The Clonus Horror
Brief Synopsis
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A young man escapes from a govenment run project called Clonus only to find out that Peter Graves (Jeff Knight) a candidate for Presidency is a conspirator to keep Clonus a secret. Top government officials are aware of it and support the super secret project, because they are cloning themselves to live longer and better lives, at the expense of their clone counter-part, who is no more than a "slave" as far as human rights are concerned. The ethical and moral values are explored as the escapee (Tim Donnelly) known as Richard returns full circle back to Clonus, only to find his girlfriend lobotimized for government security purposes.
Cast & Crew
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Robert S Fiveson
Director
Tim Donnelly
Richard
Dick Sargent
Dr Jameson
Peter Graves
Jeff Knight
Paulette Breen
Lena
David Hooks
Richard Knight
Film Details
Also Known As
Clonus Horror
MPAA Rating
Genre
Horror
Release Date
1979
Technical Specs
Duration
1h 30m
Sound
Mono
Color
Color
Synopsis
Government tries to pass off clones as real people.
Director
Robert S Fiveson
Director
Cast
Tim Donnelly
Richard
Dick Sargent
Dr Jameson
Peter Graves
Jeff Knight
Paulette Breen
Lena
David Hooks
Richard Knight
Keenan Wynn
Jake Nobel
James Mantell
Ricky
Zale Kessler
Dr Nelson
Frank Ashmore
George Walter
Lurene Tuttle
Anna Noble
Boyd Holister
Senator
Crew
Max Beaufort
Cinematographer
Paul Berkowitz
Assistant Director
Peter R.j. Deyell
Associate Producer
Robert S Fiveson
Screenplay Adaptation
Robert S Fiveson
Producer
Walter Fiveson
Executive Producer
Robert Gordon
Editor
Michael Lee
Assistant Director
Steve Nelson
Art Direction
Ken Robinson
Sound
Myrl A Schreibman
Screenplay Adaptation
Myrl A Schreibman
Producer
Hod David Schudson
Music
Dorinda Rice Wood
Costumes
Film Details
Also Known As
Clonus Horror
MPAA Rating
Genre
Horror
Release Date
1979
Technical Specs
Duration
1h 30m
Sound
Mono
Color
Color
Articles
Parts-The Clonus Horror - Clonus on DVD
Clonus's fate in the 1990s was to become a comedic punching bag on the Mystery Science Theater 3000 cable show. Mondo Macabro's careful DVD presentation restores a good deal of the film's dignity.
Synopsis (non-spoiler, although the rest of the review contains spoilers aplenty): Richard (Tim Donnelly) is one of many healthy young people being raised in a sealed-off compound under the watchful eyes of benevolent doctors and careful security guards. The official story is that they all will one day go to "America," and everyone looks forward to their own going-away party complete with cake and ice cream. Among the residents, only Richard seems to have any real curiosity about the outside world, but Dr. Jameson (Dick Sargent) carefully deflects his questions. Richard begins a forbidden romance with Lena (Paulette Breen), another atypically imaginative resident. What's really going on here? What exactly lies beyond the compound's security perimeter?
Clonus rearranges a number of interesting elements from earlier fantastic films. The human guinea pigs secretly reared in ignorance of outside world echo back to the dystopia of Logan's Run and the inhuman military experiment in Joseph Losey's key science fiction film These Are the Damned. The pampered inhabitants of the secret colony also fit well into a microcosm of a totalitarian political system: An intellectual elite uses technology to focus the general populace on the role the elite expects it to play. As in the Losey film, all of Richard's questions are answered with a paternally oppressive "You'll be told when the time comes."
(the real spoilers begin)
The overly familiar conspiracy behind Clonus is revealed a little at a time. It takes a couple of reels to find out that both Richard and Lena are "controls," unlike the other residents that have had their intelligence artificially retarded at birth. For some unexplained reason Dr. Jameson lets the two controls meet, and soon thereafter Richard sneaks into restricted areas of the compound. He discovers a map of the United States and a file that tells him that he is the "son" of a famous writer named Richard Knight (David Hooks).
