The Bridges of Madison County


2h 15m 1995

Brief Synopsis

A photojournalist and a farmer's wife share a four-day romance.

Film Details

Also Known As
Bridges of Madison County, Broarna i Madison County, Brücken am Fluß, Los puentes de Madison, Sur la route de Madison
MPAA Rating
Genre
Romance
Adaptation
Drama
Period
Release Date
1995
Production Company
Kevin P. Boyd
Distribution Company
WARNER BROS. PICTURES DISTRIBUTION (WBPD)
Location
Winterset, Iowa, USA

Technical Specs

Duration
2h 15m

Synopsis

Robert Kincaid is a romantic drifter on his way to photograph an historic covered bridge for "National Geographic" magazine. When he stops at a farmhouse to ask directions, he meets Francesca Johnson, whose passionate nature has long been denied. Their innocent friendship evolves into a tender, torrid and unforgettable four-day affair which they carry in their hearts for the next 24 years.

Crew

Edward Aiona

Property Master

Dick Alexander

Sound Re-Recording Mixer

George H Anderson

Dialogue Editor

William David Arnold

Art Director

Bud Asmanm

Supervising Sound Editor

James Axotis

Extras Agent/Coordinator

Bill Bannerman

Assistant Director

Ron Bass

Screenplay

Lisa A Becker

Production Coordinator

Jim Behnke

Unit Production Manager

Adam Bernhard

Production Associate

Gene Biernot

Transportation Captain

Patrick Bietz

Foley Editor

Kevin P. Boyd

Cable Operator

Charles Breen

Assistant Art Director

Neil Burrows

Foley Editor

Willie Burton

Sound Mixer

Paul Calabria

Animal Trainer

Stephen S. Campanelli

Steadicam Operator

Stephen S. Campanelli

Camera Operator

Colin Campbell

Gaffer

Colin Campbell

Chief Lighting Technician

Ellen Chenoweth

Casting

Michael Cipriano

Assistant Editor

Bill Coe

Assistant Camera

Lucy Coldsnow-smith

Dialogue Editor

Joel Cox

Editor

Samuel C Crutcher

Sound Effects Editor

David Davenport

Wardrobe Supervisor

Dicky Deats

Key Grip

Jerry C Deats

Dolly Grip

Richard Deats

Key Grip

Ted Deiker

Production Associate

Jeff Denes

Special Effects

Keith Dillin

Transportation Coordinator

Mike Dobie

Sound Effects Editor

Clint Eastwood

Producer

Clint Eastwood

Music Composer

Ed England

Construction Coordinator

Robert Fernandez

Music Scoring Mixer

Patrick Flannery

Assistant Editor

John Frazier

Special Effects

Matt Freeman

Assistant

Les Fresholtz

Sound Re-Recording Mixer

Dick Friedman

Adr Supervisor

Jack N Green

Director Of Photography

Jack N Green

Dp/Cinematographer

Kenneth Haber

Location Manager

Michael Hancock

Makeup

Cate Hardman

Script Supervisor

Donald Harris

Music Editor

Jay R. Hart

Set Decorator

J. Roy Helland

Makeup

Mo Henry

Negative Cutting

Joseph A Ippolito

Dialogue Editor

Scott D Jackson

Foley

Frankie R Jimenez

Rigging Gaffer

Constance A Kazmer

Dialogue Editor

Colleen Kelsall

Costume Designer

Kathleen Kennedy

Producer

James J Klinger

Sound Effects Editor

Jeffrey Kloss

Production Accountant

Michelle Vanderpool Kohrs

Extras Agent/Coordinator

Gary Krivacek

Sound Effects Editor

Richard Lagravenese

Screenplay

Gabriela Leff

Casting Assistant

Marvin E. Lewis

Boom Operator

Kelly Lindquist

Set Costumer

Pauline Arthur Loomis

Stunts

Robert Lorenz

Assistant Director

Kurt Luedtke

Screenplay

Stephen A Marinaccio

Set Production Assistant

Darrin Martin

Assistant Sound Editor

Linda Mason

Craft Service

Michael Matteson

Best Boy Grip

Michael Maurer

Production Accountant

Michael Maurer

Associate Producer

