Creature with the Atom Brain


1h 10m 1955
Creature with the Atom Brain

Brief Synopsis

A gangster enlists a mad Nazi scientist to create an army of atomic zombies.

Photos & Videos

Creature with the Atom Brain - Lobby Cards

Film Details

Genre
Horror/Science-Fiction
Crime
Horror
Release Date
Jul 1955
Premiere Information
not available
Production Company
Clover Productions, Inc.
Distribution Company
Columbia Pictures Corp.
Country
United States

Technical Specs

Duration
1h 10m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
1.85 : 1
Film Length
7 reels

Synopsis

A strange man with abnormal strength breaks into the seemingly impregnable home of gangster boss Hennessey and informs him that he is Frank Buchanan, then effortlessly snaps the mobster's spine. The man escapes despite being shot several times by Hennessey's henchmen. Some miles away in a large house lined with lead paneling, ex-convict Buchanan and scientist Professor Steigg control the actions of the strange man by means of electrodes implanted in his brain and blood that has been transformed by exposure to radiation. Police laboratory head Dr. Chet Walker is assigned to the investigation of Hennessey's murder and quickly discovers that the murderer's fingerprints and blood are luminous. After running several tests on the samples, Chet reports to Capt. Dave Harris, chief of Homicide, that the blood contained no hemoglobin but a strange radioactive combination. Dave reveals that the fingerprints were identified as belonging to ex-con Willard Pierce, who is listed by the city morgue as having died twenty-four days before the killing. Meanwhile, across town, District Attorney MacGraw is approached in his garage by a strange man who then breaks the attorney's neck. When news of MacGraw's murder comes through, Dave checks on possible links to Hennessey, while Chet checks the murder site for radioactive emissions. The murderer's fingerprints are identified as belonging to a man who died a week earlier, and Chet is startled to learn that eight other bodies have recently been stolen from the city morgue. Chet theorizes to inquiring reporters that the murders are being committed by dead men mysteriously powered by atomic energy and brain electrodes, but the reporters believe he is ridiculing them. At their hidden lab, Buchanan and Steigg watch the news and Buchanan vows to silence Chet, ignoring Steigg's feeble protests. Chet and Dave meet with Mayor Bremer and Gen. Saunders to present their theory, and Chet asks Saunders to track any missing sources of radioactive materials. Dave visits Chet at home that evening to inform him that years earlier, Hennessey assisted MacGraw in convicting a rival gangster, Buchanan, who vowed revenge at his trial before being deported. The Italian police then report that Buchanan had spent some years associated with a Swiss professor and funded a number of the doctor's experiments on animals. The report also indicates that Buchanan left Rome some time ago but contains no information on his current whereabouts. Chet and Dave decide to offer protection to the other three participants in Buchanan's trial, but when informed, the men decline, insisting it would disrupt their current lives. Dave gives them full-time police protection, nevertheless. A few nights later, however, one of Buchanan's creatures, dressed as a policeman, fools the police on duty at the home of former Hennessey associate Jason Franchot and kills him. The latest murder shocks the press into realizing the atomic-powered killer theory is true, and the Army then steps up their investigation. One afternoon, Steigg spots soldiers conducting random radiation tests and flees into a bar, but hurries away when the soldiers approach. The radiation examined on the bar stool and glass Steigg used is significant and reported to Dave. When the fingerprints identify Steigg, his research is scrutinized and it is discovered that he focused on special brain implants that allowed controlled movement. During the next meeting with the mayor, Buchanan telephones and threatens to destroy the town, prompting Bremer to order a maximum Army alert. Buchanan sends out his dead creatures to wreck havoc on the town, sabotaging trains, buses and airplanes. Buchanan then attempts to get Chet, but on the day of his attack, Chet asks Dave to drive his ailing car home for him. Buchanan has the dead Franchot kill Dave and return his body to Buchanan, who has Steigg revive him as an atomic creature. Buchanan then sends Dave to Chet's home, where he finds Chet's young daughter Penny and his wife Joyce, who inadvertently reveal the jail where Chet and Dave have placed the last two men associated with Buchanan's arrest. Dave goes to the jail and kills the two men. As Dave leaves, Chet spots him and gets in the car with him, wondering about his strange behavior. When Dave does not respond to Chet's questions and a police report over the radio announces the latest murders, Chet realizes Dave is dead. Buchanan orders Dave to crash the car, but Chet leaps clear before the accident. Later, at a police hospital, Dave is examined carefully and electrodes are discovered implanted in his brain. Chet suspects that Dave will return to his source of energy to replenish himself and allows his escape. Back at Buchanan's, Steigg at last grows defiant about the murders and mayhem and tries to destroy the laboratory, but Buchanan kills him. Dave leads Chet and the police to Buchanan's hideout and several creatures attack them. Dave breaks into the laboratory, followed by Chet, who tangles with Buchanan and is temporarily dazed. Dave turns on Buchanan and kills him, as Chet revives and destroys the laboratory, thereby killing all the creatures.