People who have paid attention to the title will already have figured out that Richard is actually a Clone of Richard Knight senior, an exact genetic copy. Clever casting (or makeup?) gives the two actors strong facial similarities. Both Richard Sr. and his brother, presidential candidate Jeffrey Knight (Peter Graves) are members of the Clonus conspiracy, which aims to grant effective immortality to rich elites in a political inner circle. An industrialist named George Walker (Frank Ashmore) started the colony and the residents are all Clones created for the purpose of providing replacement organs and tissues as needed. We see an ecstatic Clone go through his little graduation party, but almost immediately thereafter he's murdered and put in cold storage to await organ harvesting, an arrangement similar to the stockpile of living bodies in Coma.
After these revelations the rest of Clonus plays out as a predictable paranoid thriller, with bits of 1984 and Robert Louis Stevenson's The Suicide Club thrown in for good measure. Anonymous government agents chase Richard while ruthlessly eliminating unlucky witnesses who learn about the Clonus operation. The conspiracy remains in complete control; we never get a full explanation about how simply having some handy transplantable organs will grant anyone immortality. If some biological imbalance wrecks one's liver, it stands to reason that a new liver is going to be subjected to the same abuse. And if a conspiracy bigwig has cholesterol problems, how does one transplant a replacement circulatory system?
The movie lacks hi-tech production values but makes good use of a then-new college campus in Moorpark, California. A church choir creates an eerie musical soundtrack. Too much of what we see lacks visual interest or a feeling of design - the colony's Clones wear ordinary jumpsuits and the supposedly sophisticated surveillance center looks like a college audiovisual lab. The actual Clonus surgery is done in a space less impressive than the average high school nurses' station. Every Clonus resident displays an inspirational "America" sticker to remind them of their ultimate goal. It's a good idea, but the stickers are just too amateurish. Finally, the cold storage center for the all-important Cloned corpses looks like someone's basement. It didn't have to be as impressive as Coma's suspended animation organ farm, but this is the film's key set and there's just nothing to it. Only the anemic support rallies for Peter Graves' presidential run are less convincing.
What was saved on sets apparently didn't go into preparation for the actors. Overall the direction is weak, a situation not helped by the necessity of having the Clones talk in stilted speech patterns. Some behave like lobotomized Stepford Wives and others as the arrested-development children described by the doctors. Others just act normally. The kindly characters played by Keenan Wynn and Lurene Tuttle are glorified bits and their bickering scenes unfortunately play as filler.
The sturdy story structure keeps us concerned for the fate of the confused and disoriented Richard. The last few minutes of the thriller spin to an appropriately bleak conclusion. Clonus is one of those odd under-produced movies that gets by on the basic appeal of its ideas.
Mondo Macabro's DVD of Clonus gives this low-budget show a classy polish. The enhanced encoding makes the serviceable photography look far better than earlier 16mm presentations. The menu screens and graphics compliment the film without overwhelming it - the only futuristic image in the movie is a shot of an oscilloscope screen.
Robert S. Fiveson earned no plaudits for his direction but makes the most of his one-shot film career with a full commentary and a separate interview docu. His commentary is insightful while the docu tends to drag on with tangents and personal philosophies. Both are produced with care and respect. An original trailer is included as well.
For more information about Clonus, visit Mondo Macabro. To order Clonus, go to TCM Shopping.
By Glenn Erickson
Parts-The Clonus Horror - Clonus on DVD
Originally titled Parts: The Clonus Horror, Clonus (1978) is a reasonable science fiction story that when new was unfavorably compared to the previous year's Coma, Michael Crichton's big-budgeted but equally formulaic medical conspiracy movie. Inexpensively produced and uneven in most departments, it nevertheless works as an acceptable reworking of ideas from other movies.
Clonus's fate in the 1990s was to become a comedic punching bag on the Mystery Science Theater 3000 cable show. Mondo Macabro's careful DVD presentation restores a good deal of the film's dignity.
Synopsis (non-spoiler, although the rest of the review contains spoilers aplenty): Richard (Tim Donnelly) is one of many healthy young people being raised in a sealed-off compound under the watchful eyes of benevolent doctors and careful security guards. The official story is that they all will one day go to "America," and everyone looks forward to their own going-away party complete with cake and ice cream. Among the residents, only Richard seems to have any real curiosity about the outside world, but Dr. Jameson (Dick Sargent) carefully deflects his questions. Richard begins a forbidden romance with Lena (Paulette Breen), another atypically imaginative resident. What's really going on here? What exactly lies beyond the compound's security perimeter?
