The Forty-Niners


1h 11m 1954
The Forty-Niners

Brief Synopsis

A man poses as a gunman to learn the identity of three killers.

Film Details

Genre
Western
Release Date
May 9, 1954
Premiere Information
not available
Production Company
Allied Artists Pictures Corp.; Westwood Productions Co.
Distribution Company
Allied Artists Pictures Corp.
Country
United States

Technical Specs

Duration
1h 11m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
1.85 : 1
Film Length
6,355ft

Synopsis

During the California gold rush of 1849, the law is enforced by the few United States marshals the federal government can spare. After a marshal is killed by two gunmen while investigating a mining claim boundary dispute, a man named Everett is charged with the crime. Everett confesses that he hired the gunmen, whose names he does not know, through cardsharp Alf Billings. Marshal Sam Nelson is then assigned to capture Billings and the gunmen. Working undercover as a gunman, Sam visits several mining towns and eventually finds Billings in a poker game during which he is accused of cheating. After Sam comes to his defense, Billings gratefully suggests that they team up. As Sam needs Billings to give him the killers' names, he agrees and they move on to the town of Cold Water where, in a saloon, Billings spots owner Ernie Walker and sheriff William Norris, the two gunmen he had supplied to Everett. Later, after explaining to Walker and Norris that he has written a letter detailing their careers as killers, Billings tells them that, if anything happens to him, the letter's contents will be divulged. He then demands half of everything they control in Cold Water, and Walker and Norris have no choice but to agree to Billings' terms. Billings tells Sam about his new partnership and suggests that they could become sole owners if Walker and Norris were eliminated. Later, after Walker and Norris search for the letter but are unable to find it, they plan to use Stella, Walker's wife and an old friend of Billings, to acquire it. Stella, who is unhappy with Walker, learns from Billings that he had intended to marry her and now wants her to leave with him after matters are resolved. When Billings offers Sam a large sum of money to kill Walker and Norris, Sam realises that they are the men he is looking for. Needing proof, Sam sends a message, via Wells Fargo, to headquarters requesting that Everett be sent out, under guard, to identify positively Walker and Norris. When Norris intercepts the message, he, Walker and Billings discover Sam's true identity and mission and decide that Billings should kill Sam. Billings is unable to go through with it and tells Sam that Walker and Norris are the killers he supplied to Everett. Billings then offers to help Sam catch them as he is tired of the life he is leading and wants to settle down with Stella. He also asks Sam to testify on his behalf at any trial. Although Sam does not totally trust Billings, they devise a plan to ambush the killers: Billings will tell Walker and Norris that he has killed Sam and bring them to see the body, whereupon Sam will arrest them. However, the plan backfires when Norris becomes suspicious and shoots Billings who, although wounded, rides off. Sam hears the shots, comes to investigate, and in a gunfight with Norris, kills him. Billings rides to Stella's house where he writes a letter to the hotel clerk asking him to take the letter from the safe and give it to Stella. Meanwhile, Sam follows Billings' trail and finds him. Shortly after telling Sam that he wants him to have the letter, Billings dies. Walker arrives and tries to get the letter but is captured by Sam. Walker is soon convicted and hanged.

Film Details

Genre
Western
Release Date
May 9, 1954
Premiere Information
not available
Production Company
Allied Artists Pictures Corp.; Westwood Productions Co.
Distribution Company
Allied Artists Pictures Corp.
Country
United States

Technical Specs

Duration
1h 11m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
1.85 : 1
Film Length
6,355ft

Articles

The Forty-Niners


This was the last western to star Bill Elliott, son of a Missouri cattleman, who traded the dusty reality of ranching and rodeo for the dream of work as a Hollywood actor. Schooled at the Pasadena Playhouse, Elliott began to make a name for himself (as Gordon Elliott) in silent westerns but with the advent of sound his natural prairie drawl was determined a detriment and he was thereafter remaindered to extra work. Elliott gained marketability in middle age and won a contract with Columbia Pictures, whose president, Harry Cohn, christened him "Wild Bill" Elliott. The actor remained a major western star through the next fifteen years (on radio as well as the silver screen) and paired famously with child actor Robert Blake for a run of films about western hero Red Ryder and his Indian sidekick Little Beaver. Elliott switched to Republic Pictures in 1943 and drifted a decade later to Monogram, which became the Allied Artists Picture Corporation. The Forty-Niners (1954) finds Elliott as steadfast as ever, slower on the draw but resolute in his adherence to justice and fair play. Harry Morgan is well-cast as a bad guy who comes to respect and admire the U. S. Marshal and balks at the order to gun him down. Elliott would cap his career playing cops for Allied Artists in a five-film series of detective films shot in and round Los Angeles, beginning with Dial Red O (1955), and patterned (as is The Forty-Niners) after the success of Jack Webb's Dragnet.

By Richard Harland Smith
The Forty-Niners

The Forty-Niners

This was the last western to star Bill Elliott, son of a Missouri cattleman, who traded the dusty reality of ranching and rodeo for the dream of work as a Hollywood actor. Schooled at the Pasadena Playhouse, Elliott began to make a name for himself (as Gordon Elliott) in silent westerns but with the advent of sound his natural prairie drawl was determined a detriment and he was thereafter remaindered to extra work. Elliott gained marketability in middle age and won a contract with Columbia Pictures, whose president, Harry Cohn, christened him "Wild Bill" Elliott. The actor remained a major western star through the next fifteen years (on radio as well as the silver screen) and paired famously with child actor Robert Blake for a run of films about western hero Red Ryder and his Indian sidekick Little Beaver. Elliott switched to Republic Pictures in 1943 and drifted a decade later to Monogram, which became the Allied Artists Picture Corporation. The Forty-Niners (1954) finds Elliott as steadfast as ever, slower on the draw but resolute in his adherence to justice and fair play. Harry Morgan is well-cast as a bad guy who comes to respect and admire the U. S. Marshal and balks at the order to gun him down. Elliott would cap his career playing cops for Allied Artists in a five-film series of detective films shot in and round Los Angeles, beginning with Dial Red O (1955), and patterned (as is The Forty-Niners) after the success of Jack Webb's Dragnet. By Richard Harland Smith

Quotes

Trivia

Notes

A narration, spoken by Wild Bill Elliott as his character, "Sam Nelson," is provided intermittently throughout the film. Some reviews commented that the narration was similar in style to Dragnet. A studio production sheet of December 15, 1953, lists Melville Shyer as production manager and Fred Collings as assistant director, although Shyer is listed as the assistant director in the onscreen credits. A modern source adds Stanley Price and Jack O'Shea to the cast.