The Homesteaders


1h 2m 1953
The Homesteaders

Brief Synopsis

A man faces numerous travails transporting a consignment of dynamite for a group of Oregon homesteaders.

Film Details

Genre
Western
Release Date
Mar 22, 1953
Premiere Information
not available
Production Company
Allied Artists Productions, Inc.; Silvermine Productions Co.
Distribution Company
Monogram Pictures Corp.
Country
United States

Technical Specs

Duration
1h 2m
Film Length
5,595ft

Synopsis

In Rockhill, Oregon in 1870, homesteader Mace Corbin receives a telegram informing him that the U.S. Army Corps of Engineers is sending the dynamite he requested to Fort Churchill. Mace immediately informs his best friend and neighbor, Clyde Moss, and his wife Jenny, that he plans to use the dynamite to blast away the rocks impeding farming for all local homesteaders, and that they can also create a pass to a grazing valley for their cattle. Clyde agrees to accompany Mace on the journey to pick up the dynamite and transport it home. Unknown to Mace, however, the destitute Clyde has secretly borrowed money from John Kroger, owner of the local mining company. In exchange for helping steal Mace's dynamite, Kroger has offered Clyde a partnership in his mine. When Mace and Clyde receive the dynamite at Ft. Churchill, they are surprised to learn from Col. Jason Peterson that the batch is dangerously unstable. As Clyde insists they will be able to transport the dynamite safely, Peterson introduces them to a group of eighteen imprisoned soldiers soon to be discharged who can work as their crew. Peterson assures a reticent Mace that the prisoners are good men who merely made mistakes. The former soldiers, including Meade, Charlie, Van, Slim, Hector and the elderly Grimer, reluctantly agree to Mace's rules against smoking and drinking. However, when Meade discovers that the dynamite is unstable, he quits and tosses a stick of the explosive at Mace. Although the dynamite does not explode, Mace attacks Meade to teach him a lesson. Grimer, who seeks a new start in Rockhill, convinces Meade and the rest of the men to stick with the job. After departing from the fort, the wagon train encounters a destroyed wagon and the remains of its murdered occupants. When a drunken Slim later spits a pebble at a horse and causes it to shy, Mace reprimands him by taking his bullets and firing him, despite protests from the other men that Slim will not be safe alone in Indian territory. As the wagon train continues, Meade grows resentful because of Mace's rules and spreads dissent among the men. Farther along their trail, meanwhile, Kroger and his foreman, Jake Williams, are camped and planning their attack on the wagon train. One day, Meade incites three men to mutiny, and when Grimer attempts to intervene, Meade shoots him. Mace then kills Meade and the three other men surrender. Grimer's shoulder wound is treated and as the remaining mutineers are repentant, Mace allows them to remain on the job. Farther along the trail, the wagon train is forced to fend off an Indian attack by circling the wagons and engaging in a gun battle. One man is wounded and when a wagon hit by a flaming arrow explodes, the tribe flees. That night, Mace suggests that Clyde and he join their ranches in a full partnership, but Clyde asks for time to think about it. Mace continues by expressing his distrust of Kroger, who once offered to loan him money. He then explains that he rejected Kroger's offer because of Kroger's reputation for stealing homesteaders' property, and he now worries that Kroger might force them out if he were to obtain their dynamite for his mining operation. Shortly afterward, Mace notices smoke from a nearby campsite, unaware that it belongs to Kroger. Clyde suggests that Mace retire for the night while he orders the guards to double up. After doing so, however, Clyde rides to Kroger's campsite and breaks off the deal out of loyalty to Mace. Kroger pretends to agree, and the next morning, Clyde confesses to Mace. Disappointed by his friend's duplicity, Mace demands that Clyde leave, then reinforces their guard. Before Clyde can depart, however, Kroger and his gang attack the wagon train. Clyde kills Kroger during the gunfight, after which the rest of the gang flees. Mace orders the wagon train to continue, but when he sees his friend riding away alone, he goes after him and insists that he rejoin the wagon train and that they head for home together.

