Murders in the Rue Morgue
Brief Synopsis
Cast & Crew
Gordon Hessler
Jason Robards [jr.]
Christine Kaufmann
Herbert Lom
Adolfo Celi
Maria Perschy
Film Details
Technical Specs

Synopsis
In turn-of-the-century Paris, after actors Cesar Charron and his wife Madeleine finish another successful performance of the play Murders in the Rue Morgue at the Grand Guignol theater, Eric, who played the part of an ape, is found dead in his dressing room, his face disfigured by acid, just before the performance. Police inspector Vidocq quickly deduces that since the murderer wore Eric's full-body ape costume and played the part flawlessly onstage, he must be a member of Cesar's theater company. Cesar, who is in love with Madeleine because of her resemblance to her mother, has purposefully kept the circumstances around Madeleine's mother's death a secret from his wife. Late that night, Madeleine awakens from her recurring nightmares in which someone cuts a rope, causing a man to fall from the theater's catwalk to his death. Meanwhile, Cesar meets with prostitute and former company member Genevre, who insists that Rene Marot, an actor in the troupe who committed suicide many years ago, has returned from the dead to seek revenge on all the company's actors. Cesar reassures Genevre that Marot is dead, has sex with her and leaves. Soon after, Marot, wearing a skin-colored mask and posing as a customer, pours acid on Genevre's face, killing her. The next day, Pierre Triboulet, a dwarf secretly assisting Marot, introduces himself to Madeleine as the admirer who has been leaving her orchids after performances, and offers to help her career, claiming that he has powerful friends. Meanwhile, when Cesar is asked to identify the body of another former employee, mutilated by acid, Vidocq warns him that the murderer will continue to kill members of his company in this established pattern. Cesar subsequently warns Luigi Orsini, a retired member of the company, but Luigi refuses to listen and continues with his "buried alive" act, in which he is put in a coffin and buried for three days. Late that night, Marot visits the Charron house to watch the sleeping Madeleine, who dreams that Triboulet drives her to a house which she vaguely recognizes where she sees her mother rising from her coffin. When Madeleine questions Cesar about her dream, he finally reveals that the house she describes was her childhood home and that her mother, who was interred at the house, was murdered by Marot. Her mother, also an actress in Cesar's company, was supposed to throw a prop beaker of acid on Marot during a scene, but someone had filled the beaker with vitriol, a real acid, which horribly disfigured Marot's face. Believing Madeleine's mother was responsible, an enraged Marot axed her to death and then committed suicide over killing Madeleine's mother, with whom he was in love. Days later, Luigi is unearthed alive, but Marot kills him with vitriol before Luigi can get out of the coffin, then eludes Vidocq and his men. That night, Madeleine's nightmarish hallucinations cause her to faint on stage, forcing Cesar to call an intermission, during which Vidocq tells Cesar that Marot is indeed alive. Vidocq explains that Marot, having used a shallow breathing technique to survive his burial, then dug himself out of the grave, but Vidocq is unable to prove his theory because the location of Marot's coffin is a mystery. After experiencing more nightmares that night, Madeleine takes her maid Gabrielle to her mother's house, where Gabrielle faints at the sight of Triboulet and Marot captures Madeleine. Meanwhile, Cesar, who knows that Marot's coffin was interred next to that of Madeleine's mother, goes to the house to inspect Marot's coffin and finds it empty. Triboulet suddenly appears, informs him that Marot has captured Madeleine, and then brandishes a knife at the end of his cane to fight Cesar, who wrests the weapon away and stabs him. Cesar finds Marot and Madeleine, who helps Cesar suffocate Marot with a pillow. They drag his body to the coffin and close the lid, unaware that Marot is once again faking his own death. Later, when Vidocq suggests that Madeleine's mother must have hated Marot to have thrown acid on him, Madeleine defends her mother by explaining that she could not have hated Marot because she had requested his body be interred at her home. When Vidocq insists on inspecting the coffin, Madeleine and Cesar are shocked to see a badly decomposed body inside. Late that night, Marot hypnotizes Madeleine, who subsequently gives Cesar a sleeping powder, allowing Marot to kidnap him. Soon after on the stage at Madeleine's mother's house, Marot accuses Cesar of putting the acid in the beaker and of killing Madeleine's mother. When Cesar finally confesses to the murder, Marot promptly beheads him, causing Madeleine to faint. Vidocq arrives immediately after but, unable to catch Marot, convinces Madeleine to play her stage role once more to lure Marot back to the theater. As expected, during the next performance, Marot puts on the ape costume to act the role, but Madeleine recognizes him onstage and screams. Vidocq and his men chase Marot but lose him in a bustling carnival crowd just outside. Back at the theater, Madeleine is in her dressing room with fellow actor John posted just outside her door for protection, when she hears a noise and finds John dead. Madeleine tries to escape but finds all the theater doors locked. Reaching the stage, she sees Marot on the catwalk above her and instantly chops with an axe the rope holding him, reliving her nightmare vision and finally killing Marot. That night, a restless Madeleine is awakened by the noise of someone approaching and watches as her doorknob turns, fully aware that she will be forever haunted by her past.

