The Last of England


1h 27m 1988

Brief Synopsis

A striking vision of a doomed England using home movies, Super 8 film and voice over narration.

Film Details

Also Known As
Last of England
Genre
Drama
Experimental
Political
Release Date
1988
Location
London, England, United Kingdom; Liverpool, England, United Kingdom; Brixton, England, United Kingdom

Technical Specs

Duration
1h 27m

Synopsis

A striking vision of a doomed England using home movies, Super 8 film and voice over narration.

Film Details

Also Known As
Last of England
Genre
Drama
Experimental
Political
Release Date
1988
Location
London, England, United Kingdom; Liverpool, England, United Kingdom; Brixton, England, United Kingdom

Technical Specs

Duration
1h 27m

Articles

The Last of England - Filmmaker Derek Jarman's attack on Thatcher-era Britain


The works of the late British filmmaker Derek Jarman were touchstones for devotees of avant-garde cinema during the '70s and '80s. Highly politically charged, graphic in their exploration of homosexual themes, even his efforts that most hewed to conventional film narrative were not to all tastes, and his most expressionistic efforts make for a daunting view, with the depth of reward subject to vociferous debate. Falling into that latter category is The Last Of England (1987), a feature-length, visually poetic abstract rant challenging the social policies of Thatcher-era Britain, which has finally made its bow on DVD from Image Entertainment.

Jarman embarked on the project not long after his positive diagnosis for HIV in 1986, which doubtless fueled the bleakness that comes across onscreen. The opening of the narrative, such as it is, intercuts footage of Jarman laboring in his studio with that of a young man (Rupert Audley) in a blasted garbage yard stomping, and then simulating sex with, a Carravagio painting. All the while, narrator Nigel Terry intones a verse of protest that variously invokes T.S. Eliot and Allen Ginsburg. Actual Super 8MM home movies from Jarman's childhood are milked for irony, and tenement residents are shown being frog-marched by fascistic ski-masked soldiers, one of whom makes time for an erotic embrace with a naked man on top of a Union Jack. The final arc follows a posh upper-class wedding, but the seemingly content bride (Tilda Swinton) is thereafter depicted alone on a beach, desperately trying to rend her gown.

While many more bizarre visuals fills the interstices, it's kind of pointless to go into any further with cold description regarding what unfolds onscreen in The Last Of England. Depending on how much the viewer is steeped in Britain's social, political and sexual culture during the time of Jarman's artistic heyday, you'll either find much to mine from the filmmaker's imagery, or be subject to one raging headache.

The film is presented in a 1.78:1 aspect ratio, with a Dolby Stereo soundtrack. Given the director's deliberate effort at keeping the film's look unpolished--Jarman shot all his new footage on Super 8, transferred everything to video for editing, and then to 35MM for theatrical presentation--there's not a lot of footing to critique the mastering job performed for DVD release. While the mere fact of The Last Of England's arrival on DVD will please Jarman fans of long standing, that same crowd will doubtless be disappointed by the complete dearth of supplemental materials in Image's offering. If ever a DVD release cried out for some measure of on-board critical exploration, it's this one, and there isn't so much as a liner note.

For more information about The Last Of England, visit Image Entertainment. To order The Last of England, go to TCM Shopping.

by Jay S. Steinberg
The Last Of England - Filmmaker Derek Jarman's Attack On Thatcher-Era Britain

The Last of England - Filmmaker Derek Jarman's attack on Thatcher-era Britain

The works of the late British filmmaker Derek Jarman were touchstones for devotees of avant-garde cinema during the '70s and '80s. Highly politically charged, graphic in their exploration of homosexual themes, even his efforts that most hewed to conventional film narrative were not to all tastes, and his most expressionistic efforts make for a daunting view, with the depth of reward subject to vociferous debate. Falling into that latter category is The Last Of England (1987), a feature-length, visually poetic abstract rant challenging the social policies of Thatcher-era Britain, which has finally made its bow on DVD from Image Entertainment. Jarman embarked on the project not long after his positive diagnosis for HIV in 1986, which doubtless fueled the bleakness that comes across onscreen. The opening of the narrative, such as it is, intercuts footage of Jarman laboring in his studio with that of a young man (Rupert Audley) in a blasted garbage yard stomping, and then simulating sex with, a Carravagio painting. All the while, narrator Nigel Terry intones a verse of protest that variously invokes T.S. Eliot and Allen Ginsburg. Actual Super 8MM home movies from Jarman's childhood are milked for irony, and tenement residents are shown being frog-marched by fascistic ski-masked soldiers, one of whom makes time for an erotic embrace with a naked man on top of a Union Jack. The final arc follows a posh upper-class wedding, but the seemingly content bride (Tilda Swinton) is thereafter depicted alone on a beach, desperately trying to rend her gown. While many more bizarre visuals fills the interstices, it's kind of pointless to go into any further with cold description regarding what unfolds onscreen in The Last Of England. Depending on how much the viewer is steeped in Britain's social, political and sexual culture during the time of Jarman's artistic heyday, you'll either find much to mine from the filmmaker's imagery, or be subject to one raging headache. The film is presented in a 1.78:1 aspect ratio, with a Dolby Stereo soundtrack. Given the director's deliberate effort at keeping the film's look unpolished--Jarman shot all his new footage on Super 8, transferred everything to video for editing, and then to 35MM for theatrical presentation--there's not a lot of footing to critique the mastering job performed for DVD release. While the mere fact of The Last Of England's arrival on DVD will please Jarman fans of long standing, that same crowd will doubtless be disappointed by the complete dearth of supplemental materials in Image's offering. If ever a DVD release cried out for some measure of on-board critical exploration, it's this one, and there isn't so much as a liner note. For more information about The Last Of England, visit Image Entertainment. To order The Last of England, go to TCM Shopping. by Jay S. Steinberg

Quotes

Trivia

Miscellaneous Notes

Released in United States 1994

Released in United States December 1, 1994

Released in United States June 19, 1989

Released in United States June 7, 1990

Released in United States May 1994

Released in United States on Video August 31, 1989

Released in United States September 1988

Released in United States September 28, 1988

Released in United States Winter January 11, 1989

Shown at New York Film Festival September 28, 1988.

Shown at New York International Festival of Lesbian and Gay Film June 19, 1989.

Shown at Seattle International Film Festival June 7, 1990.

Shown at Toronto Festival of Festivals September 8-17, 1988.

Completed shooting February 1987.

Released in United States 1994 (Shown in New York City (Film Forum) as part of program "Derek Jarman 1942 - 1994" March 25 - April 14, 1994.)

Released in United States Winter January 11, 1989

Released in United States May 1994 (Shown in Los Angeles (Nuart) as part of program "Dancing on the Ledge: The Films of Derek Jarman" May 12-16, 1994.)

Released in United States June 19, 1989 (Shown at New York International Festival of Lesbian and Gay Film June 19, 1989.)

Released in United States on Video August 31, 1989

Released in United States September 28, 1988 (Shown at New York Film Festival September 28, 1988.)

Released in United States September 1988 (Shown at Toronto Festival of Festivals September 8-17, 1988.)

Released in United States June 7, 1990 (Shown at Seattle International Film Festival June 7, 1990.)

Released in United States December 1, 1994 (Shown in New York City (Walter Reade) as part of program "A Day With Derek Jarman" December 1, 1994.)