Jason Mcgatlin

Production Secretary

Erich Moeller

Production Associate

Deedee Montesanto

Set Costumer

John Morrisey

Sound Effects Editor

Alan Robert Murray

Supervising Sound Editor

Lennie Niehaus

Music

Kimberly Nolan

Assistant Sound Editor

Carol A. O'connell

Hair

Jeannine Oppewall

Production Designer

Tyler Osman

Foreman

Joe Pancake

Special Effects

Jayme S Parker

Dialogue Editor

Francis Pennington

Special Effects

Shelley Phillips

Stunts

Maggie Pierson

Assistant

Vern Poore

Sound Re-Recording Mixer

Bob Putynkowski

Color Timer

Ken Regan

Photography

Ken Regan

Technical Advisor

Bruce Ricker

Consultant

Richard Riggs

Painter

Steven Riley

Special Effects Coordinator

David C. Romano

Assistant Production Accountant

Melissa Rooker

Assistant

Tom Rooker

Associate Producer

Don Roth

Assistant Editor

Frank Scheidbach

Lighting Technician

Mike Sexton

Assistant Property Master

Kara Sjoblom

Production Associate

Madeleine Swift

Assistant Sound Editor

Greg Thompson

Assistant Sound Editor

Alfred Uhry

Screenplay

John A Waldo

Assistant Camera

Robert James Waller

Source Material (From Novel)

Roselyn Winward

Assistant Production Accountant

Butch Wolf

Foley Editor

Channing Work

Production Associate

Gillian Wynn

Production Associate

Film Details

Also Known As
Bridges of Madison County, Broarna i Madison County, Brücken am Fluß, Los puentes de Madison, Sur la route de Madison
MPAA Rating
Genre
Romance
Adaptation
Drama
Period
Release Date
1995
Production Company
Kevin P. Boyd
Distribution Company
WARNER BROS. PICTURES DISTRIBUTION (WBPD)
Location
Winterset, Iowa, USA

Technical Specs

Duration
2h 15m

Award Nominations

Best Actress

1995
Meryl Streep

Articles

The Bridges of Madison County


Robert James Waller's novel The Bridges of Madison County was a genuine literary phenomenon. The simple story set in 1965 about a married Iowa farm wife who has a brief but life-changing affair with a world-traveling photographer struck a chord with readers everywhere. The book was released in April of 1992 without much fanfare, but through word of mouth it quickly gained momentum. Within a few months it topped the New York Times Bestseller list, where it remained for the next three years.

The Bridges of Madison County was such a popular book that it didn't take long for Hollywood to come calling. Steven Spielberg's company Amblin Entertainment quickly bought the movie rights. Spielberg considered directing the film himself, but became too busy working on Schindler's List (1993). Director Sydney Pollack was also attached to the project for a time with Robert Redford rumored to play the male lead, the photographer Robert Kincaid. The lead characters of Kincaid and Francesca Johnson were both middle aged and called for older actors in the roles--a rarity in movies, especially a Hollywood love story. Francesca was the most hotly pursued female role in Hollywood at the time. A-list actresses over forty such as Jessica Lange, Isabella Rossellini, Susan Sarandon and Anjelica Huston were all considered leading contenders.

Finally, it was Bruce Beresford (Tender Mercies (1983) who was officially announced as the director with Clint Eastwood firmly set to star as Robert Kincaid. At 65 Eastwood was a bit older than the 52-year-old character in the book, but after a career of playing mostly tough guys and steely cowboys, Eastwood saw the role as an intriguing opportunity to show a more sensitive side on screen.

