Bartleby
Cast & Crew
Read More
Anthony Friedmann
Director
Colin Jeavons
John Watson
Hope Jackman
Rosalind Elliot
Christine Dingle
Film Details
MPAA Rating
Genre
Drama
Release Date
1970
Technical Specs
Duration
1h 18m
Sound
Mono
Color
Color (Eastmancolor)
Theatrical Aspect Ratio
1.85 : 1
Synopsis
Director
Anthony Friedmann
Director
Film Details
MPAA Rating
Genre
Drama
Release Date
1970
Technical Specs
Duration
1h 18m
Sound
Mono
Color
Color (Eastmancolor)
Theatrical Aspect Ratio
1.85 : 1
Articles
Bartleby (1970) on DVD
This one works better on paper, no doubt about it. So God only knows why it's been filmed so many times (The Internet Movie Database lists six versions!), the most recent attempt being an intolerable 2001 mess featuring Crispin Glover, the crown prince of grating annoyance. Image Entertainment's new DVD release of the 1972 British version, Bartleby, hues closely to Melville's original story while changing the setting to London in the early 70s. Paul Scofield gives his usual crisp performance as Bartleby's bewildered boss, a dapper professional who, rather unbelievably, seems stymied by Bartleby's good manners. It's a lot more watchable than the Glover version while remaining a test of even the most committed Melville fan's patience.
John McEnery plays Bartleby, an inwardly-directed former "dead letter office" postal worker who answers a help wanted ad for an audit clerk. Common sense is immediately tossed out the window when Scofield interviews the applicant. Bartleby's non-answers are so bewildering, no one in their right mind would hire him. Nevertheless, Scofield does, then grows obsessed with the young man when he draws so far into himself he politely but resolutely refuses to do the most simple tasks around the office. He just sits at his desk, staring into the middle distance. When his increasingly agitated co-workers confront him about it, he can barely connect with them.
This might make for more interesting viewing if Bartleby were an evocative, false wisdom-spouting zero, like Peter Sellers' Chance the Gardener in Being There. Instead, he's a walking dead letter office, a black hole where possibilities go to die. You sense that, even when he gets placed in a mental hospital, we're supposed to be picking up life lessons from him. But what you really learn is that stories about people who don't do things are a great deal less cinematic than stories about people who do. At least Scofield's character grows more complex as time goes on, and he becomes increasingly perplexed by Bartleby's enigmatic behavior.
Image Entertainment hasn't done much to gussy this one up. The print is unexceptional, with occasional scratches marring the image, and the Dolby Digital Mono soundtrack is run of the mill for a film of this age. Extras include the original shooting script and a release script, a production essay by director Anthony Friedmann, some reviews of the film, and Melville's original short story...or so I'm told. I had problems assessing these features on my perfectly functional PowerBook G4 so you might want to check and see if you have similar issues with the disk. If it's defective, the folks at Image Entertainment need to know.
For more information about Bartleby, visit Image Entertainment. To order Bartleby, go to TCM Shopping.
by Paul Tatara
Bartleby (1970) on DVD
On first, second, and third glance, Herman Melville's classic short story,
Bartleby the Scrivener, about a lowly copier who keeps showing up for
his office job even though he refuses to do any work, doesn't appear to be
prime screen material. Sure, there's conflict, which every script needs in
order to keep moving forward. If you insist on telling your bewildered boss
that you'd "prefer not to" whenever he gives you an assignment, conflict is
pretty much guaranteed. But Bartleby is such a freakishly withdrawn
character, he barely exists as a person. Though that seems to be the entire
point, after his fourth or fifth tortured shrug in response to a direct
order from the person who signs his paycheck, you basically just want to
smack him.
This one works better on paper, no doubt about it. So God only knows why
it's been filmed so many times (The Internet Movie Database lists six versions!), the most recent attempt being an intolerable 2001
mess featuring Crispin Glover, the crown prince of grating annoyance. Image
Entertainment's new DVD release of the 1972 British version,
Bartleby, hues closely to Melville's original story while changing
the setting to London in the early 70s. Paul Scofield gives his usual crisp
performance as Bartleby's bewildered boss, a dapper professional who, rather
unbelievably, seems stymied by Bartleby's good manners. It's a lot more
watchable than the Glover version while remaining a test of even the most
committed Melville fan's patience.
John McEnery plays Bartleby, an inwardly-directed former "dead letter
office" postal worker who answers a help wanted ad for an audit clerk.
Common sense is immediately tossed out the window when Scofield interviews
the applicant. Bartleby's non-answers are so bewildering, no one in their
right mind would hire him. Nevertheless, Scofield does, then grows obsessed
with the young man when he draws so far into himself he politely but
resolutely refuses to do the most simple tasks around the office. He just
sits at his desk, staring into the middle distance. When his increasingly
agitated co-workers confront him about it, he can barely connect with
them.
This might make for more interesting viewing if Bartleby were an evocative,
false wisdom-spouting zero, like Peter Sellers' Chance the Gardener in
Being There. Instead, he's a walking dead letter office, a black
hole where possibilities go to die. You sense that, even when he gets
placed in a mental hospital, we're supposed to be picking up life lessons
from him. But what you really learn is that stories about people who don't
do things are a great deal less cinematic than stories about people who do. At least Scofield's character grows more complex as time goes
on, and he becomes increasingly perplexed by Bartleby's enigmatic behavior.
Image Entertainment hasn't done much to gussy this one up. The print is
unexceptional, with occasional scratches marring the image, and the Dolby
Digital Mono soundtrack is run of the mill for a film of this age. Extras
include the original shooting script and a release script, a production
essay by director Anthony Friedmann, some reviews of the film, and
Melville's original short story...or so I'm told. I had problems assessing these features on my perfectly
functional PowerBook G4 so you might want to check and see if you have similar issues with the disk. If it's defective, the folks at Image Entertainment need to know.
For more information about Bartleby, visit Image Entertainment. To order Bartleby, go to
TCM Shopping.
by Paul Tatara