an American working for an aid organization in Vietnam is murdered, Vigot, a French police inspector, must investigate the case. The story, told through flashbacks, concerns an American who arrives in Indochina (Vietnam) under the auspices of an economic aid organization to support the "third force" in the struggle against the French Colonists and the Communists. There he meets Fowler, a world-weary British journalist, and falls in love with Fowler's mistress Phuong. In retaliation, Fowler accuses the American of using economic aid as a cover for a scheme to sell arms to anti-Communist forces, making the American a target for the Communists. Eventually, Fowler learns of the American's innocence through Inspector Vigot.

The Quiet American (1958) was among the first films to deal with the problem of the American presence in Vietnam (or Indochina, as it was commonly known at that time). The original book by Graham Greene was overtly critical of "Uncle Sam's" presence in Vietnam and caused an uproar in the U.S. when it was published in 1956. However, this provocative aspect of the story was softened by writer/director/producer Joseph L. Mankiewicz for the adaptation. Among other things, the American was changed from a government official to a private citizen. Casting real-life war hero Audie Murphy as the American also helped make the character more immediately sympathetic to American audiences. Incidentally, Laurence Olivier, who was originally to play Fowler, dropped out when he learned that Murphy was cast as the American instead of Montgomery Clift; Michael Redgrave took Olivier's place. According to Robert Lantz, before making the film Mankiewicz said, "I will tell the whole story anti-Communist and pro-American." However, Mankiewicz later denied saying this, claiming that he made the changes in the script to show how "emotions can very often dictate political beliefs."

The novels of British-born writer Graham Greene (1904-1991) are an unusual combination of globetrotting intrigue, psychological character studies and serious meditations on moral and theological issues. Educated in Oxford, he flirted with Communism briefly before converting to Catholicism in 1926. During the 1930s, he worked for the Secret Intelligence Service and traveled to countries such as Liberia, Sierra Leone, Indochina, Cuba, Haiti and Mexico, thus discovering settings for his travel writings and novels. Greene's works have been widely adapted to film, often with screenplays written by Greene himself: The Power and the Glory, which became John Ford's The Fugitive (1947); The Fallen Idol (1948); The Third Man (1949); The End of the Affair (1955) and Our Man in Havana (1960). The most notable Greene adaptation of recent years is Neil Jordan's reworking of The End of the Affair (1999).

The film was shot partly on the soundstages of the Cinecitta Studio in Rome, partly in Vietnam. Location shooting in Vietnam was not without complications. Cinematographer Robert Krasker had to avoid shooting at noon because the intense overhead tropical sun created lighting problems. The crew also encountered difficulties obtaining permission to shoot inside a Buddhist temple due to the phase of the moon. According to one source, the film's Vietnam production unit became the unwitting participant in a political demonstration. While filming in the city of Tay Ninh, they witnessed what they believed to be a religious procession by the Cao-Dai sect with about 40,000 participants. However, they later learned that it was a protest by the sect calling for the return of its leader. The police, who assumed that the event had been staged specially for the film, allowed it to proceed without interference.

While a number of critics pointed out the film's blunted political message at the time of its release, it was nonetheless praised for its acting, especially Michael Redgrave's brilliant performance as Fowler, and its vivid use of locations. Bosley Crowther of The New York Times wrote, "Scenes shot in Saigon have a vivid documentary quality and, indeed, the whole film has an aroma of genuine friction in the seething Orient."

Producer: Joseph L. Mankiewicz, Vinh Noan (associate producer), Michael Waszynski (associate producer)
Director: Joseph L. Mankiewicz
Screenplay: Graham Greene (novel), Joseph L. Mankiewicz
Cinematography: Robert Krasker
Film Editing: William Hornbeck
Original Music: Mario Nascimbene
Principal Cast: Audie Murphy (Alden Pyle), Michael Redgrave (Thomas Fowler), Claude Dauphin (Inspector Vigot), Giorgia Moll (Phuong), Bruce Cabot (Bill Granger), Kerima (Phuong's sister), Yoko Tani (Rendezvous hostess), Fred Sadoff (Dominguez).
BW-122m.

