Melba
Brief Synopsis
Cast & Crew
Lewis Milestone
Patrice Munsel
Robert Morley
John Mccallum
John Justin
Martita Hunt
Film Details
Technical Specs
Synopsis
In the late 1890s, famous opera singer Nellie Melba is invited to sing for Queen Victoria at Windsor Castle, and her first song selection, "Comin' Thro' the Rye," evokes memories of her upbringing on a cattle ranch near Melbourne, Australia: Thomas Mitchell, Nellie's father, has arranged for her to study singing in Paris, and on the day she leaves, prayers for her happiness and success are said at the small church where she has been a soloist. Later, at the railway station, her sweetheart, Charles Armstrong, is very upset that she is deserting him. In Paris, after a mixup at her lodgings, where she is suspected of being a lady of the evening, Nellie meets Englishman Eric Walton, a young man-about-town, who invites her to dine with him. At the restaurant, Nellie sings an operatic aria for the customers, and Eric realizes that she could become a great singer and suggests she study with the legendary vocal coach Madame Mathilde Marchesi. Although Marchesi has retired and is under doctor's orders, Eric arranges to have Nellie push her bathchair during an excursion in a park and, ultimately, Nellie is able to audition for her. Despite her illness, Marchesi decides to coach Nellie, and they begin a very intense, very strict, series of lessons. One day Eric visits Marchesi's home along with Paul Brotha, director of the Brussels Opera, who listens, unannounced, as Nellie sings. Brotha wants to engage her for a performance in his theater, but as Marchesi will not permit Nellie to sing in public yet, Brotha and Nellie devise a scheme whereby she will sing for one night, then return to Paris, without Marchesi finding out. They select a stage name of Melba, derived from Melbourne, and Nellie debuts as "Gilda" in Rigoletto and is well received. Upon her return to Paris, Marchesi drills her with endless vocal scales, then reveals that she knows about her debut and is very happy for her. Marchesi then arranges for her to perform in Lucia di Lammermoor at the famous Covent Garden Opera House in London. Cesar Carlton, patrician owner of the London hotel where she is staying, welcomes Nellie and takes her to the Opera House, then leaves her on the empty stage. As she stands where all the great singers have stood, she imagines them performing: Giulia Grisi, Jean Lassalle, Charles Santley, Adelina Patti and dancer Taglioni. Later, Cesar tells her that he will be giving a party in her honor after her opening performance. However, in the excitement of her highly successful debut, she forgets about Cesar's party and goes to dinner with Eric. Cesar is furious with her as half of London was waiting for her at the party, but finally forgives her and kisses her. After appearances in Paris, Nellie performs in Monte Carlo and enjoys the attentions of both Eric and Cesar. Eric arranges for her to meet American impresario Oscar Hammerstein, who invites her to join his Manhattan Opera company, with which he is trying to break the Metropolitan's monopoly. However Charles, Nellie's former sweetheart and now a very successful cattle rancher, surprises her in Monte Carlo and sweeps her off her feet. They marry immediately, and on their honeymoon, Charles attempts to manage his interests in Australia while coming to grips with the demands of his wife's career. After performances in Milan and St. Petersburg, they return to Monte Carlo, where Hammerstein tells Charles that Nellie has rejected his contract and intends to abandon her career to return to Australia. Hammerstein asks Charles' permission to try to persuade her to continue to sing. However, in London, Charles becomes upset by reporters who regard him as "Mr. Melba," and although Nellie learns that Charles intends to return to Australia, Hammerstein convinces her that she must continue her career. After she and Charles amicably toast her upcoming conquest of New York, a heartbroken Nellie lets him depart. Nellie then leaves for Covent Garden and a performance of Roméo et Juliette . Back at Windsor Castle, Queen Victoria tells Nellie how much she enjoyed listening to music with her late husband and how difficult it is to carry on when only loneliness remains, but adds that there are greater obligations than to oneself. Nellie understands what the Queen is saying and sings again for her.
