Lotna
Brief Synopsis
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Set in the beginning of the Wold War II, when Polish cavalry still fights with lances against the first German foot troops. Soon tanks give Germans the superiority and crush the daring horsemen. Tale is about a white thoroughbred horse that passes to various hands in a military outfit until he breaks a leg and is shot.
Cast & Crew
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Andrzej Wajda
Director
Jerzy Pichelski
Captain Chodakiewicz
Adam Pawlikowski
Lieutenant Wodnicki
Jerzy Moes
Ensign Grabowski
Mieczyslaw Loza
Sergeant-Major Laton
Bozena Kurowska
Ewa
Film Details
Genre
Adaptation
Drama
War
Release Date
1959
Production Company
Zespol Filmowy
Technical Specs
Duration
1h 29m
Sound
Mono
Color
Color (Sovcolor)
Synopsis
Tale follows a an off-white horse which passes through various soldiers' hands in the Polish cavalry's fight against the Germans during World War II.
Director
Andrzej Wajda
Director
Cast
Jerzy Pichelski
Captain Chodakiewicz
Adam Pawlikowski
Lieutenant Wodnicki
Jerzy Moes
Ensign Grabowski
Mieczyslaw Loza
Sergeant-Major Laton
Bozena Kurowska
Ewa
Roman Polanski
B. Dardzinski
H. Dzieszynski
Wieslaw Golas
T Kosudarski
H Hunko
A Mlodnicki
I Malkiewicz
T. Somogi
W. Wozniak
M. Wisniewski
Crew
Stanislaw Adler
Producer
Tadeusz Baird
Music
Jan Banucha
Costume Design
Roman Baszkiewicz
Makeup
Sylwester Checinski
Assistant Director
Lena Deptula
Editor
Lidia Grys
Costume Design
Jerzy Lipman
Director Of Photography
Janusz Morgenstern
Assistant Director
Janina Niedzwiecka
Editor
Karol Rommel
Technical Advisor (Military)
W. Rowicki
Music Director
Stefan Szczepanski
Makeup
Andrzej Wajda
Screenwriter
Roman Wolyniec
Art Direction
Leszek Wronko
Sound
Wojciech Zukrowski
Screenwriter
Wojciech Zukrowski
Source Material (From Novel)
Film Details
Genre
Adaptation
Drama
War
Release Date
1959
Production Company
Zespol Filmowy
Technical Specs
Duration
1h 29m
Sound
Mono
Color
Color (Sovcolor)
Articles
Lotna - LOTNA - Andrzej Wajda's first color film on DVD
Synopsis: A troop of Polish light cavalry raids along the supply paths for Hitler's army, hitting mechanized units with sabers and lances to good effect. An ailing nobleman (Bronislaw Dardzinski) gives the Cavalry Captain Chodakiewicz (Jerzy Pichelski) the gift of a magnificent white horse named Lotna, which the Captain rides it even though such a standout mount is considered bad luck. The troop faces German tanks with machine guns and Chodakiewicz is indeed killed. Lotna is inherited by Cadet Grabowski (Jerzy Moes), a proud young man who falls in love with Ewa (Bozena Kurowska), a schoolteacher he meets in the retreat. The pair is married in a military ceremony, but the German spotting planes are overhead, and the next day begins with a merciless artillery barrage.
Lotna is an unusual true war picture about the invasion of Poland. Although the cavalrymen wear standard army uniforms from 1939, they carry sabers and lances as their main weapons. We see them overrun a line of trucks and artillery, sending the German soldiers into a panic. Many Germans are cut down before they can un-sling their weapons, and one of the cavalryman uses his lance to snatch an officer's cap as a souvenir. It's an almost jaunty episode that will not be repeated. The beautiful mare Lotna also seems a throwback to older cavalry traditions, as the honor of riding her is as important as victory. The Poles know that they're fighting a losing battle yet show little strain; their traditional corps spirit of noble fatalism is a powerful uniting force.
Wajda's earlier war trilogy is a national epic of oppression, defeat and political rebirth. Lotna resembles nothing less than a John Ford cavalry film. Captain Chodakiewicz' column of troopers rides proudly through hostile territory and is often seen silhouetted on horizons. The final campaign plays like a combination of Fort Apache and They Were Expendable. Grabowski and Ewa meet and are married literally overnight, and Wajda honors them and the corps with a wedding with full honors. When the couple walk down the column formed by his comrades' sabers, Ewa's bridal veil is blown upward, identically to Maureen O'Hara's in How Green Was My Valley.
On other counts Lotna dispels both Fordian and historical myths. With no means of tending for the injured, wounded men are left to the doubtful mercy of the enemy. The cavalryman may be officers, but they're also fairly earthy types; after his wedding, the idealistic Grabowski jokes that if he's killed, his Lieutenant and friend Wodnicki (Adam Pawlikowski) will probably 'inherit' both widows, Lotna and Ewa. Grabowski gets a wedding night in the hay, while Wodnicki's relationship with an adoring 13 year-old must remain at a thank-you-for-the-flowers level.
History tells us that the Polish lancers rode in suicide charges against massed Nazi machine gun fire, but this story more realistically shows their division being cut down during a few days of guerilla fighting. The photography of the troops charging through cannon-fire is spectacular, even if the fighting montages aren't going to impress action fans. We really don't understand how the horsemen how the horsemen can avoid being shot -- what could possibly be an easier target for all those German guns? The lancers do lose plenty of men to the German tanks, but the real damage is done by artillery or bombs dropped from the air.