Before long, however, Eastwood and director Beresford found themselves at odds over the crucial casting of Francesca, which had not yet been finalized. Francesca was supposed to be an Italian war bride who came to Iowa as an immigrant farm wife. Beresford wanted a more exotic, possibly European actress in the role such as Lena Olin or Isabella Rossellini. Eastwood felt strongly that the part should go to an American actress and began to champion Meryl Streep for the role. Beresford and Eastwood continued to clash, and eventually it was announced that Beresford was leaving the project. Eastwood, an accomplished director himself with films like The Outlaw Josey Wales (1976) and Unforgiven (1992) for which he won an Academy Award as Best Director, decided to take over the director's reins The first thing Eastwood did as director was pursue Meryl Streep for the role of Francesca. He had heard that she wasn't a fan of the novel, so he called her personally to ask her to read the screenplay by Richard LaGravenese. Eastwood assured her that LaGravenese's screenplay had made vast improvements over the book's affected and often-criticized prose. Streep did like the script and soon happily agreed to play Francesca. Building on Beresford's valuable pre-production work, Eastwood assembled the production quickly. He traveled to Iowa and scouted locations in and around Madison County. He visited the towns of Winterset and Abel as well as the picturesque covered bridges made famous by the novel. For the main set of Francesca's home, a real farmhouse that had been abandoned for over thirty years was reconstructed.

The cast and crew of The Bridges of Madison County soon descended on Iowa for the relatively brief forty-two day shoot. Meryl Streep said later that the set was the quietest she had ever worked on. Eastwood worked very fast, she said, never raising his voice above a whisper and rarely asking for more than one or two takes. Eastwood also found time to write the main musical "love theme" for the movie called "Doe Eyes", which was orchestrated for the film's score by Lennie Niehaus. Eastwood also gave his son Kyle some onscreen time in the scene where Robert and Francesca visit a jazz club. Kyle, a real-life jazz musician with his own quartet, can be seen playing bass on stage with the James River Band.

When The Bridges of Madison County was released, viewers and critics alike seemed pleasantly surprised at how good and poignant it was. The consensus was that it was an exceptional case of Hollywood making a movie that actually improved upon the book. The New York Times said that Eastwood had made "a moving, elegiac love story," and the New York Daily News said, "There are moments here - that are as powerful as anything the movies have given us." The film was also a financial success, as was its popular music soundtrack featuring Eastwood's love theme and music from jazz greats Dinah Washington and Johnny Hartman. Meryl Streep was widely lauded for her stunning portrayal of Francesca, and was recognized with an Academy Award nomination as Best Actress that year.

Producer: Clint Eastwood, Kathleen Kennedy
Director: Clint Eastwood
Screenplay: Richard LaGravenese, Robert James Waller (novel)
Cinematography: Jack N. Green
Film Editing: Joel Cox
Art Direction: William Arnold
Music: Lennie Niehaus
Cast: Clint Eastwood (Robert Kincaid), Meryl Streep (Francesca Johnson), Annie Corley (Caroline), Victor Slezak (Michael Johnson), Jim Haynie (Richard Johnson), Debra Monk (Madge).
C-135m. Letterboxed. Closed captioning.