Director
Lewis Milestone
Cast
Patrice Munsel
Robert Morley
John Mccallum
John Justin
Martita Hunt
Alec Clunes
Violetta Elvin
Sybil Thorndike
Joseph Tomelty
Beatrice Varley
Noel Purcell
Theodore Bikel
Marcel Poncin
Cecile Chevreau
Charles Craig
Gerald Davis
Crew
Andre Andrejew
Dennis Arundell
Robert Asher
Jules Barbier
Jean-françois Bayard
Ferdinand Bellan
Arthur Benjamin
Gordon Bond
Joan Bridge
Olga Brook
Robert Burns
Salvadore Cammorano
Michel Carré
Lorenzo Da Ponte
Beatrice Dawson
Gaetano Donizetti
S. P. Eagle
S. P. Eagle
Norman Feasey
Cecil R. Foster Kemp
Giussepe Giacosa
Charles François Gounod
Pauline Grant
Sophie Harris
Leslie Hodgson
Arthur Ibbetson
Luigi Illica
John Kotze
Harry Kurnitz
Doris Lee
Bill Lewthwaite
Muir Mathieson
Felix Mendelssohn
Giacomo Meyerbeer
Michael Morris
Wolfgang Amadeus Mozart
Norman Newell
Francesco Maria Piave
Giacomo Puccini
Gaetano Rossi
Gioachino Antonio Rossini
Edward Scaife
Johann Sebastian Bach
Len Shilton
Dario Simoni
E. M. Smedley-aston
Mischa Spoliansky
G. R. Stephenson
Cesare Sterbini
John Stoll
The Covent Garden Orchestra
Giuseppe Verdi
J. H. Vernoy De Saint-georges
Film Details
Technical Specs
Quotes
Trivia
Notes
Although onscreen credits list the song "Dreamtime," it was not heard in the print viewed. According to the Variety review, the song was "a catchy pop number," which was apparently also known as "The Melba Waltz" and "Is This the Beginning of Love?" At both the New York and London openings of this film, the running time was listed as 113 minutes, although the film's U.S. pressbook gives 115 minutes. The print viewed ran 111 minutes. The film includes brief passages from the following arias: "Casta Diva" from the opera Norma; "Kaspar's Aria" from the opera Der Freischütz; "Ah! non credea" from the opera La Sonnambula; "and Adamastor, re dell'onde profonde" from the opera L'Africaine. Some sources include an aria from Lohengrin in the film's musical selections, but it was not included in the print viewed. Ballerina Violetta Elvin danced as "Taglioni" in the film.
When the film opened in New York, it was presented on a wide screen and with three channel stereophonic sound. A May 24, 1953 New York Times article erroneously reported that "the director has so framed the picture in photography that it was possible to expand its width, despite the lessening of the vertical area this entails." However, the film was shot several months before the adoption of the 1.85:1 widescreen ratio and it is obvious from viewing the film that it was intended for 1.33:1 projection. The New York presentation was doubtlessly accomplished by the projectionist simply reframing the image to accomodate "head room" and thereby losing the bottom of the frame, which usually contains little important information. A December 17, 1952 Variety news item reported that producer Sam Spiegel (credited under his pseudonym S. P. Eagle) and United Artists would share profits evenly on Melba. In the item Spiegel asserted that the film's budget of one million dollars would have been doubled if the picture had been shot in Hollywood.
Nellie Melba (1861-1931) was born in Melbourne, Australia as Helen Porter Mitchell and is credited with being one of the principal models for today's operatic "prima donnas." She was created Dame of the British Empire in 1918 and published an autobiography in 1925. Although Melba did not appear in any films, there are several about her life. These include: Evensong (Great Britain, 1934), a fictionalized, disguised version of Melba's career, and two Australian television productions, A Toast to Melba (1980) and Melba (1988). Coloratura soprano Patrice Munsel, who portrays Nellie Melba, was born in Spokane, WA and made her debut at New York's Metropolitan Opera at the age of eighteen. Melba was her only film, although she frequently appeared on television.