Animal activists will surely note that horses are tripped in the action scenes, although the movie does not use horse-falls as frequently as it might. The aftermath of battles and bombings includes graphic glimpses of mangled horses, presumably taken from the slaughterhouse. It's a cruel finish for a movie that begins with a stunning (& symbolic) image of a white horse running free amid a battlefield. Lotna does not end in total misery, but we can imagine that the young men and women hurrying to escape the Germans will become the defenders of Warsaw in the grim Kanal.
Facets Video and Polart's Lotna was reviewed from a disc that announces that it is not final quality. Although good enough to judge some aspects of the film, the degraded image does Wajda's work a major disservice. It has sickly color and constant scratches. Splices disrupt two or three scenes. If the final product looks like this, the average buyer will be likely to avoid discs of Eastern European films altogether. Like the earlier Innocent Sorcerers, Lotna would be an exciting show on a big screen or in a quality DVD presentation.
For more information about Lotna, visit Facets Multi-media. To order Lotna, go to TCM Shopping.
by Glenn Erickson
Lotna - LOTNA - Andrzej Wajda's first color film on DVD
The world-renowned Polish director Andrej Wajda is still mostly untapped
by DVD; besides his war trilogy (A Generation, Kanal, Ashes and
Diamonds) from Criterion, the only other Wajda offerings are from
importer Facets Video. Innocent Sorcerers is a jazzy story of the
new youth movement circa 1960. This color film returns to the subject of
WW2 to honor a famous Polish cavalry unit that fell before the first wave
of Hitler's blitzkreig: The last official lancer battalion to fight in
Europe.
Synopsis: A troop of Polish light cavalry raids along the supply paths
for Hitler's army, hitting mechanized units with sabers and lances to
good effect. An ailing nobleman (Bronislaw Dardzinski) gives the Cavalry
Captain Chodakiewicz (Jerzy Pichelski) the gift of a magnificent white
horse named Lotna, which the Captain rides it even though such a standout
mount is considered bad luck. The troop faces German tanks with machine
guns and Chodakiewicz is indeed killed. Lotna is inherited by Cadet
Grabowski (Jerzy Moes), a proud young man who falls in love with Ewa
(Bozena Kurowska), a schoolteacher he meets in the retreat. The pair is
married in a military ceremony, but the German spotting planes are
overhead, and the next day begins with a merciless artillery barrage.
Lotna is an unusual true war picture about the invasion of Poland.
Although the cavalrymen wear standard army uniforms from 1939, they carry
sabers and lances as their main weapons. We see them overrun a line of
trucks and artillery, sending the German soldiers into a panic. Many
Germans are cut down before they can un-sling their weapons, and one of
the cavalryman uses his lance to snatch an officer's cap as a souvenir.
It's an almost jaunty episode that will not be repeated. The beautiful
mare Lotna also seems a throwback to older cavalry traditions, as the
honor of riding her is as important as victory. The Poles know that
they're fighting a losing battle yet show little strain; their
traditional corps spirit of noble fatalism is a powerful uniting force.
Wajda's earlier war trilogy is a national epic of oppression, defeat and
political rebirth. Lotna resembles nothing less than a John Ford
cavalry film. Captain Chodakiewicz' column of troopers rides proudly
through hostile territory and is often seen silhouetted on horizons. The
final campaign plays like a combination of Fort Apache and They
Were Expendable. Grabowski and Ewa meet and are married literally
overnight, and Wajda honors them and the corps with a wedding with full
honors. When the couple walk down the column formed by his comrades'
sabers, Ewa's bridal veil is blown upward, identically to Maureen
O'Hara's in How Green Was My Valley.
On other counts Lotna dispels both Fordian and historical myths.
With no means of tending for the injured, wounded men are left to the
doubtful mercy of the enemy. The cavalryman may be officers, but they're
also fairly earthy types; after his wedding, the idealistic Grabowski
jokes that if he's killed, his Lieutenant and friend Wodnicki (Adam
Pawlikowski) will probably 'inherit' both widows, Lotna and Ewa.
Grabowski gets a wedding night in the hay, while Wodnicki's relationship
with an adoring 13 year-old must remain at a thank-you-for-the-flowers
level.
History tells us that the Polish lancers rode in suicide charges against
massed Nazi machine gun fire, but this story more realistically shows
their division being cut down during a few days of guerilla fighting. The
photography of the troops charging through cannon-fire is spectacular,
even if the fighting montages aren't going to impress action fans. We
really don't understand how the horsemen how the horsemen can avoid being
shot -- what could possibly be an easier target for all those German
guns? The lancers do lose plenty of men to the German tanks, but the real
damage is done by artillery or bombs dropped from the air.
Animal activists will surely note that horses are tripped in the action
scenes, although the movie does not use horse-falls as frequently as it
might. The aftermath of battles and bombings includes graphic glimpses of
mangled horses, presumably taken from the slaughterhouse. It's a cruel
finish for a movie that begins with a stunning (& symbolic) image of a
white horse running free amid a battlefield. Lotna does not end in
total misery, but we can imagine that the young men and women hurrying to
escape the Germans will become the defenders of Warsaw in the grim
Kanal.
Facets Video and Polart's Lotna was reviewed from a
disc that announces that it is not final quality. Although good enough to
judge some aspects of the film, the degraded image does Wajda's work a
major disservice. It has sickly color and constant scratches. Splices
disrupt two or three scenes. If the final product looks like this, the
average buyer will be likely to avoid discs of Eastern European films
altogether. Like the earlier Innocent Sorcerers, Lotna
would be an exciting show on a big screen or in a quality DVD
presentation.
For more information about Lotna, visit Facets Multi-media. To order
Lotna, go to
TCM Shopping.
by Glenn Erickson
Quotes
Trivia
Miscellaneous Notes
Wajda's first film in color