The Night Visitor


1h 42m 1971
The Night Visitor

Brief Synopsis

A farmer is framed for murder and railroaded into an insane asylum by his ambitious sister and her doctor husband.

Film Details

Also Known As
Salem Came to Supper
MPAA Rating
Genre
Thriller
Release Date
Feb 1971
Premiere Information
World premiere in New York: 10 Feb 1971
Production Company
Hemisphere (Panama) Productions
Distribution Company
UMC Pictures, Inc.
Country
Denmark and United States
Location
Denmark; Sweden; Copenhagen,Denmark; Copenhagen,Denmark; Denmark; Sweden

Technical Specs

Duration
1h 42m
Sound
Mono
Color
Color (Eastmancolor)

Synopsis

On a winter evening in Scandinavia, Salem, an escaped inmate from a local asylum, runs across the snowy landscape clad only in his underwear, socks and shoes to the isolated, run-down farm he used to own. Pausing by the kitchen window, Salem sees his sister Ester inside arguing with her husband, Dr. Anton Jenks, and Salem's other sister, Emmie. Salem then climbs up the side of the house and enters Anton's small private office through the attic window. While Salem rifles through Anton's medical equipment, he overhears Emmie accusing Anton of mismanaging the farm and staunchly refusing to sell the property. In the attic, Salem takes several morphine ampules and a syringe, a bulky paperweight and one of Anton's ties. Placing several more ties in Anton's medical bag, Salem then climbs back out the window and races off into the cold night to the home of his former girl friend, Britt Torens whom he strangles with the tie. Later, Britt's father contacts Anton to report her death. At the Torenses' home, after Anton verifies that Britt has been strangled, Mr. Torens is puzzled when he spots the ties in Anton's bag. The area police inspector arrives with a police physician who confirms the murder was accomplished with a smooth, soft cloth. Back at home, Anton accuses Ester of placing the ties in his bag. Confused, Ester denies the accusation, provoking Anton to then blame Emmie, who he insists is trying to blackmail them. Ester insists that Emmie knows nothing about the fact that two years earlier Anton and Ester framed Salem for the murder of a drunken farmhand that they committed themselves. Anton points out that the family pet parrot witnessed the murder and several times has mimicked Ester's encouraging cries to Anton during the murder. When Ester insists that Emmie has no idea about the murder, Anton reveals that he is missing some morphine and intends to search Emmie's room. Although Emmie is asleep in bed, Anton and Ester creep into her room and look through her dresser until they accidentally knock over a lamp. Puzzled when Emmie does not stir, Anton and Ester discover that the side of her head has been bashed in with Anton's paperweight. Horrified, Ester rushes out of the room and locks Anton inside before telephoning the police. When Anton's pleas to Ester go unanswered, Anton turns on the caged parrot who has repeatedly called out "Hit him, Anton." Hurling the cage to the floor, Anton tries to attack the bird who flutters about before diving into the closet. When Anton follows he is stunned to find Salem hiding there and faints. Concerned by the sudden quiet, Ester returns to find her semi-conscious husband babbling about seeing Salem. Anton then telephones the asylum, but they report that Salem is asleep in his cell. The inspector arrives at the Jenks farm and Anton describes his encounter with Salem. In Anton's office, the inspector takes one of the ties still in the medical bag while Anton relates that he is missing several morphine ampules. After laboratory tests reveal that the tie contains traces of a mentholated cold rub used by Britt, the inspector's assistant Carl prepares to write up a warrant for Anton's arrest, but the inspector considers the evidence too coincidental. Instead, the inspector drives to the isolated asylum where he takes a tour with Dr. Kemp, who demonstrates the impossibility of escape from the fortress-like building. The inspector then meets with Salem, whose cell is decorated with numerous carved figures made by the inmate. When asked about the murders, Salem says Emmie was likely killed by Anton when he discovered she knew about his murder of the farmhand, but offers no suggestion for Britt's death. Salem cautions the inspector that the next victim will likely be his former defense lawyer, Mr. Clemens, as it is clear Ester is having Anton murder anyone who might reopen Salem's case. The inspector then goes to visit Clemens who is suffering from a severe chest cold, to inquire why the lawyer changed Salem's plea from not guilty to not guilty by reason of insanity. When Clemens does not respond, the inspector suggests that a conviction with a not guilty plea might have resulted in an eventual parole, whereas sentencing to an insane asylum is usually for life. Furious when the inspector asks whether the Jenkses bribed him to change Salem's plea, the lawyer demands the inspector depart. Later that night after a game of chess with a friendly elderly guard, Salem uses a contraption he has devised which allows him to extend the cell key he has carved enabling him to unlatch the lock. Using all his blankets, sheets and clothing twisted together to form a crude rope, Salem climbs out a high window on the rope, then, after balancing along a narrow ledge, swings over to a low wall to reach the top of the asylum, from which he slides down the outside wall. Recovering the morphine vials he has buried, Salem heads off half-naked through the snow to Clemens' house. Meanwhile, Clemens' housekeeper, Mrs. Hansen, contacts Anton to report the lawyer's illness. As soon as Anton departs, Ester telephones the police. At Clemens' home, the lawyer threatens to reveal the truth unless Anton vows to keep the lawyer out of any investigation. In the presence of Mrs. Hansen, Anton gives Clemens an injection for his cold, unaware that Salem is hiding upstairs. After Anton's departure, Salem administers a fatal dose of morphine to the insensible Clemens. When the inspector arrives at the Jenks farm, Ester confides she fears for her life as she believes that Anton is insane, demonstrated by his insistence on having seen Salem. When questioned by the inspector, Ester confesses her belief that Emmie and Anton colluded in the murder of the farmhand in order to gain the farm for themselves. Carl recalls that Anton and Emmie were accused of setting fire to the farm to collect the insurance and wonders if the farmhand witnessed this, thus prompting his murder. Upstairs, Salem enters through a window and stumbles slightly causing the parrot to cry out, startling the group downstairs. Hurrying upstairs with the inspector, Ester sketchily relates Anton's obsession with the family bird and fears her husband has returned. Salem, meanwhile, hurries back outside where he cowers, freezing, on the roof. When Ester reveals Anton has been called to attend to Clemens, the inspector and Carl depart in alarm. Ester then hurries to the garage. Overcome by cold, Salem re-enters the house, takes a coat from the closet then follows Ester to the garage where he brutally murders her with an ax. Returning home, Anton hears Ester's screams, but upon discovering Salem, collapses in terror. Salem wipes Ester's blood on the cowering Anton, then flees. The inspector returns to the Jenks farm, having found Clemens dead, and finds the hysterical Anton who confesses to the murder of the farmhand and insists Salem was at the farm to murder Ester. After telephoning in Anton's confession, the inspector returns to the asylum where he finds Salem asleep. Shining a flashlight around the cell, the inspector then sees the Jenkses' parrot crawl out of the pocket of the coat Salem took from the house, sealing Salem's guilt.