Photo Collections

Creature with the Atom Brain - Lobby Cards
Here are some Lobby Cards from Creature with the Atom Brain (1955). Lobby Cards were 11" x 14" posters that came in sets of 8. As the name implies, they were most often displayed in movie theater lobbies, to advertise current or coming attractions.

Film Details

Genre
Horror/Science-Fiction
Crime
Horror
Release Date
Jul 1955
Premiere Information
not available
Production Company
Clover Productions, Inc.
Distribution Company
Columbia Pictures Corp.
Country
United States

Technical Specs

Duration
1h 10m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
1.85 : 1
Film Length
7 reels

Articles

Creature With the Atom Brain


Movie titles can sometimes be deceptive but you know exactly what you're in for with the aptly named Creature with the Atom Brain (1955). A superior B-horror film with sci-fi elements and a crime syndicate subplot, this 1955 Sam Katzman production gets right down to business before the opening credits even begin with the sound of a beating heart growing louder and an ominous looking figure lurching toward us from out of the dark.

Director Edward L. Cahn (The She-Creature [1956], Invasion of the Saucer Men [1957]) wastes no time in laying out the premise in the opening murder sequence: A zombie-like thug with superhuman strength breaks into a mobster's study and kills him despite being riddled with bullets. The assailant is actually a reanimated corpse being operated by a remote control device and the manipulator is deported gangster Frank Buchanan (Michael Granger), who has secretly entered the country from Europe. He's come back to avenge himself against the business rivals who helped get him convicted and his secret weapon is former Nazi scientist Professor Steigg (Gregory Gaye). It seems that Professor Steigg has discovered a way to bring the dead back to life by atomic energy but he needs a steady supply of morgue bodies to build the zombie army Buchanan ultimately desires. At first, police scientist Chet Walker (Richard Denning) and his partner Dave Harris (S. John Launer) are baffled by the mysterious series of killings committed by dead men but once they discover a link between recently murdered District Attorney MacGraw (Tristram Coffin - great name!) and Buchanan, the criminal he prosecuted, the pieces in the puzzle come together quickly.

The sixty-nine minute running time flies by in Cahn's tightly paced narrative which dispenses with static talking head shots in favor of scenes where the characters are filmed in real time, either standing, pacing or sitting - with no edits. The futuristic concept of using nuclear energy to create synthetic brains (a scientist's sketch of a creature's brain looks like a subway map of New York City) is also an unexpected concept for a 1950s B-movie. The man-made zombies not only leave glowing fingerprints behind but their contamination level could kill a normal person due to the high radiation count. The atomic energy also endows them with great strength, allowing them to bend steel bars or snap a man's back like a pretzel (we see this particular feat - complete with gruesome sound effects - rendered as a grotesque shadow on the wall).