Director
Gordon Hessler
Cast

Jason Robards [jr.]

Christine Kaufmann

Herbert Lom

Adolfo Celi
Maria Perschy
Michael Dunn

Lilli Palmer
Peter Arne
Rosalind Elliott
Marshall Jones
Maria Martin
Ruth Plattes
Xan Das Bolas
Rafael Hernandez
Pamela Mcinnes
Sally Longley
Luis Rivera
Dean Selmier
Virginia Stach
Werner Umberg
Jose Calvo
Brooke Adams
Crew
Samuel Z. Arkoff
Samuel Z. Arkoff
Max Benedict
Manuel Berenguer
Rosa Biadiu
Waldo De Los Rios
Francisco Ferrer
Jose Luis Galicia
Salvador Gil
Luis Hernanz
Louis M. Heyward
Carmen Martin
Nehama Milner
Wally Milner
Enrique Molinero
James H. Nicholson
James H. Nicholson
Denise O'dell
Clifford Parkes
Anne Parsons
Tony Pueo
Roberto Roberts
Juan Carlos Lopez Rodero
Angel Sanchez
Carmen Sanchez
Henry Slesar
Dennison Thornton
Oliver Waterlow
Christopher Wicking
Jack Young
John Young

Film Details
Technical Specs

Quotes
As I once begged for your kisses, now you will beg for your death.- Rene Marot
Yes, Madeleine. There stands the axe-man of your dreams.- Rene Marot
Goodbye, Madeleine. But remember, the will... the will... lives on... after death.- Rene Marot
I've come for you, Madeleine. I've had my revenge, but it's not enough. I need... I need love.- Rene Marot
Confess. Let me hear the truth, Cesar. Confess.- Rene Marot
Yes, I killed her. I killed her.- Cesar Charron
Trivia
Notes
The opening title card reads: Edgar Allan Poe's Murders in the Rue Morgue. Several 1970 news items noted that the film was to be shot in Paris, London and Italy; however, Hollywood Reporter production charts only list location shooting in Madrid, Spain. Although a April 10, 1970 Variety news item adds Ralph Richardson to the cast, he was not in the film. Murders in the Rue Morgue marked the feature film debut of actress Brooke Adams.
When the film opens, a fictional play based on Poe's short story Murders in the Rue Morgue is taking place. As the scene closes, it is revealed that the main characters of the film are actors in the production. As noted in the Motion Picture Herald review, the film bears little resemblance to the short story, other than the title and a few plot points. At the close of the film, voice-over narration states that "the will [of those now dead], the will lives on."
American International produced a number of screen adaptations of Poe's short stories beginning with the 1960 film The Fall of the House of Usher, most of which were directed by Roger Corman. Murders in the Rue Morgue was the fifth film by director Gordon Hessler, who also directed the 1969 film Poe adaptation The Oblong Box (see below).
Other film versions based on or inspired by Edgar Allan Poe's short story "Murders in the Rue Morgue" include the 1914 silent film The Murders in the Rue Morgue directed by Robert Goodman; the 1932 Universal Pictures Corp. film Murders in the Rue Morgue, directed by Robert Florey and starring Bela Lugosi; and the 1954 Warner Bros. film Phantom of the Rue Morgue(see below) directed by Roy Del Ruth and starring Karl Malden.

Miscellaneous Notes
Released in United States Winter January 1, 1971
Released in United States Winter January 1, 1971