Film Details

Also Known As
Salem Came to Supper
MPAA Rating
Genre
Thriller
Release Date
Feb 1971
Premiere Information
World premiere in New York: 10 Feb 1971
Production Company
Hemisphere (Panama) Productions
Distribution Company
UMC Pictures, Inc.
Country
Denmark and United States
Location
Denmark; Sweden; Copenhagen,Denmark; Copenhagen,Denmark; Denmark; Sweden

Technical Specs

Duration
1h 42m
Sound
Mono
Color
Color (Eastmancolor)

Articles

The Night Visitor


The Night Visitor (1971) was publicized with the tagline, "Locked in the cold asylum of his mind--a sane man stalks his prey." Starring Max von Sydow, Liv Ullmann, Trevor Howard, Rupert Davies, Andrew Keir, and Per Oscarsson, it was a rare Swedish/American horror film, made as a partnership for Hemisphere Pictures. Laslo Benedek, who is most famous for directing Marlon Brando in The Wild One (1953), was at the helm, working from a screenplay by Guy Elmes that was based on Sam Roecca's original story, Salem Came to Supper . Actor Mel Ferrer served as producer with Sidney Glazier, with future Babette's Feast (1987) cinematographer Henning Kristiansen creating the film's atmospheric look, and Henry Mancini composing the original score.

Von Sydow is Salem, an innocent man who has been confined for two years in an asylum for the ax murder of a drunken farmhand. One frozen night, he escapes the asylum and returns to his former home, where his sister (Ullmann) and her husband (Oscarsson) are now living. With the knowledge he was set up to take the blame for the murder, Salem hurries back to the asylum before anyone knows he has disappeared. There, he crafts a plan to revenge himself against those who wronged him, while appearing to still be locked in his cell. An inspector investigating the crimes (Howard) begins to think that the murders aren't quite what they appear to be.

The Night Visitor had been in pre-production as far back as 1963 under Roecca's original title Salem Came to Supper , when Steve McQueen was floated as Salem for Twentieth Century-Fox. By the end of the decade, Fox had abandoned the project, and Christopher Lee was set to play Salem, but he became unavailable by the time filming was to have started. Von Sydow and Ullmann, who had worked together several times, had been slated to star in the MGM film Man's Fate for director Fred Zinnemann, but were signed to The Night Visitor instead when Zinnemann's film was cancelled. Production took place in March 1970 and was filmed on location at Varberg, Hallands län, Sweden, and at various sites in Denmark, as well as the Asa and Laterna Studios in Copenhagen.