What really makes the movie great fun though is the often absurd dialogue which is conspicuous in almost every scene of Chet's domestic home life. Chet is depicted as a bit of a workaholic whose sexy, platinum blonde wife Joyce (Angela Stevens) would love to know more about his job and current investigations but is usually dismissed with remarks like "I don't believe in talking shop when I'm home." Chet's daughter Penny, a particularly awkward and annoying child actress named Linda Bennett, doesn't get much attention either and often turns to her doll Henrietta for solace. After one particularly trying day at the office, Chet comes home to find his wife upset about the daily newspaper headline - "DO DEAD MEN WALK CITY STREETS?" - and fearful that Penny will see it. Chet's irritated response is "I'm tired and hungry....and I don't know anymore than it says right there. Look, how are we fixed for an ice cold martini?" Joyce, in response, angrily stuffs the newspaper under a couch cushion and says with noticeable sarcasm, "Coming right up, Chet!"

Even when a zombie comes calling on the Walker household - in this case, Chet's unfortunate partner Dave - the situation unfolds in the innocuous manner of a Father Knows Best episode or some similar sitcom domestic drama. Dave, now bearing a huge surgical scar across his forehead and speaking in a dull, drone-like tone, is obviously VERY DIFFERENT from the last time he visited but Penny and Joyce don't exactly have a high level of awareness. "Why so formal?" Joyce says in response to Dave's mechanized voice while little Penny tugs at his wrist and exclaims, "Gosh, your hand is cold." They eventually figure out "Uncle Dave" is not quite right after he tears Penny's doll into little pieces.

It's hard to pick a favorite scene in Creature with the Atom Brain but you have to love a movie where the local television newscaster addresses his viewers in this manner: "...with the murder of Jason Franchot last night I must apologize for my recent skepticism regarding these radioactive creatures. It seems they do exist and are prowling the street." His matter of fact delivery and lack of panic indicates that something as extraordinary as dead people walking about is an easy thing to quickly grasp so just get used to it, people, ok?

A final bit of trivia about Creature with the Atom Brain. It was reportedly one of the first films to use squibs to simulate gunshot wounds. It was also banned in Sweden and Finland when it was first released.

Producer: Sam Katzman
Director: Edward L. Cahn
Screenplay: Curt Siodmak
Cinematography: Fred Jackman, Jr.
Film Editing: Aaron Stell
Art Direction: Paul Palmentola
Music: Mischa Bakaleinikoff
Cast: Richard Denning (Dr. Chet Walker), Angela Stevens (Joyce Walker), S. John Launer (Capt. Dave Harris), Michael Granger (Frank Buchanan), Gregory Gaye (Dr. Wilhelm Steigg), Linda Bennett (Penny Walker).
BW-69m.

