Kiki


1h 27m 1931

Film Details

Genre
Adaptation
Comedy
Musical
Release Date
Mar 14, 1931
Premiere Information
not available
Production Company
Feature Productions, Inc.
Distribution Company
United Artists Corp.
Country
United States
Screenplay Information
Based on the play Kiki by André Picard (Paris, 1920) as adapted by David Belasco (New York, 29 Nov 1921).

Technical Specs

Duration
1h 27m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
8,000ft (10 reels)

Synopsis

Before the opening night of the latest version of Randall's Revue, producer Victor Randall and his star and ex-wife, Paulette Vaile, quarrel, but Randall's friend Bunson prevails upon them to go on with the show. While Paulette flirts with her boyfriend Eddie, Victor laments having lost Paulette, whom he still loves, and high-spirited chorus girl Kiki is fired for biting another dancer. Kiki comes to Victor's office and pleads so determinedly for her job that Randall gives her another chance just to keep her quiet. That night, Kiki is distracted by the sight of Victor, whom she loves, and her comic pratfalls enrage the other performers while delighting the audience. After the show, Paulette slaps Kiki and insists on her dismissal, which Victor refuses to rescind when Kiki comes to his office later. Miserable over Paulette's temper, Victor decides to avail himself of Kiki's beauty and takes her to his apartment. When he tries to make love to her, however, she locks herself in the bedroom. The next day, Kiki destroys an apologetic letter from Paulette before Victor sees it, and determines to win him away from Paulette. A week passes and despite all his efforts Victor cannot get Kiki out of his home, even when he attempts to pass her on to his backer, Alfred Rapp. Kiki continues to steal Paulette's letters to Victor, but she is discovered when Alfred asks Victor why he has ignored the letters. Victor, who knows that Paulette is bad for him no matter how much he may desire her, is pleased with Kiki's trick, which encourages her love for him even more. She is disappointed, however, when Victor speaks to Paulette on the phone and his resolve weakens. He orders Kiki to leave by the time he returns, and Bunson helps her pack. In the lobby, Kiki sees Paulette, and after trapping her in a nearby room, Kiki threatens to kill her if she sees Victor again. Victor and Bunson rescue Paulette, but Kiki pretends to faint and does not rouse when the doctor tends to her. Later that night, the doctor diagnoses a catalyptic trance and orders that she must not be moved, which dismays Victor, who has just received an unexpected visit from an amorous Paulette. Paulette nags Victor until he agrees to leave with her, but her irritating tone, and Kiki's loveliness as she pretends to sleep, move him to stay. Paulette leaves in a huff, after which Kiki explains to Victor how much she loves him. Paulette calls, offering Victor one last chance for a reconciliation, but Victor realizes he adores Kiki and chooses to stay with his madcap darling.

Film Details

Genre
Adaptation
Comedy
Musical
Release Date
Mar 14, 1931
Premiere Information
not available
Production Company
Feature Productions, Inc.
Distribution Company
United Artists Corp.
Country
United States
Screenplay Information
Based on the play Kiki by André Picard (Paris, 1920) as adapted by David Belasco (New York, 29 Nov 1921).

Technical Specs

Duration
1h 27m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
8,000ft (10 reels)

Quotes

Trivia

Notes

Sam Tayor is credited twice onscreen. His directing credits reads "Samuel Taylor," while his writing credit is "Sam Taylor." According to Film Daily, the film version was altered from the stage version to meet censorship requirements. Joseph M. Schenck produced a silent version of the play in 1926, starring Norma Talmadge and directed by Clarence Brown (see AFI Catalog of Feature Films 1921-30; F2.2868.)