The Man From O. R. G. Y.


1h 15m 1970

Film Details

Also Known As
The Real Gone Girls
MPAA Rating
Genre
Comedy
Crime
Drama
Erotic
Release Date
Jan 1970
Premiere Information
New York opening: 3 Apr 1970
Production Company
Delta Films International; United Hemisphere Productions
Distribution Company
Cinemation Industries, Inc.
Country
United States
Screenplay Information
Based on the novel The Man From O. R. G. Y. by Ted Mark (New York, 1965).

Technical Specs

Duration
1h 15m
Sound
Mono
Color
Color

Synopsis

Steve Victor is head of the Organization for the Rational Guidance of Youth, established to research sexual response in women. He is called upon to find three prostitutes who have inherited a uranium mine from their former madam. Each of the women is said to bear a tattoo of a gopher on her buttocks. Gina Moretti, the first heiress to be found, is apparently too wealthy to care about the inheritance. Victor discovers that he is being followed by Mafia agents Luigi and Vito, but procurer Lucky Pierre, a midget, helps Victor identify the second prostitute, who also refuses the money and then is murdered. The third heiress whom he finds is murdered in a house run by a crazy madam. Vito is also murdered, but before he dies, he kills Gina, who is revealed to be the real instigator. Lucky Pierre finally becomes the sole heir to the fortune.

Film Details

Also Known As
The Real Gone Girls
MPAA Rating
Genre
Comedy
Crime
Drama
Erotic
Release Date
Jan 1970
Premiere Information
New York opening: 3 Apr 1970
Production Company
Delta Films International; United Hemisphere Productions
Distribution Company
Cinemation Industries, Inc.
Country
United States
Screenplay Information
Based on the novel The Man From O. R. G. Y. by Ted Mark (New York, 1965).

Technical Specs

Duration
1h 15m
Sound
Mono
Color
Color

Articles

Sidney Pink (1916-2002)


Sidney Pink, the film producer who is considered the father of the 3-D movie, died at his home in Pompano Beach, Fla., earlier this month after a long illness. He was 86.

Born in Pittsburgh in 1916, Pink graduated from the University of Pittsburgh with a bachelor's degree in business administration. He began his film career as a projectionist in a theater owned by his wife's family. Moving to Hollywood in 1937, Pink was hired as production budget manager for Grand National Pictures, where he worked on the Tex Ritter musical western series. He later moved to Columbia and worked as a budget manager on Lost Horizon (1937) and many small scale westerns. After a disagreement with Columbia studio mogul Harry Cohn, Pink returned to the theater side of the business as the owner of a circuit of theaters in Los Angeles where he imported foreign films.

He soon hooked up with Arch Oboler for the production of two films, Five (1951), an offbeat feature about five survivors of a nuclear war and the irredeemably strange The Twonky (1953) about a professor (Hans Conreid) whose TV set becomes possessed by a spirit of the future and takes over his household.

Pink and Oboler would strike gold with their third film, the first full-length 3-D picture, Bwana Devil (1953). With television' popularity on the rise, a movie gimmick that advertised "A lion in your lap" or "A lover in your arms!" were promotional tag lines that came on like a carnival barker in a sideshow. The story about British railway workers in Kenya falling prey to two man-eating lions, and a head engineer (Robert Stack) bent on killing the lions before they feast on his entire crew might have been routine; but the movie, which required audience members to wear cardboard 3-D glasses as lions were jumping into your laps, spears were flying and people were coming toward you in hordes was a real hot ticket. The process, which was shot in Hollywood with two enormous cameras with polarized lenses, one for the left eye and one for the right, proved to be a surprising hit; enough so that Jack Warner came out with his own 3-D production at Warner Bros. with House of Wax (1953) starring Vincent Price and dozens of 3-D films followed in the ensuing decades.

