Interlude
Brief Synopsis
Cast & Crew
Douglas Sirk
June Allyson
Rossano Brazzi
Marianne Cook
Francoise Rosay
Keith Andes
Film Details
Technical Specs
Synopsis
When naive American Helen Banning arrives in Munich, Germany, hoping to have an adventure and see the world, she meets Prue Stubbins, her excitable new boss at the American cultural agency called Amerika Haus. Soon afterward, Helen is courted by American doctor Morley Dwyer, a friend of her family's, and although she begins to date Morley, she warns him that she is not in Germany to find romance. As part of her first assignment, to help facilitate an orchestral concert sponsored by Amerika Haus, Helen accompanies Prue to the rehearsal, where they are asked to leave by the temperamental conductor, Tonio "Tony" Fischer. When Tony then receives a message and rushes out, Prue insists that Helen follow him to ensure that he will perform at the concert. Helen visits his home, the estate of Countess Irena Reinhart, where Tony is behind closed doors, playing the piano for his wife Reni. Tony comes to the door and brusquely informs Helen that the concert will go on as scheduled. After she leaves, a noted psychiatrist informs Tony that Reni cannot be cured, and urges him not to blame himself but to go on living without her. At the hugely successful concert that night, Prue instructs Helen to watch from the wings, where she tries to avoid Tony. He seeks her out, however, to apologize for his previous behavior, and after he offers to drive her home, she finds herself drawn to his sophistication and good looks. The next day, Helen attends a party at the Nymphenburg Palace, where Tony spots her and insists that she accompany him on a day trip to Salzburg, Austria. Impressed by her simplicity and optimism, Tony is delighted with Helen, and takes her on a whirlwind tour of the beautiful city. A few weeks later, Helen is dating both Morley and Tony, prompting her American friend, Gertrude Kirk to warn her to be careful of European men. Ignoring the advice, Helen cancels a date with Morley to attend Tony's concert, but once there, she hears that he is leaving for Stockholm soon, and later tearfully asks him why he wants to spend time with such an ordinary girl. His reply, that she is important to him and he is leaving for only two weeks, cheers her. Before he leaves town, he takes her on a picnic, but a summer storm forces them to take shelter in his nearby summer house. Although she nervously avoids his advances, when he pulls her into his arms, she responds passionately. Hours later, Tony starts to tell Helen that he is married, but stops himself, afraid that she will cut off their affair. When she insists on returning to his house with him, he acquiesces, and there she sees Reni for the first time. Reni dreamily recounts dancing with her husband, but suddenly grows suspicious of Helen and bolts out the door. Helen, furious, turns to leave, but Tony begs her to stay until Reni is calmed, and Irena explains to Helen that Reni has been mentally ill for years and is completely dependent on Tony. Weeks later, Morley visits a depressed Helen, who has not left her house since learning about Reni. He invites her to a dance, and on the walk home, proposes to her. She replies that she is not the virtuous girl he thinks she is, but Morley has guessed about her affair, and tells her that she is fine and decent and does not belong in Europe. Visiting him at the hospital the next day, she is impressed to see how respected and competent he appears, but as they leave together, she sees Tony in the hallway and he explains that Reni has had a breakdown. Helen is stirred by seeing him again and visits his rehearsal, where he tries to turn her away, but finally falls into her arms. Morley is waiting for her when she returns home, and reveals that he is leaving the next day, but that it is not too late for her to go with him. Helen is resolute that she must stay to help Tony, earning even more of Morley's admiration. That night, Helen is watching Tony's concert from the wings when she is pulled into the cloakroom by Reni, who has snuck out of the house. First enraged, then in tears, the ill woman begs Helen not to take Tony away from her. Helen escorts her home, where Irena urges Helen to forget about Reni, who is only a shell of who she used to be, and to give Tony the love he needs. Helen calls Morley, however, and then, finding Reni gone from her room, chases after her across the lawn towards the lake. Reni plunges into the water, hoping to die, but Helen rescues her. After Reni is sedated, Helen confesses to Tony that for a moment she fantasized about Reni's death, and that she cannot live that way. She insists that what he loves in her is only what he has lost in Reni, and finally he agrees that they cannot be together. Helen says a tearful goodbye and then escapes to Morley's waiting car, asking him to take her home to America.
