Playmates


1h 36m 1941
Playmates

Brief Synopsis

A bandleader enlists a down-on-his-luck actor to teach him Shakespeare.

Film Details

Genre
Comedy
Musical
Release Date
Dec 26, 1941
Premiere Information
not available
Production Company
RKO Radio Pictures, Inc.
Distribution Company
RKO Radio Pictures, Inc.
Country
United States

Technical Specs

Duration
1h 36m
Sound
Mono (RCA Victor System)
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
8,642ft (11 reels)

Synopsis

Lulu Monahan, press agent to actor John Barrymore, is trying to sell her client's services to Mr. Pennypacker, the sponsor of a local radio show. When Pennypacker rejects Barrymore because he is no longer in the public eye, Lulu devises a stunt to generate publicity for Barrymore. Teaming up with Peter Lindsey, press agent to band leader Kay Kyser, Lulu concocts a publicity stunt in which Barrymore will teach Shakespeare to Kay. Barrymore is reluctant to work with the "Dixieland MacBeth" until the Internal Revenue Service demands payment of his back taxes and Lulu assures him that the alliance will result in a lucrative radio contract with Pennypacker. When Lulu embellishes the stunt by promising a summer festival of Shakespearean plays starring Kay and Barrymore, Pennypacker's social-climbing wife is so impressed by the concept that she offers their Long Island estate for the festival. Barrymore then begins to tutor Kay, who recites Shakespeare with his Carolina twang. Although Barrymore fails to win the admiration of his pupil, he charms Kay's grandmother and Ginny, Kay's lead singer. When female bullfighter and former girl friend Carmen del Toro bursts upon the scene and demands Barrymore's attentions, the thespian devises a scheme to eliminate Kay by incinerating him with Carmen's fiery charms. Rather than exhausting Kay, however, Carmen's rumbas and congas energize him, thwarting Barrymore's plan. Four days before the performance, Kay is recording his speech when he leaves the room to speak to Grandma. The recorder is still running when Barrymore and Lulu enter the room and Barrymore relates a new scheme to eliminate Kay. When Kay replays the recording, he hears Barrymore's plans and decides to reciprocate. After arranging for Barrymore's guru, Prince Maharoohu, to summon the actor to meet the Grand Lama, Kay masquerades as the Grand Lama and tricks Barrymore into revealing his scheme to spray Kay's throat with an elixir that will render him speechless. When Ginny, who has accompanied Barrymore, insists on seeing the Grand Lama, Kay foretells two futures for her: one with an aging actor, the other with a nice young band leader. On the day of the festival, Kay pours the elixir into Barrymore's champagne glass and refills the atomizer with a harmless liquid. After drinking a toast to success, Barrymore takes command of the stage and is beginning to welcome the audience when he loses his ability to speak and is hooted off the stage. Kay and his band then take his place to present their swing version of Shakespeare, "Romeo Smith and Juliet Jones." Pennypacker is so impressed by the performance that he presents Barrymore with a radio contract, after which Ginny, taking the guru's advice, awards Kay with an embrace.

Film Details

Genre
Comedy
Musical
Release Date
Dec 26, 1941
Premiere Information
not available
Production Company
RKO Radio Pictures, Inc.
Distribution Company
RKO Radio Pictures, Inc.
Country
United States

Technical Specs

Duration
1h 36m
Sound
Mono (RCA Victor System)
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
8,642ft (11 reels)

Quotes

Trivia

Notes

According to a pre-production news item in Hollywood Reporter, Dennis O'Keefe was initially slated for a male romantic lead in this picture. In the CBCS, the character played by Peter Lind Hayes was originally named "Chuck Deems" and Lupe Velez's character was named "Conchita." Singer Ginny Simms made her last screen appearance with the Kay Kyser band in this picture before embarking upon her solo career as an actress. This was John Barrymore's last screen appearance; he died on May 29, 1942. The picture also marked the third Kay Kyser-David Butler collaboration produced by RKO.