by Jeff Stafford
Creature With The Atom Brain

Creature With the Atom Brain

Movie titles can sometimes be deceptive but you know exactly what you're in for with the aptly named Creature with the Atom Brain (1955). A superior B-horror film with sci-fi elements and a crime syndicate subplot, this 1955 Sam Katzman production gets right down to business before the opening credits even begin with the sound of a beating heart growing louder and an ominous looking figure lurching toward us from out of the dark. Director Edward L. Cahn (The She-Creature [1956], Invasion of the Saucer Men [1957]) wastes no time in laying out the premise in the opening murder sequence: A zombie-like thug with superhuman strength breaks into a mobster's study and kills him despite being riddled with bullets. The assailant is actually a reanimated corpse being operated by a remote control device and the manipulator is deported gangster Frank Buchanan (Michael Granger), who has secretly entered the country from Europe. He's come back to avenge himself against the business rivals who helped get him convicted and his secret weapon is former Nazi scientist Professor Steigg (Gregory Gaye). It seems that Professor Steigg has discovered a way to bring the dead back to life by atomic energy but he needs a steady supply of morgue bodies to build the zombie army Buchanan ultimately desires. At first, police scientist Chet Walker (Richard Denning) and his partner Dave Harris (S. John Launer) are baffled by the mysterious series of killings committed by dead men but once they discover a link between recently murdered District Attorney MacGraw (Tristram Coffin - great name!) and Buchanan, the criminal he prosecuted, the pieces in the puzzle come together quickly. The sixty-nine minute running time flies by in Cahn's tightly paced narrative which dispenses with static talking head shots in favor of scenes where the characters are filmed in real time, either standing, pacing or sitting - with no edits. The futuristic concept of using nuclear energy to create synthetic brains (a scientist's sketch of a creature's brain looks like a subway map of New York City) is also an unexpected concept for a 1950s B-movie. The man-made zombies not only leave glowing fingerprints behind but their contamination level could kill a normal person due to the high radiation count. The atomic energy also endows them with great strength, allowing them to bend steel bars or snap a man's back like a pretzel (we see this particular feat - complete with gruesome sound effects - rendered as a grotesque shadow on the wall). What really makes the movie great fun though is the often absurd dialogue which is conspicuous in almost every scene of Chet's domestic home life. Chet is depicted as a bit of a workaholic whose sexy, platinum blonde wife Joyce (Angela Stevens) would love to know more about his job and current investigations but is usually dismissed with remarks like "I don't believe in talking shop when I'm home." Chet's daughter Penny, a particularly awkward and annoying child actress named Linda Bennett, doesn't get much attention either and often turns to her doll Henrietta for solace. After one particularly trying day at the office, Chet comes home to find his wife upset about the daily newspaper headline - "DO DEAD MEN WALK CITY STREETS?" - and fearful that Penny will see it. Chet's irritated response is "I'm tired and hungry....and I don't know anymore than it says right there. Look, how are we fixed for an ice cold martini?" Joyce, in response, angrily stuffs the newspaper under a couch cushion and says with noticeable sarcasm, "Coming right up, Chet!" Even when a zombie comes calling on the Walker household - in this case, Chet's unfortunate partner Dave - the situation unfolds in the innocuous manner of a Father Knows Best episode or some similar sitcom domestic drama. Dave, now bearing a huge surgical scar across his forehead and speaking in a dull, drone-like tone, is obviously VERY DIFFERENT from the last time he visited but Penny and Joyce don't exactly have a high level of awareness. "Why so formal?" Joyce says in response to Dave's mechanized voice while little Penny tugs at his wrist and exclaims, "Gosh, your hand is cold." They eventually figure out "Uncle Dave" is not quite right after he tears Penny's doll into little pieces. It's hard to pick a favorite scene in Creature with the Atom Brain but you have to love a movie where the local television newscaster addresses his viewers in this manner: "...with the murder of Jason Franchot last night I must apologize for my recent skepticism regarding these radioactive creatures. It seems they do exist and are prowling the street." His matter of fact delivery and lack of panic indicates that something as extraordinary as dead people walking about is an easy thing to quickly grasp so just get used to it, people, ok? A final bit of trivia about Creature with the Atom Brain. It was reportedly one of the first films to use squibs to simulate gunshot wounds. It was also banned in Sweden and Finland when it was first released. Producer: Sam Katzman Director: Edward L. Cahn Screenplay: Curt Siodmak Cinematography: Fred Jackman, Jr. Film Editing: Aaron Stell Art Direction: Paul Palmentola Music: Mischa Bakaleinikoff Cast: Richard Denning (Dr. Chet Walker), Angela Stevens (Joyce Walker), S. John Launer (Capt. Dave Harris), Michael Granger (Frank Buchanan), Gregory Gaye (Dr. Wilhelm Steigg), Linda Bennett (Penny Walker). BW-69m. by Jeff Stafford

Quotes

It would answer the riddle, wouldn't it? Remote-controlled creatures, their brains powered by atomic energy, roaming the streets, directed from a central point.
- Dr. Chet Walker
This so-called blood is radioactive!
- Dr. Chet Walker
Dangerously so?
- Capt. Dave Harris
Plus 9!
- Dr. Chet Walker

Trivia

Director Edward L. Cahn chose to shoot the film with few breaks and edits, so that the characters are constantly standing, sitting, and pacing to avoid the tedium of talking-head shots. Even when characters move from room to room, there are very few cuts. The effect is both impressive and amusing, once the viewer becomes aware of it, and could inspire a Drinking Game based on spotting the edits!

Notes

In the film's Hollywood Reporter production chart, actor S. John Launer is listed as Sol Lorner.

Miscellaneous Notes

Released in United States Summer July 1955

Released in United States Summer July 1955