Children of the Damned


1h 30m 1964
Children of the Damned

Brief Synopsis

Space invaders impregnate six women with super-powered offspring.

Film Details

Genre
Horror/Science-Fiction
Horror
Release Date
Jan 1964
Premiere Information
New York opening: 29 Jan 1964
Production Company
Metro-Goldwyn-Mayer Pictures
Distribution Company
Metro-Goldwyn-Mayer, Inc.
Country
United Kingdom
Screenplay Information
Based on characters created by John Wyndham.

Technical Specs

Duration
1h 30m

Synopsis

A UNESCO survey reveals six children, all the same age, in six countries who show identical and impossibly high scores in intelligence tests. The four boys and two girls, who come from Russia, the United States, Great Britain, India, China, and Africa, are brought to their respective embassies in London so that scientists may study their ability to communicate telepathically with each other, their power to impose their will on others, and other supernatural abilities. Their mothers, who are unable to explain the phenomenon, all insist that the children had no fathers. The children, led by the English boy, Paul, escape and hide in an abandoned church, taking with them Susan Eliot, Paul's young aunt. With their powers they turn away fearful government officials who have decided that the children must be destroyed. A scientist, Dr. Tom Lewellin, shocked by the government's plan to kill the six, persuades the chief of the UNESCO project to talk to the children. The children demonstrate their own higher morality but not in enough time to save themselves. An attack is accidentally launched, and the church and the children are destroyed.

Film Details

Genre
Horror/Science-Fiction
Horror
Release Date
Jan 1964
Premiere Information
New York opening: 29 Jan 1964
Production Company
Metro-Goldwyn-Mayer Pictures
Distribution Company
Metro-Goldwyn-Mayer, Inc.
Country
United Kingdom
Screenplay Information
Based on characters created by John Wyndham.

Technical Specs

Duration
1h 30m

Articles

Children of the Damned


A surprisingly effective science fiction thriller for its time, Village of the Damned (1960) was notable for its eerie feel and spooky atmosphere. The sequel, Children of the Damned (1963), is equally memorable, but for different reasons, and is a complete departure from John Wyndham's original story. In fact, the two films share no similarities in the storyline, cast or crew other than the composer and three assorted sound people from the first film.

In Children of the Damned, six children are born (at different locations around the world) with unusually high intelligence and special powers (the film's ads warned "Beware the eyes that paralyze!"). United Nations scientists move the youngsters to London for closer investigation. While the researchers argue among themselves about the children'fate, the military tries to figure out a way to harness the youngsters' special powers. Meanwhile, the six children decide to take matters into their own hands.

Some critics noticed an unusual subtext in the film concerning the two male protagonists played by Ian Hendry and Alan Badel. In Science Fiction in the Cinema by John Baxter, the author wrote "the two men live together in what seems a loose homosexual relationship, and when the less dominant of them becomes involved with a woman, the other, played with malicious authority by Alan Badel, throws himself actively into destroying the children....the allegory is plain but on the way to its presentation director Anton Leader has given us one of the finest pieces of SF cinema to come out of England, or for that matter any other country."

As a variation on the theme of potentially destructive children, Children of the Damned is certainly an intriguing film and was nominated for Best Dramatic Presentation in the Hugos, the science fiction world's equivalent of the Academy Awards. The film was written by John Briley who would later win a Best Screenplay Oscar for Gandhi (1982). Not only was Children of the Damned filmed in England but most of the crew was British. One exception was director Anton Leader, probably best known for his television work, including episodes of Star Trek, Gilligan's Island and Lost in Space. This is only one of two feature films he directed. Appearing in a small role is Bessie Love, who had been nominated for a Best Actress Oscar decades earlier for The Broadway Melody (1929).

Producer: Ben Arbeid
Director: Anton Leader
Screenplay: John Briley
Cinematography: Davis Boulton
Film Editing: Ernest Walter
Original Music: Ron Goodwin
Principal Cast: Ian Hendry (Col. Tom Lewellin), Alan Badel (Dr. David Neville), Barbara Ferris (Susan Eliot), Alfred Burke (Colin Webster), Patrick Wymark (Commander), Martin Miller (Professor Gruber), Sheila Allen (Diana Looran).
BW-90m. Letterboxed. Closed captioning.

By Lang Thompson
Children Of The Damned

Children of the Damned

A surprisingly effective science fiction thriller for its time, Village of the Damned (1960) was notable for its eerie feel and spooky atmosphere. The sequel, Children of the Damned (1963), is equally memorable, but for different reasons, and is a complete departure from John Wyndham's original story. In fact, the two films share no similarities in the storyline, cast or crew other than the composer and three assorted sound people from the first film. In Children of the Damned, six children are born (at different locations around the world) with unusually high intelligence and special powers (the film's ads warned "Beware the eyes that paralyze!"). United Nations scientists move the youngsters to London for closer investigation. While the researchers argue among themselves about the children'fate, the military tries to figure out a way to harness the youngsters' special powers. Meanwhile, the six children decide to take matters into their own hands. Some critics noticed an unusual subtext in the film concerning the two male protagonists played by Ian Hendry and Alan Badel. In Science Fiction in the Cinema by John Baxter, the author wrote "the two men live together in what seems a loose homosexual relationship, and when the less dominant of them becomes involved with a woman, the other, played with malicious authority by Alan Badel, throws himself actively into destroying the children....the allegory is plain but on the way to its presentation director Anton Leader has given us one of the finest pieces of SF cinema to come out of England, or for that matter any other country." As a variation on the theme of potentially destructive children, Children of the Damned is certainly an intriguing film and was nominated for Best Dramatic Presentation in the Hugos, the science fiction world's equivalent of the Academy Awards. The film was written by John Briley who would later win a Best Screenplay Oscar for Gandhi (1982). Not only was Children of the Damned filmed in England but most of the crew was British. One exception was director Anton Leader, probably best known for his television work, including episodes of Star Trek, Gilligan's Island and Lost in Space. This is only one of two feature films he directed. Appearing in a small role is Bessie Love, who had been nominated for a Best Actress Oscar decades earlier for The Broadway Melody (1929). Producer: Ben Arbeid Director: Anton Leader Screenplay: John Briley Cinematography: Davis Boulton Film Editing: Ernest Walter Original Music: Ron Goodwin Principal Cast: Ian Hendry (Col. Tom Lewellin), Alan Badel (Dr. David Neville), Barbara Ferris (Susan Eliot), Alfred Burke (Colin Webster), Patrick Wymark (Commander), Martin Miller (Professor Gruber), Sheila Allen (Diana Looran). BW-90m. Letterboxed. Closed captioning. By Lang Thompson

Quotes

Trivia

Notes

Released in Great Britain in April 1964.

Miscellaneous Notes

Released in United States January 29, 1964

Released in United States March 1975

Released in United States Winter December 31, 1963

Released in United States January 29, 1964

Released in United States Winter December 31, 1963

Released in United States March 1975 (Shown at FILMEX: Los Angeles International Film Exposition (Science Fiction Movie Marathon) March 13-26, 1975.)