Gunfight at Comanche Creek


1h 31m 1963
Gunfight at Comanche Creek

Brief Synopsis

Detective employed to help smash a band of outlaws works his way into the gang and saves himself from an impossible situation by exposing the master-mind of the gang in time to save his own life.

Film Details

Also Known As
The Great Gunfighter
Genre
Western
Release Date
Nov 1963
Premiere Information
not available
Production Company
Allied Artists
Country
United States

Technical Specs

Duration
1h 31m
Sound
Mono
Color
Color (DeLuxe)
Theatrical Aspect Ratio
2.35 : 1

Synopsis

Bob Gifford of the National Detective Agency is assigned to smash a Colorado outlaw gang that operates by breaking wanted men out of jail, forcing them to be the unmasked front men in their holdups, and when the price on their heads grows high, killing them and claiming the reward money. In an effort to learn the identity of the gang's secret leader, Gifford poses as a criminal and is taken into the gang through the usual process and forced to participate in their crimes. Meanwhile, he becomes attracted to Abbie, the owner of the town's hotel-saloon. Another agent, Nielson, is assigned to follow and assist Gifford, but the outlaws eventually discover his camp, and he sacrifices himself to avoid compromising his partner. Carter, a young outlaw who wants to quit the gang and settle down, befriends Gifford and sets out to inform the local marshal of the group's activities. He fails to return, however, and Gifford realizes that the marshal himself is the leader of the gang. As Gifford is about to be killed for the reward, other National Detective Agency men come to his rescue, and, after a raging gun battle, the marshal is arrested.

Film Details

Also Known As
The Great Gunfighter
Genre
Western
Release Date
Nov 1963
Premiere Information
not available
Production Company
Allied Artists
Country
United States

Technical Specs

Duration
1h 31m
Sound
Mono
Color
Color (DeLuxe)
Theatrical Aspect Ratio
2.35 : 1

Articles

Gunfight at Comanche Creek -


Watching Gunfight at Comanche Creek in 1963, audiences may well have wondered if they hadn't seen this story before. They'd have been right: it had already been the basis for four Westerns over the previous 18 years. In 1945, the bottom-rung studio PRC produced Flaming Bullets, written and directed by Harry Fraser. In 1951, Monogram remade it as Wanted: Dead or Alive, written by Clint Johnston. In 1953, Allied Artists (formerly Monogram), turned out another version, Star of Texas, written by Daniel Ullman, who re-tooled it for another Allied take in 1957, Last of the Badmen, in CinemaScope and color. Gunfight at Comanche Creek, written by Edward Bernds for Allied yet again, is practically a carbon copy of that 1957 film, again in color and widescreen Panavision.

All five films contain virtually the same story idea: an outlaw gang bust criminals out of jail and makes them join in for bank robberies, ensuring that the criminals' faces are seen during those robberies; then, when the price on the exposed criminals' heads shoots up, they kill them for the bounty. In Gunfight, Audie Murphy plays the detective who infiltrates the gang to try and stop them.

The film was shot in April 1963 and released that November. Leading lady Colleen Miller recalled: "We shot that very quick--in only days. The film wasn't that good. I think it needed some more script... Audie played the guitar and would sing songs to me--and every other woman who was around."

This was the next-to-last feature film credit for director Frank McDonald, who had made a career in B movies and television. He was under contract to Republic for several years starting in 1939, and later he directed some very low-budgeted films for Paramount, produced by William Pine and William Thomas, known in Hollywood as the "Dollar Bills" for their penny-pinching ways. Starting in 1944, McDonald directed many Roy Rogers Westerns, including Bells of Rosarita (1945) and My Pal Trigger (1946), arguably two of Roy's best. In the 1950s, McDonald turned to television Westerns (including 149 episodes of The Life and Legend of Wyatt Earp starring Hugh O'Brian), while still turning out low-budget features for Monogram and Allied. Those he worked with described him as having a ribald sense of humor, well-dressed and with a constant walking stick.

