The Last Blitzkrieg
Brief Synopsis
Cast & Crew
Arthur Dreifuss
Van Johnson
Kerwin Mathews
Dick York
Larry Storch
Lisa Bourdin
Film Details
Technical Specs
Synopsis
In the waning days of World War II, American soldiers Sgt. Leonard Richardson, Sgt. Ludwig and Ennis are incarcerated at a German POW camp. In reality, Richardson is a German soldier, Sgt. Hans von Kroner, who had lived in the United States prior to the war and has been assigned to pose as an American POW to spy on the inmates. When Kroner reports to the camp commandant that Ludwig, an American who is of German ancestry and therefore fluent in the language, is digging an escape tunnel beneath the camp, the commandant assures him that no harm will come to Ludwig and the others. Soon after, Kroner and all other English-speaking German personnel are transferred to a secret operation known as "OK Butch." Colonel von Ruppel, the head of the operation, explains that their mission is to pose as American soldiers and infiltrate and sabotage Allied lines. After coaching the Germans in American pronunciation and comportment, Kroner reassumes the identity of Leonard and is teamed with three German soldiers: Wilitz, Kirsch and Hoffner. As they impatiently await their assignment, Wilitz, a sadistic "brownshirt," taunts Kroner about being the son of a famous German general. One day, as Germany's final Blitzkrieg begins, Kroner and his men are ordered to prevent the bridge at Naimure from being destroyed by the Americans. Posing as lost American GIs, the four infiltrate American lines in Belgium and proceed to wreak havoc by moving signs warning of land mines, resulting in the loss of many American lives. After systematically destroying fuel lines and ammunition dumps, the four, cold and hungry, come upon a small cottage. Still posing as Americans, they ask for shelter, and Monique, the young woman who lives there with her brother, invites them in. After Monique tells them that her brother and father are off fighting the Germans, she confides that she believes the German Luftwaffe has been disabled because she has seen no airplanes for weeks. Later, alone with Monique, Wilitz demands a kiss and when she resists, he assaults her. Kroner comes to her defense, and chagrined and disgusted by his subordinate's behavior, he profusely apologizes to Monique. While they are driving their jeep along the road one day, Kroner's company is directed to a village where an American captain attaches them to the 23rd Infantry unit, then confiscates their jeep. Upon reporting to their new unit, Kroner is stunned to be greeted by Ludwig and Ennis, who address him as Richardson. After Kroner lies that he fled the POW camp hidden in a laundry truck, Ludwig tells him that he and Ennis escaped through the tunnel, but all the others were gunned down by the waiting German commandant. Kroner then bitterly recalls the commandant's assurances that none of the tunnelers would be harmed. Although Kroner senses that the Germans are losing, the others refuse to accept the notion of defeat and Kroner accuses Wilitz of being drunk on the brutality of war. To prevent the Americans from using their confiscated jeep, the Germans place a bomb in it, killing the American captain who was behind the wheel. As they proceed on their mission to secure an area known as "Crossroads," the Americans discover a troop of Germans holed up in a shack. The Americans start to pepper the enemy with machine gun fire, and in the ensuing shootout, the American lieutenant is killed and Ludwig assumes command. Once the Germans surrender, the Americans discover that they have been fighting a ragtag band of boys and old men. Kroner offers to escort them back to the battalion, intending to free them along the way. When he returns, however, Kroner informs Wilitz and the others that the Germans refused his offer of escape, preferring to be prisoners of war rather than soldiers. Ludwig, who was wary of Richardson when they were POWs together, becomes suspicious of Wilitz when Wilitz fails to recognize American slang for "a hot foot." Later, when one of their trucks is found sabotaged after a soldier swore that he saw one of Kroner's men near it, Ludwig recalls his earlier suspicions about Kroner and sets a trap for him. After sending Kroner and his men on a reconnaissance mission to the top of a hill, Ludwig, yelling in perfect German, tricks them into believing that the Germans are attacking. When Kroner responds back in fluent German, he exposes his true identity. While trying to escape the Americans, Wilitz, Kirsch and Hoffner are killed and Kroner is wounded. As Ludwig treats Kroner's injuries, Kroner has difficulty comprehending that enemies can behave humanely. Soon after, the Germans attack, and after the American machine gunner is shot, Kroner grabs his weapon. The German officer in charge orders the Americans to surrender, but after they peaceably drop their guns, he shoots them down. Aghast, Kroner trains his machine gun at the Germans and mows them down. When Kroner is shot in the answering barrage, Ludwig runs to his side to comfort him. As he dies, Kroner shouts to the surviving Germans that Hitler is insane and that they are doing the work of the devil. Ludwig then notifies headquarters that their mission has been accomplished and that Crossroads has been secured.
