The Jokers


1h 34m 1967

Brief Synopsis

Oliver Reed and Michael Crawford play two brothers who are always trying to find some way to succeed with cleverness rather than simple drudgery. Crawford is constantly living in his brother's shadow as the one who gets caught. After Crawford is forced to resign from the army after an episode of unappreciated cleverness, the two decide their careers would go better if there was a large amount of publicity, so they decide to steal the crown jewels from the tower of London. Bombs, misdirection, disguises and acting allow them to enter the tower with all of the alarms turned off.

Film Details

Genre
Comedy
Release Date
Jan 1967
Premiere Information
New York opening: 15 May 1967
Production Company
Adastra Films; Gildor Films; Scimitar Films Ltd.
Distribution Company
Universal Pictures
Country
United Kingdom

Technical Specs

Duration
1h 34m
Sound
Mono
Color
Color (Technicolor)

Synopsis

Architect David Tremayne and his brother Michael concoct a daring plan to "borrow" the British crown jewels from the Tower of London after Michael is expelled from military school. They prepare dated and sealed letters guaranteeing return of the jewels one week after the theft, then set their plan into motion by initiating a series of bomb scares in order to study the routine of Scotland Yard and the Army Bomb Disposal Unit. Next, they conceal a bomb in the Tower's Jewel Room, inform the police with an anonymous phone call, change into army uniforms, and join the bomb squad. Once inside, they chloroform the opposition, steal the jewels, cover themselves with fake blood, escape to a waiting ambulance, and quickly overpower the drivers. Authorities are completely baffled as the robbery becomes the talk of the nation, but David's guilt is exposed when his letter is opened the following week. Michael, however, has neglected to mail his letter, denies all knowledge of the crime, and has removed the jewels from their hiding place in David's flat. Only David is charged and remanded into custody, but he tricks Michael into believing that Scotland Yard has found a lie in his alibi; before surrendering, however, Michael places the jewels on the Statue of Justice scales 200 feet above Old Bailey. Reunited in a prison cell, the brothers begin plans for a daring escape.

Film Details

Genre
Comedy
Release Date
Jan 1967
Premiere Information
New York opening: 15 May 1967
Production Company
Adastra Films; Gildor Films; Scimitar Films Ltd.
Distribution Company
Universal Pictures
Country
United Kingdom

Technical Specs

Duration
1h 34m
Sound
Mono
Color
Color (Technicolor)

Articles

Rachel Kempson, 1910-2003


Rachel Kempson, the matriarch of the Redgrave acting dynasty, and a notable performer of the stage and screen in her own right, died on May 24 of natural causes at the home of her granddaughter, the actress Natasha Richardson in Millbrook, New York. She was 92. Her family of performers included Kempson's late husband, Sir Michael Redgrave, children Vanessa, Lynn and Corin Redgrave, and granddaughters Natasha and Joely Richardson.

Born on May 28, 1910, in Dartmouth, England, Kempson longed for a career in acting. She trained as an actress at the Royal Academy of Dramatic Art (RADA) in London and made her professional stage debut in 1932 at the legendary Stratford-on-Avon Theater in the lead of Romeo and Juliet. She went on to perform with such distinguished theatrical companies including the Royal Shakespeare Company, the English Stage Company and the Old Vic. In 1935 she was asked to star in the Liverpool Repertory production of Flowers of the Forest. Her leading man was Michael Redgrave, one of the top actors of his generation. Within a few weeks they fell in love and were married on July 18, 1935.

Kempson took a break for the next few years, to give birth to her three children: Vanessa, Corin and Lynn, but by the mid '40s, she came back to pursue her career in both stage and screen. She began to appear in some films with her husband: Basil Dearden's The Captive Heart (1946); and Lewis Gilbert's tough war drama The Sea Shall Not Have Them (1954). She hit her stride as a character actress in the '60s with a string of good films: Tony Richardson's (at the time her son-in-law) hilarious, award-winning Tom Jones (1963); Silvio Narizzano's classic comedy Georgy Girl (1966) starring her daughter, Lynn; and John Dexter's underrated anti-war film The Virgin Soldiers (1969), again with Lynn. In the '80s Kempson had two strong roles: Lady Manners in the epic British television series The Jewel in the Crown (1984); and as Lady Belfield in Sydney Pollack's hit Out of Africa (1985), starring Robert Redford and Meryl Streep.

Kempson had been in semi-retirement after the death of her husband, Sir Michael in 1985. She made her last film appearance in Henry Jaglom's romantic Deja vu (1998) poignantly playing the mother to her real life daughter Vanessa. Kempson is survived by her three children and 10 grandchildren.

by Michael T. Toole
Rachel Kempson, 1910-2003

Rachel Kempson, 1910-2003

Rachel Kempson, the matriarch of the Redgrave acting dynasty, and a notable performer of the stage and screen in her own right, died on May 24 of natural causes at the home of her granddaughter, the actress Natasha Richardson in Millbrook, New York. She was 92. Her family of performers included Kempson's late husband, Sir Michael Redgrave, children Vanessa, Lynn and Corin Redgrave, and granddaughters Natasha and Joely Richardson. Born on May 28, 1910, in Dartmouth, England, Kempson longed for a career in acting. She trained as an actress at the Royal Academy of Dramatic Art (RADA) in London and made her professional stage debut in 1932 at the legendary Stratford-on-Avon Theater in the lead of Romeo and Juliet. She went on to perform with such distinguished theatrical companies including the Royal Shakespeare Company, the English Stage Company and the Old Vic. In 1935 she was asked to star in the Liverpool Repertory production of Flowers of the Forest. Her leading man was Michael Redgrave, one of the top actors of his generation. Within a few weeks they fell in love and were married on July 18, 1935. Kempson took a break for the next few years, to give birth to her three children: Vanessa, Corin and Lynn, but by the mid '40s, she came back to pursue her career in both stage and screen. She began to appear in some films with her husband: Basil Dearden's The Captive Heart (1946); and Lewis Gilbert's tough war drama The Sea Shall Not Have Them (1954). She hit her stride as a character actress in the '60s with a string of good films: Tony Richardson's (at the time her son-in-law) hilarious, award-winning Tom Jones (1963); Silvio Narizzano's classic comedy Georgy Girl (1966) starring her daughter, Lynn; and John Dexter's underrated anti-war film The Virgin Soldiers (1969), again with Lynn. In the '80s Kempson had two strong roles: Lady Manners in the epic British television series The Jewel in the Crown (1984); and as Lady Belfield in Sydney Pollack's hit Out of Africa (1985), starring Robert Redford and Meryl Streep. Kempson had been in semi-retirement after the death of her husband, Sir Michael in 1985. She made her last film appearance in Henry Jaglom's romantic Deja vu (1998) poignantly playing the mother to her real life daughter Vanessa. Kempson is survived by her three children and 10 grandchildren. by Michael T. Toole

Quotes

Trivia

A cleaner at the Old Bailey (the Central Criminal Court) acted as a stand in for Michael Crawford putting the Crown Jewels in the Scales of Justice.

Notes

Filmed on location in and around London. Opened in London in June 1967. Only one source lists Adastra as a production company.

Miscellaneous Notes

The United Kingdom

Released in United States 1967

Released in United States 1967