A Better Tomorrow


1h 35m 1990
A Better Tomorrow

Brief Synopsis

A gangster, recently released from prison, is torn between his loyalty to his younger brother, a crusading policeman, and his former partner in crime, now a crippled, destitute outcast.

Film Details

Also Known As
Better Tomorrow, syndicat du crime
Genre
Crime
Action
Drama
Release Date
1990
Location
Hong Kong

Technical Specs

Duration
1h 35m

Synopsis

A gangster, recently released from prison, is torn between his loyalty to his younger brother, a crusading policeman, and his former partner in crime, now a crippled, destitute outcast.

Film Details

Also Known As
Better Tomorrow, syndicat du crime
Genre
Crime
Action
Drama
Release Date
1990
Location
Hong Kong

Technical Specs

Duration
1h 35m

Articles

A Better Tomorrow


A gangster, recently released from prison, is torn between his loyalty to his younger brother, a crusading policeman, and his former partner in crime, now a crippled, destitute outcast.
A Better Tomorrow

A Better Tomorrow

A gangster, recently released from prison, is torn between his loyalty to his younger brother, a crusading policeman, and his former partner in crime, now a crippled, destitute outcast.

Leslie Cheung, 1956-2003


Leslie Cheung, the Chinese singer and actor who won international acclaim for his role as a homosexual opera singer who commits suicide in the Oscar-nominated Farewell My Concubine (1993), died after leaping from a hotel in Hong Kong on April 1. He was 46.

Cheung was born on September 12, 1956 in Hong Kong, the youngest of ten children. He was fascinated by cinema from an early age (his father was the tailor to screen legend William Holden) and following graduation from secondary school, he studied drama at Leeds University in Great Britain. Upon his return to Hong Kong, he entered in the 1976 ATV Asian Music Contest, and took second prize. Cheung used this opportunity to cultivate his first taste of stardom as one of Asia's most popular singers and a celebrity to Chinese-speaking people around the world.

His high profile in pop music led to some film work, which at first was light, teen fare. The turning point came when John Woo cast him as the rookie cop opposite Chow Yun-fat in the wildly popular Hong Kong action flick A Better Tomorrow (1986). The film's success allowed Cheung to expand his film range and his next role was as an opium-smoking playboy in Stanley Kwan's Rouge (1987), a romantic ghost story that fluctuated between the Hong Kong of the '30s and the '80s. That film helped Cheung present his versatility as a romantic leading man as well as his skill at action sequences.

The '90s saw Cheung steadily improve as an actor with some varied roles: a cunning jewel thief in John Woo's slick suspense drama, Once a Thief (1990); a suave villain in Wong Kar-Wai's Days of Being Wild (1991); and his extraordinary star turn as the gay, female-impersonating Chinese opera singer Cheng Dieyi in Chen Kaige's brilliant historical drama Farewell My Concubine (1993). His portrayal of Cheng, who experiences bitterness and regret throughout his life, and is driven to suicide by a failed love affair, was one of great sensitivity, and an incandescent charisma that few knew he possessed. The film won the prestigious Palme d'Or at the Cannes Film Festival and rightly earned Cheung international acclaim.

Cheung continued to tackle interesting parts after the success of Concubine: a depraved opium addict in another stylish film by Chen Kaige, Temptress Moon (1996); a gutsy performance as the vituperative Ho Po-wing, one of a pair of gay Chinese lovers on holiday in Buenos Aires in Wong Kar-Wai's sexually explicit Happy Together (1997); and most recently, a man possessed by a dead girlfriend who tries to lure him into jumping to his death (another eerie parallel to his own suicide) in Chi-Leung Law's horror film Inner Senses (2002), which earned him a best actor at this last Sunday's Hong Kong Film Awards. He is survived by numerous family members.

by Michael T. Toole

Leslie Cheung, 1956-2003

Leslie Cheung, the Chinese singer and actor who won international acclaim for his role as a homosexual opera singer who commits suicide in the Oscar-nominated Farewell My Concubine (1993), died after leaping from a hotel in Hong Kong on April 1. He was 46. Cheung was born on September 12, 1956 in Hong Kong, the youngest of ten children. He was fascinated by cinema from an early age (his father was the tailor to screen legend William Holden) and following graduation from secondary school, he studied drama at Leeds University in Great Britain. Upon his return to Hong Kong, he entered in the 1976 ATV Asian Music Contest, and took second prize. Cheung used this opportunity to cultivate his first taste of stardom as one of Asia's most popular singers and a celebrity to Chinese-speaking people around the world. His high profile in pop music led to some film work, which at first was light, teen fare. The turning point came when John Woo cast him as the rookie cop opposite Chow Yun-fat in the wildly popular Hong Kong action flick A Better Tomorrow (1986). The film's success allowed Cheung to expand his film range and his next role was as an opium-smoking playboy in Stanley Kwan's Rouge (1987), a romantic ghost story that fluctuated between the Hong Kong of the '30s and the '80s. That film helped Cheung present his versatility as a romantic leading man as well as his skill at action sequences. The '90s saw Cheung steadily improve as an actor with some varied roles: a cunning jewel thief in John Woo's slick suspense drama, Once a Thief (1990); a suave villain in Wong Kar-Wai's Days of Being Wild (1991); and his extraordinary star turn as the gay, female-impersonating Chinese opera singer Cheng Dieyi in Chen Kaige's brilliant historical drama Farewell My Concubine (1993). His portrayal of Cheng, who experiences bitterness and regret throughout his life, and is driven to suicide by a failed love affair, was one of great sensitivity, and an incandescent charisma that few knew he possessed. The film won the prestigious Palme d'Or at the Cannes Film Festival and rightly earned Cheung international acclaim. Cheung continued to tackle interesting parts after the success of Concubine: a depraved opium addict in another stylish film by Chen Kaige, Temptress Moon (1996); a gutsy performance as the vituperative Ho Po-wing, one of a pair of gay Chinese lovers on holiday in Buenos Aires in Wong Kar-Wai's sexually explicit Happy Together (1997); and most recently, a man possessed by a dead girlfriend who tries to lure him into jumping to his death (another eerie parallel to his own suicide) in Chi-Leung Law's horror film Inner Senses (2002), which earned him a best actor at this last Sunday's Hong Kong Film Awards. He is survived by numerous family members. by Michael T. Toole

Quotes

Trivia

Miscellaneous Notes

Released in United States September 24, 1991 (Film Forum 2; New York City)

Released in United States 1990

Released in United States 1996

Released in United States 1997

Released in United States Fall November 24, 1993

Released in United States September 24, 1991

The first collaboration between filmmaker John Woo and director-producer Tsui Hark.

Released in United States 1990 (Shown at AFI/Los Angeles International Film Festival (Africa/Middle East/Asia-A Tribute to Tsui Hark and Cinema City) April 19 - May 3, 1990.)

Released in United States 1996 (Shown in New York City (Cinema Village) as part of program "Chow Yun-Fat: Hero With a Thousand Faces" April 26 - May 16, 1996.)

Released in United States 1997 (Shown in New York City (Cinema Village) as part of program "Festival Hong Kong '97: A Cinema in Transition" August 15 - September 11, 1997.)

Released in United States Fall November 24, 1993