Director
Douglas Sirk
Cast
June Allyson
Rossano Brazzi
Marianne Cook
Francoise Rosay
Keith Andes
Frances Bergen
Lisa Helwig
Herman Schwedt
Anthony Tripoli
John Stein
Jane Wyatt
Crew
Ludwig Von Beethoven
Johannes Brahms
Leslie I. Carey
Franklin Coen
Inez Cook
Norman Deming
William Fritzsche
Daniel Fuchs
Joseph Gershenson
Alexander Golitzen
Marshall Green
Ross Hunter
Franz Lizst
Jay A. Morley Jr.
Wolfgang Amadeus Mozart
Wolfgang Edward Rebner
Wolfgang Edward Rebner
Russell F. Schoengarth
Robert Schumann
Frank Skinner
Frank Skinner
Robert E. Smith
Richard Wagner
Paul Francis Webster
Bud Westmore
Film Details
Technical Specs
Articles
Keith Andes (1920-2005)
Born John Charles Andes on July 12, 1920, in Ocean City, New Jersey, Keith been began performing in his teens for school productions and for local radio stations in his hometown. After he graduated with a B.A. in education from Temple University in 1943, he pursued a stage career in earnest, and in 1947 scored a triumph in the Broadway musical The Chocolate Soldier, where he won a Theatre World Award for his performance. That same year, he made his film debut as one of Loretta Young's brothers in The Farmer's Daughter (1947). Although his film career never quite took off, one could certainly envy him for playing opposite two of the hottest blonde bombshells of their generation: first with Marilyn Monroe Clash by Night (1952); and then Jayne Mansfield in The Girl Most Likely (1957).
If Andes lacked the star power to be a consistent Hollywood lead, he certainly had no problems with television. Here, his stalwart presence and commanding baritone made him more than servicable for television through three decades: (Goodyear Theatre, Playhouse 90, The Ford Television Theatre); '60s: (Perry Mason, The Rifleman, Star Trek, The Outer Limits, Glynis); and '70s (Cannon, The Streets of San Francisco).
Andes made his last notable screen appearance in the Al Pacino vehicle And Justice For All (1979), before falling into semi-retirement and doing occassional voice work. He is survived by two sons, Mark, Matt; and three grandchildren.
by Michael T. Toole
Keith Andes (1920-2005)
Quotes
Trivia
Notes
Although Universal released this film under the title Interlude, according to a September 1957 Los Angeles Times article, the Paramount Hollywood Theater billed it as A Forbidden Interlude, and the Hollywood Citizen-News review refers to it as In a Forbidden Interlude. Ilka Chase was originally cast as "Prue Stubbins," but a July 1956 Hollywood Reporter news item reports that she was forced to withdraw due to an attack of pleurisy. According to studio press materials, all orchestral music heard in the film was recorded by the Kurt Graunke Symphony Orchestra, except for the sequences that take place in Salzburg, which were recorded by the Mozarteum's Camerate Academica Orchestra. Studio press materials also note that the film was shot entirely on location in Munich, Germany at the Hercules Hall, Konigsplatz, Bernried Castle, Schleissheim Castle and Amerika Haus (built in 1935 as the Nazi party headquarters), and in Salzburg, Austria at Geburthaus, Mozart's birthplace. Interiors were shot at the Geiselgasteig Studios in Munich. Actress Marianne Cook was billed in Germany under her real name, Marianne Koch.
Interlude's screenplay was based on the 1939 Universal film When Tomorrow Comes, directed by John M. Stahl and starring Irene Dunne and Charles Boyer (see AFI Catalog of Feature Films, 1931-40), which itself was loosely based on the unpublished James M. Cain story "A Modern Cinderella." The finished script for Interlude, however, bears little resemblance to the Cain story. In his autobiography Sirk on Sirk, director Douglas Sirk claimed that When Tomorrow Comes was loosely based on Cain's novel Serenade, however, the novel is unrelated to the film Interlude. For a summary of Cain's novel for the 1956 Serenade, please consult the entry below. Domino Productions remade the film in 1968 as Interlude, directed by Kevin Billington and starring Oskar Werner and Barbara Ferris.
Miscellaneous Notes
Released in United States Fall September 1957
Remake of "When Tomorrow Comes" (1939).
CinemaScope
Released in United States Fall September 1957