After the success of his sci-fi cult hit The Angry Red Planet (1959), Pink found himself in a quandary. By the 1960s, Hollywood was having union problems, making it difficult for an independent producer like Sid Pink to be hired by the studios. Ever resourceful, he relocated to Denmark to produce and direct Reptilicus (1962 about a pre-historic monster that comes back to life and terrorizes Copenhagen! It may have not been high art, but it proved to be popular fare at drive-ins and its success allowed Pink to pursue film production in Europe throughout the remainder of the 1960s, including one of the earliest spaghetti westerns, Finger on the Trigger (1965) starring Rory Calhoun. Pink had one more fascinating footnote to fame when he discovered Dustin Hoffman in an off-Broadway production and cast him in Madigan's Millions (1967) as a U.S. Treasury agent sent to Italy to recover money that had been stolen by a murdered gangster (Cesar Romero). Pink soon retired from the film industry and eventually returned to the United States in the mid-1970s where he settled in Florida. He is survived by his wife, Marion, his son, Philip, a daughter, Helene Desloge and four grandchildren.

by Michael T. Toole
Sidney Pink (1916-2002)

Sidney Pink (1916-2002)

Sidney Pink, the film producer who is considered the father of the 3-D movie, died at his home in Pompano Beach, Fla., earlier this month after a long illness. He was 86. Born in Pittsburgh in 1916, Pink graduated from the University of Pittsburgh with a bachelor's degree in business administration. He began his film career as a projectionist in a theater owned by his wife's family. Moving to Hollywood in 1937, Pink was hired as production budget manager for Grand National Pictures, where he worked on the Tex Ritter musical western series. He later moved to Columbia and worked as a budget manager on Lost Horizon (1937) and many small scale westerns. After a disagreement with Columbia studio mogul Harry Cohn, Pink returned to the theater side of the business as the owner of a circuit of theaters in Los Angeles where he imported foreign films. He soon hooked up with Arch Oboler for the production of two films, Five (1951), an offbeat feature about five survivors of a nuclear war and the irredeemably strange The Twonky (1953) about a professor (Hans Conreid) whose TV set becomes possessed by a spirit of the future and takes over his household. Pink and Oboler would strike gold with their third film, the first full-length 3-D picture, Bwana Devil (1953). With television' popularity on the rise, a movie gimmick that advertised "A lion in your lap" or "A lover in your arms!" were promotional tag lines that came on like a carnival barker in a sideshow. The story about British railway workers in Kenya falling prey to two man-eating lions, and a head engineer (Robert Stack) bent on killing the lions before they feast on his entire crew might have been routine; but the movie, which required audience members to wear cardboard 3-D glasses as lions were jumping into your laps, spears were flying and people were coming toward you in hordes was a real hot ticket. The process, which was shot in Hollywood with two enormous cameras with polarized lenses, one for the left eye and one for the right, proved to be a surprising hit; enough so that Jack Warner came out with his own 3-D production at Warner Bros. with House of Wax (1953) starring Vincent Price and dozens of 3-D films followed in the ensuing decades. After the success of his sci-fi cult hit The Angry Red Planet (1959), Pink found himself in a quandary. By the 1960s, Hollywood was having union problems, making it difficult for an independent producer like Sid Pink to be hired by the studios. Ever resourceful, he relocated to Denmark to produce and direct Reptilicus (1962 about a pre-historic monster that comes back to life and terrorizes Copenhagen! It may have not been high art, but it proved to be popular fare at drive-ins and its success allowed Pink to pursue film production in Europe throughout the remainder of the 1960s, including one of the earliest spaghetti westerns, Finger on the Trigger (1965) starring Rory Calhoun. Pink had one more fascinating footnote to fame when he discovered Dustin Hoffman in an off-Broadway production and cast him in Madigan's Millions (1967) as a U.S. Treasury agent sent to Italy to recover money that had been stolen by a murdered gangster (Cesar Romero). Pink soon retired from the film industry and eventually returned to the United States in the mid-1970s where he settled in Florida. He is survived by his wife, Marion, his son, Philip, a daughter, Helene Desloge and four grandchildren. by Michael T. Toole

Quotes

Trivia

Notes

Filmed in Puerto Rico and New York City. Also known as The Real Gone Girls.

Miscellaneous Notes

Released in United States 1970

Released in United States 1970