Reviews of Gunfight at Comanche Creek were perfunctory but not bad. "Devised and executed with journeyman efficiency," said Variety. "Tailor-made to satisfy the tastes of Audie Murphy [fans]." Film Daily declared "it should easily please the Western fan," and The Hollywood Reporter deemed it "a fairly good story with some suspense turns here and there." The review noted that because it was shot in springtime, "the customary dull colors of the brush are enlivened by spring flowers and fresh greens."

Look for DeForest Kelley, later to play "Bones" McCoy in Star Trek, as Amos Troop--one of several western heavies he played at this point of his career.

SOURCES:

Francis M. Nevins, They Called the Shots: Action Directors From Late Silents to the Late Sixties
Bob Larkins and Boyd Magers, The Films of Audie Murphy

By Jeremy Arnold
Gunfight At Comanche Creek -

Gunfight at Comanche Creek -

Watching Gunfight at Comanche Creek in 1963, audiences may well have wondered if they hadn't seen this story before. They'd have been right: it had already been the basis for four Westerns over the previous 18 years. In 1945, the bottom-rung studio PRC produced Flaming Bullets, written and directed by Harry Fraser. In 1951, Monogram remade it as Wanted: Dead or Alive, written by Clint Johnston. In 1953, Allied Artists (formerly Monogram), turned out another version, Star of Texas, written by Daniel Ullman, who re-tooled it for another Allied take in 1957, Last of the Badmen, in CinemaScope and color. Gunfight at Comanche Creek, written by Edward Bernds for Allied yet again, is practically a carbon copy of that 1957 film, again in color and widescreen Panavision. All five films contain virtually the same story idea: an outlaw gang bust criminals out of jail and makes them join in for bank robberies, ensuring that the criminals' faces are seen during those robberies; then, when the price on the exposed criminals' heads shoots up, they kill them for the bounty. In Gunfight, Audie Murphy plays the detective who infiltrates the gang to try and stop them. The film was shot in April 1963 and released that November. Leading lady Colleen Miller recalled: "We shot that very quick--in only days. The film wasn't that good. I think it needed some more script... Audie played the guitar and would sing songs to me--and every other woman who was around." This was the next-to-last feature film credit for director Frank McDonald, who had made a career in B movies and television. He was under contract to Republic for several years starting in 1939, and later he directed some very low-budgeted films for Paramount, produced by William Pine and William Thomas, known in Hollywood as the "Dollar Bills" for their penny-pinching ways. Starting in 1944, McDonald directed many Roy Rogers Westerns, including Bells of Rosarita (1945) and My Pal Trigger (1946), arguably two of Roy's best. In the 1950s, McDonald turned to television Westerns (including 149 episodes of The Life and Legend of Wyatt Earp starring Hugh O'Brian), while still turning out low-budget features for Monogram and Allied. Those he worked with described him as having a ribald sense of humor, well-dressed and with a constant walking stick. Reviews of Gunfight at Comanche Creek were perfunctory but not bad. "Devised and executed with journeyman efficiency," said Variety. "Tailor-made to satisfy the tastes of Audie Murphy [fans]." Film Daily declared "it should easily please the Western fan," and The Hollywood Reporter deemed it "a fairly good story with some suspense turns here and there." The review noted that because it was shot in springtime, "the customary dull colors of the brush are enlivened by spring flowers and fresh greens." Look for DeForest Kelley, later to play "Bones" McCoy in Star Trek, as Amos Troop--one of several western heavies he played at this point of his career. SOURCES: Francis M. Nevins, They Called the Shots: Action Directors From Late Silents to the Late Sixties Bob Larkins and Boyd Magers, The Films of Audie Murphy By Jeremy Arnold

Quotes

Now, let's go over what we know so far. We're faced with a shrewd and ruthless gang of outlaws. Their operation is clever and deadly. They wait until a man with a price on his head is jailed, then spring him and use him as a front man for a series of holdups...making sure he is the only one ever recognized. The reward keeps going up. When it reaches three or four thousand dollars, the man is killed. Somebody is hired to collect the reward.
- Mike O'Brien, Chief National Detective Agency

Trivia

Notes

The working title of this film is The Great Gunfighter.

Miscellaneous Notes

Released in United States 1964

Released in United States 1964