Yeelen


1h 45m 1987
Yeelen

Brief Synopsis

A young man with magical powers journeys to his uncle to request help in fighting his sorcerer father.

Film Details

Also Known As
Brightness, lumière
Genre
Drama
Fantasy
Foreign
Release Date
1987
Location
Mali

Technical Specs

Duration
1h 45m

Synopsis

The adventures of a young man, entrusted with magical powers, who's being pursued by his evil father.

Film Details

Also Known As
Brightness, lumière
Genre
Drama
Fantasy
Foreign
Release Date
1987
Location
Mali

Technical Specs

Duration
1h 45m

Articles

Yeelen


This combination of ancient myths from Africa's Bambara people in the country of Mali is one of the most unusual fantasy films of the 1980s, not to mention a rare snapshot of a culture rarely seen depicted on celluloid for many English-speaking audiences. Yeelen (1987, whose title means "Brightness") charts the journey of Nainkoro (Issiaka Kane), a young man gifted with supernatural powers, who sets off to vanquish his powerful sorcerer father, Soma (Niamanto Sanogo). En route to seek guidance from his wise uncle at the urging of his mother, he finds his powers useful in a series of mystical encounters.

Drawing on local professional and amateur acting talent, Yeelen is usually classified as an African film, though some of its crew members were French. Director Souleymane Cissé was born in Mali and cut his teeth on documentaries and short films, following film school training in Moscow. This was actually his fourth feature film following such productions as Five Days in a Life (1973) and The Girl (1975), a controversial feature about the aftermath of a girl's rape. Its French financing (which was forbidden at the time for a local production) even landed Cissé in jail.

Situated just below Algeria, Mali is depicted here at its most sprawling state in the 13th century, originally an empire covering much of the Sahara. The film hints at the area's turbulence to come in later centuries, including its absorption into the French Sudan in the 1800s and its fusion with Senegal in 1959. The modern incarnation of Mali came into being soon after as the single-party Republic of Mali, with a political coup creating multiple parties in 1991 (just four years after the release of this film). The country made headlines again in 2012 with a series of violent clashes in the northern region involving a military coup, Islamist rebels, and aiding French forces, with the election process finally restored in the summer of 2013. French remains the dominant language there, though the vernacular Bambara is also common (among a multitude of other languages) and is the one used in Cissé's film, which also reflects the Muslim theology found in elements of the narrative.

Now regarded as the director's most significant achievement, Yeelen screened in competition at the Cannes Film Festival in 1987, complete with an enigmatic synopsis in the program guide: "Sand overruns the earth. The sun draws nearer the planet. A dreadful drought invades the Sahel. And cruelly the conflicts of generations tear apart the Bambaras." It went on to win the Jury Prize (a first for an African filmmaker) and often appears on critics' lists of significant world cinematic achievements.

By Nathaniel Thompson
Yeelen

Yeelen

This combination of ancient myths from Africa's Bambara people in the country of Mali is one of the most unusual fantasy films of the 1980s, not to mention a rare snapshot of a culture rarely seen depicted on celluloid for many English-speaking audiences. Yeelen (1987, whose title means "Brightness") charts the journey of Nainkoro (Issiaka Kane), a young man gifted with supernatural powers, who sets off to vanquish his powerful sorcerer father, Soma (Niamanto Sanogo). En route to seek guidance from his wise uncle at the urging of his mother, he finds his powers useful in a series of mystical encounters. Drawing on local professional and amateur acting talent, Yeelen is usually classified as an African film, though some of its crew members were French. Director Souleymane Cissé was born in Mali and cut his teeth on documentaries and short films, following film school training in Moscow. This was actually his fourth feature film following such productions as Five Days in a Life (1973) and The Girl (1975), a controversial feature about the aftermath of a girl's rape. Its French financing (which was forbidden at the time for a local production) even landed Cissé in jail. Situated just below Algeria, Mali is depicted here at its most sprawling state in the 13th century, originally an empire covering much of the Sahara. The film hints at the area's turbulence to come in later centuries, including its absorption into the French Sudan in the 1800s and its fusion with Senegal in 1959. The modern incarnation of Mali came into being soon after as the single-party Republic of Mali, with a political coup creating multiple parties in 1991 (just four years after the release of this film). The country made headlines again in 2012 with a series of violent clashes in the northern region involving a military coup, Islamist rebels, and aiding French forces, with the election process finally restored in the summer of 2013. French remains the dominant language there, though the vernacular Bambara is also common (among a multitude of other languages) and is the one used in Cissé's film, which also reflects the Muslim theology found in elements of the narrative. Now regarded as the director's most significant achievement, Yeelen screened in competition at the Cannes Film Festival in 1987, complete with an enigmatic synopsis in the program guide: "Sand overruns the earth. The sun draws nearer the planet. A dreadful drought invades the Sahel. And cruelly the conflicts of generations tear apart the Bambaras." It went on to win the Jury Prize (a first for an African filmmaker) and often appears on critics' lists of significant world cinematic achievements. By Nathaniel Thompson

Quotes

Trivia

Miscellaneous Notes

Released in United States Spring April 14, 1989

Released in United States August 1987

Released in United States October 1987

Released in United States November 1987

Released in United States 1988

Released in United States March 1988

Released in United States April 1988

Released in United States September 1996

Shown at Montreal World Film Festival August 1987.

Shown at New York Film Festival October 8 & 10, 1987.

Shown at London Film Festival November 1987.

Shown at Washington DC International Film Festival April 20- May 1, 1988.

Shown at San Francisco International Film Festival March 19, 20 & 22, 1988.

Released in United States Spring April 14, 1989

Released in United States August 1987 (Shown at Montreal World Film Festival August 1987.)

Released in United States November 1987 (Shown at London Film Festival November 1987.)

Released in United States October 1987 (Shown at New York Film Festival October 8 & 10, 1987.)

Released in United States 1988 (Shown at Washington DC International Film Festival April 20- May 1, 1988.)

Released in United States March 1988 (Shown at San Francisco International Film Festival March 19, 20 & 22, 1988.)

Released in United States April 1988 (Shown at AFI/Los Angeles International Film Festival (International Cinema - Asia and Africa) April 14-28, 1988.)

Released in United States September 1996 (Shown in New York City (Anthology Film Archives) as part of program "Best of the Indies" September 5-15, 1996.)