Curse of the Fly


1h 26m 1965

Brief Synopsis

Remember that scientist that was trying to perfect a matter transportation machine but got fused with a fly when one of the little critters got into the transporter with him? Well, this story is about three of his descendents (a son, Henri Delambre, played by Brian Donlevy and two grandsons). Seems the son wants to continue and perfect the machine while his two sons want to get out of the scientist business and live "normal" lives. The oldest son, Martin, decides to take a wife (who just happens to have escaped from a mental hospital after her parents died). Martin's father is not happy with this intrusion but finally gives in because he understands him son's needs. They all try to be a happy family until humans used in botched experiments are discovered by the new bride and the police nearly discover the lab while looking for Martin's wife. Everyone tries to get out of there via the transporter but things just don't go according to plan ...

Film Details

Genre
Horror
Sequel
Release Date
May 1965
Premiere Information
not available
Production Company
Lippert Films
Distribution Company
Twentieth Century--Fox Film Corp.
Country
United Kingdom

Technical Specs

Duration
1h 26m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
2.35 : 1

Synopsis

For the past three generations the Delambre family has been attempting to disintegrate matter in one place (Montreal) and then transport and reintegrate it in another locale (London). Young Martin Delambre has just married Patricia Stanley, unaware that, though sane, she is an escapee from a mental institution. While staying at the Delambre Canadian estate with Martin and his father, Henri, Patricia begins to doubt her sanity. She learns not only of the ghastly experiments but also that Martin's former wife and two laboratory assistants are locked in the stables--all victims of the Delambres' past failures, which have left them part human and part fly. The experiments have also afflicted Martin with a mysterious recurring malady. Meanwhile, Wan, the Chinese housekeeper, persecutes Patricia because she has usurped the place of Martin's first wife, Judith. When police investigating Patricia's disappearance arrive at the estate, Henri decides that all the residents must be "teleported" to London. However, Martin's brother Albert destroys the London receiving equipment, and Henri becomes lost in the fourth dimension. Having no antidote serum, Martin takes on the metabolism of a fly, and his brief life span expires just as Patricia is rescued by the police.

Film Details

Genre
Horror
Sequel
Release Date
May 1965
Premiere Information
not available
Production Company
Lippert Films
Distribution Company
Twentieth Century--Fox Film Corp.
Country
United Kingdom

Technical Specs

Duration
1h 26m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
2.35 : 1

Articles

Rachel Kempson, 1910-2003


Rachel Kempson, the matriarch of the Redgrave acting dynasty, and a notable performer of the stage and screen in her own right, died on May 24 of natural causes at the home of her granddaughter, the actress Natasha Richardson in Millbrook, New York. She was 92. Her family of performers included Kempson's late husband, Sir Michael Redgrave, children Vanessa, Lynn and Corin Redgrave, and granddaughters Natasha and Joely Richardson.

Born on May 28, 1910, in Dartmouth, England, Kempson longed for a career in acting. She trained as an actress at the Royal Academy of Dramatic Art (RADA) in London and made her professional stage debut in 1932 at the legendary Stratford-on-Avon Theater in the lead of Romeo and Juliet. She went on to perform with such distinguished theatrical companies including the Royal Shakespeare Company, the English Stage Company and the Old Vic. In 1935 she was asked to star in the Liverpool Repertory production of Flowers of the Forest. Her leading man was Michael Redgrave, one of the top actors of his generation. Within a few weeks they fell in love and were married on July 18, 1935.

Kempson took a break for the next few years, to give birth to her three children: Vanessa, Corin and Lynn, but by the mid '40s, she came back to pursue her career in both stage and screen. She began to appear in some films with her husband: Basil Dearden's The Captive Heart (1946); and Lewis Gilbert's tough war drama The Sea Shall Not Have Them (1954). She hit her stride as a character actress in the '60s with a string of good films: Tony Richardson's (at the time her son-in-law) hilarious, award-winning Tom Jones (1963); Silvio Narizzano's classic comedy Georgy Girl (1966) starring her daughter, Lynn; and John Dexter's underrated anti-war film The Virgin Soldiers (1969), again with Lynn. In the '80s Kempson had two strong roles: Lady Manners in the epic British television series The Jewel in the Crown (1984); and as Lady Belfield in Sydney Pollack's hit Out of Africa (1985), starring Robert Redford and Meryl Streep.

Kempson had been in semi-retirement after the death of her husband, Sir Michael in 1985. She made her last film appearance in Henry Jaglom's romantic Deja vu (1998) poignantly playing the mother to her real life daughter Vanessa. Kempson is survived by her three children and 10 grandchildren.

by Michael T. Toole
Rachel Kempson, 1910-2003

Rachel Kempson, 1910-2003

Rachel Kempson, the matriarch of the Redgrave acting dynasty, and a notable performer of the stage and screen in her own right, died on May 24 of natural causes at the home of her granddaughter, the actress Natasha Richardson in Millbrook, New York. She was 92. Her family of performers included Kempson's late husband, Sir Michael Redgrave, children Vanessa, Lynn and Corin Redgrave, and granddaughters Natasha and Joely Richardson. Born on May 28, 1910, in Dartmouth, England, Kempson longed for a career in acting. She trained as an actress at the Royal Academy of Dramatic Art (RADA) in London and made her professional stage debut in 1932 at the legendary Stratford-on-Avon Theater in the lead of Romeo and Juliet. She went on to perform with such distinguished theatrical companies including the Royal Shakespeare Company, the English Stage Company and the Old Vic. In 1935 she was asked to star in the Liverpool Repertory production of Flowers of the Forest. Her leading man was Michael Redgrave, one of the top actors of his generation. Within a few weeks they fell in love and were married on July 18, 1935. Kempson took a break for the next few years, to give birth to her three children: Vanessa, Corin and Lynn, but by the mid '40s, she came back to pursue her career in both stage and screen. She began to appear in some films with her husband: Basil Dearden's The Captive Heart (1946); and Lewis Gilbert's tough war drama The Sea Shall Not Have Them (1954). She hit her stride as a character actress in the '60s with a string of good films: Tony Richardson's (at the time her son-in-law) hilarious, award-winning Tom Jones (1963); Silvio Narizzano's classic comedy Georgy Girl (1966) starring her daughter, Lynn; and John Dexter's underrated anti-war film The Virgin Soldiers (1969), again with Lynn. In the '80s Kempson had two strong roles: Lady Manners in the epic British television series The Jewel in the Crown (1984); and as Lady Belfield in Sydney Pollack's hit Out of Africa (1985), starring Robert Redford and Meryl Streep. Kempson had been in semi-retirement after the death of her husband, Sir Michael in 1985. She made her last film appearance in Henry Jaglom's romantic Deja vu (1998) poignantly playing the mother to her real life daughter Vanessa. Kempson is survived by her three children and 10 grandchildren. by Michael T. Toole

Quotes

Trivia

'Vincent Price' is missing from this, the third and final installment of the series. By this time this was produced, Price was under contract to American International Pictures.

Notes

Released in Great Britain in January 1966. This film is a sequel to The Fly (Twentieth Century-Fox, 1958) and Return of the Fly (Twentieth Century-Fox, 1959). Working title: The Curse of the Fly.

Miscellaneous Notes

Released in United States Spring May 1965

CinemaScope

Released in United States Spring May 1965