Film Details

Genre
Western
Release Date
Mar 22, 1953
Premiere Information
not available
Production Company
Allied Artists Productions, Inc.; Silvermine Productions Co.
Distribution Company
Monogram Pictures Corp.
Country
United States

Technical Specs

Duration
1h 2m
Film Length
5,595ft

Articles

The Homesteaders


This Allied Artists vehicle for cowboy actor Elliott western failed to impress the critics of the day and was branded by Variety as a "slow-paced program oater." The fullness of time, however, proves The Homesteaders (1953) to have been intriguingly predictive, its tale of a rugged Oregon settler (Elliott, playing true to taciturn but proactive type) transporting wagons of unstable dynamite across Indian territory with the help of conscripted Army prisoners anticipating both Henri-Georges Clouzot's The Wages of Fear (1953) - to say nothing of William Friedkin's 1977 remake, Sorcerer -- and Robert Aldrich's The Dirty Dozen (1968). In reality, The Homesteaders was a dusting off of an earlier Elliott western, The Longhorn (1950), in which steers were the unpredictable payload. Here, Elliott's play is backed by Robert Lowery (who had been the Caped Crusader in the 1949 Columbia Pictures serial Batman and Robin) as Elliott's dodgy partner, George Wallace (enjoying a villainous turn after playing the racketeering Commando Cody of Republic's Radar Men from the Moon) as the worst of the convict bunch, and Emmett Lynn, as Elliott's grizzled, Gabby Hayes-like sidekick. The central conceit of explosive cargo would remain a popular suspense go-to for movie and TV writers, complicating episodes of The Big Valley and Little House on the Prairie and the Warner Brothers feature Blowing Wild (1953), starring Gary Cooper, Barbara Stanwyck, and Anthony Quinn, which trailed The Homesteaders to the bijou by six months.

By Richard Harland Smith
The Homesteaders

The Homesteaders

This Allied Artists vehicle for cowboy actor Elliott western failed to impress the critics of the day and was branded by Variety as a "slow-paced program oater." The fullness of time, however, proves The Homesteaders (1953) to have been intriguingly predictive, its tale of a rugged Oregon settler (Elliott, playing true to taciturn but proactive type) transporting wagons of unstable dynamite across Indian territory with the help of conscripted Army prisoners anticipating both Henri-Georges Clouzot's The Wages of Fear (1953) - to say nothing of William Friedkin's 1977 remake, Sorcerer -- and Robert Aldrich's The Dirty Dozen (1968). In reality, The Homesteaders was a dusting off of an earlier Elliott western, The Longhorn (1950), in which steers were the unpredictable payload. Here, Elliott's play is backed by Robert Lowery (who had been the Caped Crusader in the 1949 Columbia Pictures serial Batman and Robin) as Elliott's dodgy partner, George Wallace (enjoying a villainous turn after playing the racketeering Commando Cody of Republic's Radar Men from the Moon) as the worst of the convict bunch, and Emmett Lynn, as Elliott's grizzled, Gabby Hayes-like sidekick. The central conceit of explosive cargo would remain a popular suspense go-to for movie and TV writers, complicating episodes of The Big Valley and Little House on the Prairie and the Warner Brothers feature Blowing Wild (1953), starring Gary Cooper, Barbara Stanwyck, and Anthony Quinn, which trailed The Homesteaders to the bijou by six months. By Richard Harland Smith

Quotes

Trivia

Notes

The film opens with the following written foreword: "When the Homesteaders settled in Oregon, they found a beautiful, lush country-a country that held promise for all. But clearing the land was a challenge, for the thick tree growth and the huge rocks that peppered the soil kept the homesteaders from plowing and herding successfully. The problem was particularly acute in the year 1870, when the country was still recovering from the effects of the Civil War." According to copyright records and reviews, The Homesteaders was released in sepia, but the viewed print was black and white.