Clonus rearranges a number of interesting elements from earlier fantastic films. The human guinea pigs secretly reared in ignorance of outside world echo back to the dystopia of Logan's Run and the inhuman military experiment in Joseph Losey's key science fiction film These Are the Damned. The pampered inhabitants of the secret colony also fit well into a microcosm of a totalitarian political system: An intellectual elite uses technology to focus the general populace on the role the elite expects it to play. As in the Losey film, all of Richard's questions are answered with a paternally oppressive "You'll be told when the time comes."
(the real spoilers begin)
The overly familiar conspiracy behind Clonus is revealed a little at a time. It takes a couple of reels to find out that both Richard and Lena are "controls," unlike the other residents that have had their intelligence artificially retarded at birth. For some unexplained reason Dr. Jameson lets the two controls meet, and soon thereafter Richard sneaks into restricted areas of the compound. He discovers a map of the United States and a file that tells him that he is the "son" of a famous writer named Richard Knight (David Hooks).
People who have paid attention to the title will already have figured out that Richard is actually a Clone of Richard Knight senior, an exact genetic copy. Clever casting (or makeup?) gives the two actors strong facial similarities. Both Richard Sr. and his brother, presidential candidate Jeffrey Knight (Peter Graves) are members of the Clonus conspiracy, which aims to grant effective immortality to rich elites in a political inner circle. An industrialist named George Walker (Frank Ashmore) started the colony and the residents are all Clones created for the purpose of providing replacement organs and tissues as needed. We see an ecstatic Clone go through his little graduation party, but almost immediately thereafter he's murdered and put in cold storage to await organ harvesting, an arrangement similar to the stockpile of living bodies in Coma.
After these revelations the rest of Clonus plays out as a predictable paranoid thriller, with bits of 1984 and Robert Louis Stevenson's The Suicide Club thrown in for good measure. Anonymous government agents chase Richard while ruthlessly eliminating unlucky witnesses who learn about the Clonus operation. The conspiracy remains in complete control; we never get a full explanation about how simply having some handy transplantable organs will grant anyone immortality. If some biological imbalance wrecks one's liver, it stands to reason that a new liver is going to be subjected to the same abuse. And if a conspiracy bigwig has cholesterol problems, how does one transplant a replacement circulatory system?
The movie lacks hi-tech production values but makes good use of a then-new college campus in Moorpark, California. A church choir creates an eerie musical soundtrack. Too much of what we see lacks visual interest or a feeling of design - the colony's Clones wear ordinary jumpsuits and the supposedly sophisticated surveillance center looks like a college audiovisual lab. The actual Clonus surgery is done in a space less impressive than the average high school nurses' station. Every Clonus resident displays an inspirational "America" sticker to remind them of their ultimate goal. It's a good idea, but the stickers are just too amateurish. Finally, the cold storage center for the all-important Cloned corpses looks like someone's basement. It didn't have to be as impressive as Coma's suspended animation organ farm, but this is the film's key set and there's just nothing to it. Only the anemic support rallies for Peter Graves' presidential run are less convincing.
What was saved on sets apparently didn't go into preparation for the actors. Overall the direction is weak, a situation not helped by the necessity of having the Clones talk in stilted speech patterns. Some behave like lobotomized Stepford Wives and others as the arrested-development children described by the doctors. Others just act normally. The kindly characters played by Keenan Wynn and Lurene Tuttle are glorified bits and their bickering scenes unfortunately play as filler.
The sturdy story structure keeps us concerned for the fate of the confused and disoriented Richard. The last few minutes of the thriller spin to an appropriately bleak conclusion. Clonus is one of those odd under-produced movies that gets by on the basic appeal of its ideas.
Mondo Macabro's DVD of Clonus gives this low-budget show a classy polish. The enhanced encoding makes the serviceable photography look far better than earlier 16mm presentations.
The menu screens and graphics compliment the film without overwhelming it - the only futuristic image in the movie is a shot of an oscilloscope screen.
Robert S. Fiveson earned no plaudits for his direction but makes the most of his one-shot film career with a full commentary and a separate interview docu. His commentary is insightful while the docu tends to drag on with tangents and personal philosophies. Both are produced with care and respect. An original trailer is included as well.
For more information about Clonus, visit Mondo Macabro. To order Clonus, go to
TCM Shopping.
By Glenn Erickson
Quotes
Trivia
Miscellaneous Notes
Released in United States 1979
Released in United States 1979