By James Steffin

The Quiet American

The Quiet American

When an American working for an aid organization in Vietnam is murdered, Vigot, a French police inspector, must investigate the case. The story, told through flashbacks, concerns an American who arrives in Indochina (Vietnam) under the auspices of an economic aid organization to support the "third force" in the struggle against the French Colonists and the Communists. There he meets Fowler, a world-weary British journalist, and falls in love with Fowler's mistress Phuong. In retaliation, Fowler accuses the American of using economic aid as a cover for a scheme to sell arms to anti-Communist forces, making the American a target for the Communists. Eventually, Fowler learns of the American's innocence through Inspector Vigot. The Quiet American (1958) was among the first films to deal with the problem of the American presence in Vietnam (or Indochina, as it was commonly known at that time). The original book by Graham Greene was overtly critical of "Uncle Sam's" presence in Vietnam and caused an uproar in the U.S. when it was published in 1956. However, this provocative aspect of the story was softened by writer/director/producer Joseph L. Mankiewicz for the adaptation. Among other things, the American was changed from a government official to a private citizen. Casting real-life war hero Audie Murphy as the American also helped make the character more immediately sympathetic to American audiences. Incidentally, Laurence Olivier, who was originally to play Fowler, dropped out when he learned that Murphy was cast as the American instead of Montgomery Clift; Michael Redgrave took Olivier's place. According to Robert Lantz, before making the film Mankiewicz said, "I will tell the whole story anti-Communist and pro-American." However, Mankiewicz later denied saying this, claiming that he made the changes in the script to show how "emotions can very often dictate political beliefs." The novels of British-born writer Graham Greene (1904-1991) are an unusual combination of globetrotting intrigue, psychological character studies and serious meditations on moral and theological issues. Educated in Oxford, he flirted with Communism briefly before converting to Catholicism in 1926. During the 1930s, he worked for the Secret Intelligence Service and traveled to countries such as Liberia, Sierra Leone, Indochina, Cuba, Haiti and Mexico, thus discovering settings for his travel writings and novels. Greene's works have been widely adapted to film, often with screenplays written by Greene himself: The Power and the Glory, which became John Ford's The Fugitive (1947); The Fallen Idol (1948); The Third Man (1949); The End of the Affair (1955) and Our Man in Havana (1960). The most notable Greene adaptation of recent years is Neil Jordan's reworking of The End of the Affair (1999). The film was shot partly on the soundstages of the Cinecitta Studio in Rome, partly in Vietnam. Location shooting in Vietnam was not without complications. Cinematographer Robert Krasker had to avoid shooting at noon because the intense overhead tropical sun created lighting problems. The crew also encountered difficulties obtaining permission to shoot inside a Buddhist temple due to the phase of the moon. According to one source, the film's Vietnam production unit became the unwitting participant in a political demonstration. While filming in the city of Tay Ninh, they witnessed what they believed to be a religious procession by the Cao-Dai sect with about 40,000 participants. However, they later learned that it was a protest by the sect calling for the return of its leader. The police, who assumed that the event had been staged specially for the film, allowed it to proceed without interference. While a number of critics pointed out the film's blunted political message at the time of its release, it was nonetheless praised for its acting, especially Michael Redgrave's brilliant performance as Fowler, and its vivid use of locations. Bosley Crowther of The New York Times wrote, "Scenes shot in Saigon have a vivid documentary quality and, indeed, the whole film has an aroma of genuine friction in the seething Orient." Producer: Joseph L. Mankiewicz, Vinh Noan (associate producer), Michael Waszynski (associate producer) Director: Joseph L. Mankiewicz Screenplay: Graham Greene (novel), Joseph L. Mankiewicz Cinematography: Robert Krasker Film Editing: William Hornbeck Original Music: Mario Nascimbene Principal Cast: Audie Murphy (Alden Pyle), Michael Redgrave (Thomas Fowler), Claude Dauphin (Inspector Vigot), Giorgia Moll (Phuong), Bruce Cabot (Bill Granger), Kerima (Phuong's sister), Yoko Tani (Rendezvous hostess), Fred Sadoff (Dominguez). BW-122m. By James Steffin

Quotes

Trivia

Notes

Joseph L. Mankiewicz's onscreen credit reads: "Written for the screen and directed by Joseph L. Mankiewicz." The following written prologue appeared in the opening credits: "Saigon...1952; There was an emperor-who ruled by permission of France to whom it belonge-and 300 miles to the north of Saigon, both the emperor and the French were fighting a war against a Communist army." The closing credits included the following written statement: "To the people of the Republic of Vietnam-to their chosen President and administration-our appreciation for their help and kindness." This statement referred to President Ngo Dinh Diem, who ruled Vietnam from 1955 until his assassination in 1963. The order of the opening cast credits differ slightly from the closing credits. Some reviews list actor Clinton Anderson's surname as "Andersen."
       A January 1956 news item noted that Humphrey Bogart was under consideration for the role of "The American." As noted in reviews for the film, The Quiet American substantially reduced the anti-American bias of Graham Greene's novel, changing "The American" (who has no name in the film, although in the book he is called "Alden Pyle") from a possible official government representative to a medical aid worker, thus making his political opinions not necessarily connected with the American government. The film and Greene's novel are set in 1952, shortly after the end of the first Indochina war and three years before the end of French rule and the beginning of more American involvement. Greene had been in Indochina as a war correspondent and was critical of growing American intervention.
       A modern biography of Joseph L. Mankiewicz notes that numerous reviews were critical of The Quiet American film's ending (changed from Greene's, in which "Phuong" returns to "Fowler"), charging that this shifted the emphasis to the romantic betrayal rather than the sharper political one. The same source notes that the closing appreciation was probably necessary in order for Mankiewicz to secure permission to film in Vietnam. The biography discloses that Mankiewicz intended to cast Laurence Olivier as "Fowler" and Montgomery Clift as "The American," but Olivier dropped out after Clift withdrew, possibly due to health considerations. Novice France Nuyen was tested for "Phuong." The film was shot on location in Saigon, Vietnam and the Cinecittà Studios in Rome. According to a January 1957 Variety news item, The Quiet American was the first feature to be filmed in Vietnam. In 2002, Miramax Films released another film adaptation of The Quiet American, starring Michael Caine as Fowler and Brendan Fraser as Pyle, and directed by Phillip Noyce. For information about the differences between the 1958 and 2002 films, please see the entry for the 2002 version of The Quiet American (below).

Miscellaneous Notes

Released in United States Winter January 1958

Released in United States Winter January 1958