Director
Arthur Dreifuss
Cast
Van Johnson
Kerwin Mathews
Dick York
Larry Storch
Lisa Bourdin
Leon Askin
Han Bens V.d. Berg
Robert Boon
Ton Van Duinhoven
Gijsbert Tersteeg
Montgomery Ford
Charles Rosenblum
Steye Van Brandenberg
Herb Grika
Chris Baay
Ronnie Landweer
Fred Oster
Adelheid Van Der Most
Yoka Berretty
Sacha Denisent
Karl Kent
Jan Verkoren
Howard Jaffe
T. Bolland
Jack Kelling
John T. Greene
Hans Hagemeyer
Pieter Goemans
Crew
Jan André
Coen Bouwhuis
Lien D' Oliveyra
Hugo De Groot
William A. Harper
Claire Hart
Wim Huender
Leonard Katzman
Sam Katzman
Major John Mcclain
Firma Michels
Lou Morheim
Cliff Richardson
Bobby Rosenbloom
Ted Scaife
Marjorie Stewart
Jacqueline Sundstrom
Nico Van Baarle
Film Details
Technical Specs
Articles
Leon Askin (1907-2005)
Born in Vienna, Austria as Leo Aschkenasy on September 18, 1907, Askin developed a taste for theater through his mother's love of cabaret, and as a youngster, often accompanied his mother to weekend productions.
He made a go of acting as a profession in 1925, when he took drama classes from Hans Thimig, a noted Austrian stage actor at the time. The following year, he made his Vienna stage debut in Rolf Lauckner's "Schrei aus der Strasse."
For the next six year (1927-33), he was a popular stage actor in both Vienna and Berlin before he was prevented to work on the stage by Hitler's SA for being a Jew. He left for Paris in 1935 to escape anti-semetic persecution, but returned to Vienna in 1935, to find work (albeit a much lower profile to escape scrutiny), but after a few years, the writing was on the wall, and he escaped to New York City in 1939, just at the outbreak of World War II. His luck in the Big Apple wasn't really happening, and in 1941, he relocated to Washington D.C. and briefly held the position of managing director of the Civic Theatre, a popular city venue of the day. Unfortunately, after the tragic events of Pearl Harbor in December of that year, the United States became involved in the war that had already engulfed Europe for two years, and seeing a possibility to expediate his application for American citizenship, he enlisted in the U.S. Army.
After the war, Leon indeed became a U.S. citizen and changed his name from Leon Aschkenasy to Leon Askin. He returned to New York and found work as a drama teacher, and more importantly, landed his first gig on Broadway, as director and actor in Goethe's Faust in 1947, which starred Askin in the title character opposite the legendary Albert Bassermann who played Mephisto. The production was a huge success. Askin followed this up with another director/actor stint with Shakespeare's Merchant of Venice and co-starred with Jose Ferrer in Ben Hecht's 20th Century. They were all Broadway hits, and Askin had finally achieved the success he had worked so hard to seek and merit.
It wasn't long before Hollywood came calling, and soon Askin, with his rich German accent and massive physical presence, made a very effective villian in a number of Hollywood films: the Hope-Crosby comedy Road to Bali (1952); Richard Burton's first hit film The Robe; and the Danny Kaye vehicle Knock on Wood (1954).
Askin's roles throughout the 50's were pretty much in this "menacing figure" vein, so little did anyone suspect that around the corner, Billy Wilder would be offering him his most memorable screen role - that of the Russian commissar Peripetschikof who gleefully embraces Amercian Capitalism in the scintillating politcal satire, One, Two, Three (1961). Who can forget this wonderfully exchange between Peripetschikof and Coca Cola executive C.R. MacNamara (James Cagney):
Peripetschikof: I have a great idea to make money. I have a storage full of saurkraut and I'll sell it as Christmas tree tinsil!
MacNamara: You're a cinch!
His performance for Wilder was wonderfully comedic and wholly memorable, and after One, Two, Three the film roles for Askin got noticable better, especially in Lulu and The Testament of Dr. Mabuse (both 1962); but he began to find prominent guest shots on hit television shows too: My Favorite Martian and The Outer Limits to name a few; yet his big break came in 1965, when for six seasons he played General Albert Burkhalter, the Nazi general who was forever taking Col. Kilink's ineptitude to task in Hogan's Heroes (1965-71).
Roles dried up for Askin after the run of Hogan's Heroes, save for the occassional guest spot on television: Diff'rent Strokes, Three's Company, Happy Days; and parts in forgettable comedies: Going Ape! (1981), Airplane II: The Sequel (1982). After years of seclusion, Askin relocated to his birthplace of Vienna in 1994, and he began taking parts in numerous stage productions almost to his death. In 2002, he received the highest national award for an Austrian citizen when he was bestowed with the Austrian Cross of Honor, First Class, for Science and Art. He is survived by his third wife of three years, Anita Wicher.
by Michael T. Toole
Leon Askin (1907-2005)
Quotes
Trivia
Notes
The film opens with a voice-over narration by Dick York as "Sgt. Ludwig" introducing the time period and situation. York's voice over narration is interspersed throughout the film. According to an April 1958 Hollywood Reporter news item, The Last Blitzkrieg was producer Sam Katzman's first picture filmed entirely in Europe. It was filmed on location at the Cinetone Studios in Amsterdam, Holland. An earlier film that covered the topic of German soldiers who posed as Americans is the 1958 Paramount release When Hell Broke Loose (see below).
Miscellaneous Notes
Released in United States December 1958
Released in United States Winter December 1958
b&w
Released in United States December 1958
Released in United States Winter December 1958