Stamping Ground


1h 30m 1972

Film Details

Also Known As
Love and Music
Release Date
1972

Technical Specs

Duration
1h 30m

Synopsis

Crew

Joep Bijl

Assistant Director

Gregory Clement

Composer

Susan Collins

Assembly Editor

Jan De Bont

Camera

Adolfo De La Parra

Composer

Brian Dean

Assistant Camera

Hans Den Bozemer

Assistant Camera

Arie Den Ouden

Assistant Director

Gary Essert

U.S. version Supervisor

Marc Feld

Composer

Micha Frenkel

Production Manager

Fred Glickstein

Composer

Harry Hart

Camera

Martin Haussler

Production Manager

Richard Hendrikx

Assistant Director

Gareth Heywood

Recordist

Bob Hite

Composer

Christopher Hollebone

Rec Assistant

David Andrew Jones

Composer

Paul Kantner

Composer

Nick Knowland

Camera

Rob Krijt

Lighting tech

Pieter Kroonenburg

Production Manager

David Laflamme

Composer

John Olf Lammers

Production Manager

Luke Leone

Composer

Kees Linthorst

Rec Assistant

Barry Male

Camera

Harvey Mandel

Composer

David Martin

Rec Assistant

Joe Mcdonald

Composer

James Joseph Mcguinn

Composer

Hans Menke

Camera

J. Moy

Assistant Camera

Hans Mulder

Production Manager

Jan Oonk

Aerial Photographer

Jan Otten

Assistant Camera

Andreas Pohland

Rec Assistant

Jason Pohland

Associate Producer

Carlos Santana

Composer

John H. Schmeding

Associate Producer

Wolf Schmidt

Producer

Dirk Schreiner

Production Manager

Hans Simons

Assistant Camera

Grace Slick

Composer

George Sluizer

Co-Director

Brian Snelling

Recording Supervisor

Roger Spottiswoode

Editing

Jeremy Stevenhagen

Assistant Camera

Al Stewart

Composer

Samuel Lawrence Taylor

Composer

Skip Taylor

U.S. version Supervisor

John Tiel

Assistant Camera

Paul Van De Bos

Camera

Theo Van De Sande

Camera

Fronk Van Der Storre

Assistant Camera

Piotter Van Dijk

Rec Assistant

Mat Van Hensbergen

Camera

Fred Van Kuyk

Camera

Dor Van Overmeire

Lighting tech

Erik Van Zuylen

Assistant Director

Ed Vermeulen

Lighting tech

Harry Verstappen

Assistant Camera

Ron Visser

Assistant Camera

Harre Von De Maat

Rec Assistant

Roger Waters

Composer

Sam Waynberg

Producer

Tom Webb

Composer

Pieter Wilkens

Assistant Camera

Alan Wilson

Composer

Film Details

Also Known As
Love and Music
Release Date
1972

Technical Specs

Duration
1h 30m

Quotes

Trivia

Notes

The film begins with the image of a sepia drawing of settlers, over which an unseen, uncredited narrator explains that the term "stamping ground" refers to the temporary campsite pitched by pioneers in the West, in which there was much singing and dancing. During the film, when each new band begins playing, its name appears on the screen. Dr. John is credited within the film as "Dr. John the Night Tripper." Concert footage is intercut with occasional special effects shots, images of the surrounding country and a few interviews.
       Stamping Ground was shot in June 1970 during the Holland Festival of Music, a three-day concert in Rotterdam, Holland. According to the Daily Variety review, twelve camera crews were involved in the filming. Although it is unclear how much American financing occured during film production, the credits note that the American version was supervised by Americans Skip Taylor, a music producer, and Gary Essert, co-founder of the Los Angeles-based Filmex film festival. A March 1972 Hollywood Reporter article noted that the picture had been acquired for distribution by Fine Films. Although the article identified Stamping Ground as a Coast Industries film, that company was not listed in any other source. The Hollywood Reporter article also reported that Fine Films would exhibit Stamping Ground only in theaters with four-track stereo.
       According to modern sources, the film originally included performances by rock groups Soft Machine and Quintessence, but eleven minutes were cut from the final version. Stamping Ground marked the American feature film debut for both co-director George Sluizer, who went on to direct 1993's The Vanishing, and Canadian editor Roger Spottiswoode, who later became a director with such films as 1989's Turner and Hootch.
       Stamping Ground received poor reviews. The Hollywood Reporter critic noted that, in the time elapsed between the live concert and the documentary's release, many of the musical groups had disbanded or changed members. Rock group Santana sued to stop the showing of the picture because of its "poor and unsatisfactory" recording quality; however, as noted in a May 1972 Daily Variety news item, the suit was dismissed. Some modern sources refer to the film as Love and Music, a possible video or European release title.