by Andrea Passafiume
The Bridges Of Madison County

The Bridges of Madison County

Robert James Waller's novel The Bridges of Madison County was a genuine literary phenomenon. The simple story set in 1965 about a married Iowa farm wife who has a brief but life-changing affair with a world-traveling photographer struck a chord with readers everywhere. The book was released in April of 1992 without much fanfare, but through word of mouth it quickly gained momentum. Within a few months it topped the New York Times Bestseller list, where it remained for the next three years. The Bridges of Madison County was such a popular book that it didn't take long for Hollywood to come calling. Steven Spielberg's company Amblin Entertainment quickly bought the movie rights. Spielberg considered directing the film himself, but became too busy working on Schindler's List (1993). Director Sydney Pollack was also attached to the project for a time with Robert Redford rumored to play the male lead, the photographer Robert Kincaid. The lead characters of Kincaid and Francesca Johnson were both middle aged and called for older actors in the roles--a rarity in movies, especially a Hollywood love story. Francesca was the most hotly pursued female role in Hollywood at the time. A-list actresses over forty such as Jessica Lange, Isabella Rossellini, Susan Sarandon and Anjelica Huston were all considered leading contenders. Finally, it was Bruce Beresford (Tender Mercies (1983) who was officially announced as the director with Clint Eastwood firmly set to star as Robert Kincaid. At 65 Eastwood was a bit older than the 52-year-old character in the book, but after a career of playing mostly tough guys and steely cowboys, Eastwood saw the role as an intriguing opportunity to show a more sensitive side on screen. Before long, however, Eastwood and director Beresford found themselves at odds over the crucial casting of Francesca, which had not yet been finalized. Francesca was supposed to be an Italian war bride who came to Iowa as an immigrant farm wife. Beresford wanted a more exotic, possibly European actress in the role such as Lena Olin or Isabella Rossellini. Eastwood felt strongly that the part should go to an American actress and began to champion Meryl Streep for the role. Beresford and Eastwood continued to clash, and eventually it was announced that Beresford was leaving the project. Eastwood, an accomplished director himself with films like The Outlaw Josey Wales (1976) and Unforgiven (1992) for which he won an Academy Award as Best Director, decided to take over the director's reins The first thing Eastwood did as director was pursue Meryl Streep for the role of Francesca. He had heard that she wasn't a fan of the novel, so he called her personally to ask her to read the screenplay by Richard LaGravenese. Eastwood assured her that LaGravenese's screenplay had made vast improvements over the book's affected and often-criticized prose. Streep did like the script and soon happily agreed to play Francesca. Building on Beresford's valuable pre-production work, Eastwood assembled the production quickly. He traveled to Iowa and scouted locations in and around Madison County. He visited the towns of Winterset and Abel as well as the picturesque covered bridges made famous by the novel. For the main set of Francesca's home, a real farmhouse that had been abandoned for over thirty years was reconstructed. The cast and crew of The Bridges of Madison County soon descended on Iowa for the relatively brief forty-two day shoot. Meryl Streep said later that the set was the quietest she had ever worked on. Eastwood worked very fast, she said, never raising his voice above a whisper and rarely asking for more than one or two takes. Eastwood also found time to write the main musical "love theme" for the movie called "Doe Eyes", which was orchestrated for the film's score by Lennie Niehaus. Eastwood also gave his son Kyle some onscreen time in the scene where Robert and Francesca visit a jazz club. Kyle, a real-life jazz musician with his own quartet, can be seen playing bass on stage with the James River Band. When The Bridges of Madison County was released, viewers and critics alike seemed pleasantly surprised at how good and poignant it was. The consensus was that it was an exceptional case of Hollywood making a movie that actually improved upon the book. The New York Times said that Eastwood had made "a moving, elegiac love story," and the New York Daily News said, "There are moments here - that are as powerful as anything the movies have given us." The film was also a financial success, as was its popular music soundtrack featuring Eastwood's love theme and music from jazz greats Dinah Washington and Johnny Hartman. Meryl Streep was widely lauded for her stunning portrayal of Francesca, and was recognized with an Academy Award nomination as Best Actress that year. Producer: Clint Eastwood, Kathleen Kennedy Director: Clint Eastwood Screenplay: Richard LaGravenese, Robert James Waller (novel) Cinematography: Jack N. Green Film Editing: Joel Cox Art Direction: William Arnold Music: Lennie Niehaus Cast: Clint Eastwood (Robert Kincaid), Meryl Streep (Francesca Johnson), Annie Corley (Caroline), Victor Slezak (Michael Johnson), Jim Haynie (Richard Johnson), Debra Monk (Madge). C-135m. Letterboxed. Closed captioning. by Andrea Passafiume

Quotes

Trivia

Miscellaneous Notes

Clint Eastwood and Kathleen Kennedy were nominated for the 1995 Golden Laurel Award by the Producers Guild of America.

Jack Green was nominated in the feature film category of the Outstanding Achievement Awards (1995) sponsored by the American Society of Cinematographers.

Released in United States Summer June 2, 1995

Re-released in United States January 5, 1996

Re-released in United States February 9, 1996

Released in United States on Video April 23, 1996

Released in United States September 1995

Shown at Deauville Film Festival (Avant-Premiere) September 1-10, 1995.

Shown at San Sebastian Film Festival (out of competition) September 14-23, 1995.

Completed shooting October 31, 1994.

Began shooting September 15, 1994.

Released in United States Summer June 2, 1995

Re-released in United States January 5, 1996 (Mann Westwood; Los Angeles)

Re-released in United States February 9, 1996

Released in United States on Video April 23, 1996

Released in United States September 1995 (Shown at Deauville Film Festival (Avant-Premiere) September 1-10, 1995.)

Released in United States September 1995 (Shown at San Sebastian Film Festival (out of competition) September 14-23, 1995.)