On its release in the United States on February 10, 1971, The Night Visitor was praised by the critics, including Look magazine: "Years have fled since we've had a chilling mystery, but here is one at last to squeeze the mind. If your flesh doesn't crawl, it's on too tight!" A.H. Weiler in The New York Times called it an "an uncommonly fascinating film shot in beautiful color against authentic wintry Swedish and Danish backgrounds," in which the actors give "taut but controlled performances that underline the tensions that make The Night Visitor a captivating, moody and scenic thriller."

SOURCES:

http://www.afi.com/members/catalog/DetailView.aspx?s=&Movie=54102
The Internet Movie Database
https://horrorpedia.com/2013/06/14/the-night-visitor-1971/
Weiler, A.H. "Screen: Benedek's 'The Night Visitor" The New York Times 11 Feb 71

By Lorraine LoBianco
The Night Visitor

The Night Visitor

The Night Visitor (1971) was publicized with the tagline, "Locked in the cold asylum of his mind--a sane man stalks his prey." Starring Max von Sydow, Liv Ullmann, Trevor Howard, Rupert Davies, Andrew Keir, and Per Oscarsson, it was a rare Swedish/American horror film, made as a partnership for Hemisphere Pictures. Laslo Benedek, who is most famous for directing Marlon Brando in The Wild One (1953), was at the helm, working from a screenplay by Guy Elmes that was based on Sam Roecca's original story, Salem Came to Supper . Actor Mel Ferrer served as producer with Sidney Glazier, with future Babette's Feast (1987) cinematographer Henning Kristiansen creating the film's atmospheric look, and Henry Mancini composing the original score. Von Sydow is Salem, an innocent man who has been confined for two years in an asylum for the ax murder of a drunken farmhand. One frozen night, he escapes the asylum and returns to his former home, where his sister (Ullmann) and her husband (Oscarsson) are now living. With the knowledge he was set up to take the blame for the murder, Salem hurries back to the asylum before anyone knows he has disappeared. There, he crafts a plan to revenge himself against those who wronged him, while appearing to still be locked in his cell. An inspector investigating the crimes (Howard) begins to think that the murders aren't quite what they appear to be. The Night Visitor had been in pre-production as far back as 1963 under Roecca's original title Salem Came to Supper , when Steve McQueen was floated as Salem for Twentieth Century-Fox. By the end of the decade, Fox had abandoned the project, and Christopher Lee was set to play Salem, but he became unavailable by the time filming was to have started. Von Sydow and Ullmann, who had worked together several times, had been slated to star in the MGM film Man's Fate for director Fred Zinnemann, but were signed to The Night Visitor instead when Zinnemann's film was cancelled. Production took place in March 1970 and was filmed on location at Varberg, Hallands län, Sweden, and at various sites in Denmark, as well as the Asa and Laterna Studios in Copenhagen. On its release in the United States on February 10, 1971, The Night Visitor was praised by the critics, including Look magazine: "Years have fled since we've had a chilling mystery, but here is one at last to squeeze the mind. If your flesh doesn't crawl, it's on too tight!" A.H. Weiler in The New York Times called it an "an uncommonly fascinating film shot in beautiful color against authentic wintry Swedish and Danish backgrounds," in which the actors give "taut but controlled performances that underline the tensions that make The Night Visitor a captivating, moody and scenic thriller." SOURCES: http://www.afi.com/members/catalog/DetailView.aspx?s=&Movie=54102 The Internet Movie Database https://horrorpedia.com/2013/06/14/the-night-visitor-1971/ Weiler, A.H. "Screen: Benedek's 'The Night Visitor" The New York Times 11 Feb 71 By Lorraine LoBianco

Quotes

Trivia

Notes

The film's working title was Salem Came to Supper, which was also the title of Sam Roecca's original story. The opening cast credits differ slightly in order from the closing credits. Although there is an onscreen copyright notice, the film was not registered for copyright until January 7, 1982, when U-M Productions registered it under number PA-167-347. According to a March 1970 New York Times item, actors Max von Sydow and Liv Ullmann were scheduled to appear in a M-G-M production of Man's Fate to be directed by Fred Zinnemann. When that production was canceled, the actors were available to sign for The Night Visitor, which would be shot in Scandinavia by American producers Sidney Glazier and Mel Ferrer and helmed by Swedish director Laslo Benedek.
       Von Sydow and Ullmann had worked together previously on several films, Shame (1968), Hour of the Wolf (1968) and The Passion of Anna (1969, see entries above and below), all Swedish productions written and directed by renowned Swedish filmmaker Ingmar Bergman. As noted in the closing credits, The Night Visitor was shot on location in Denmark and Sweden and at the Asa and Laterna Studios in Copenhagen.

Miscellaneous Notes

Released in United States 1971

Released in United States on Video November 1, 1988

Released in United States 1971

Released in United States on Video November 1, 1988