Postmortem Bliss
Brief Synopsis
This short film presents a modern portrayal of the turbulence and pain of adolescence.
Cast & Crew
Read More
Floria Sigismondi
Director
Mirjam Kositchek
Nick Fowler
Holle Singer
Voice
Daniele Auber
Animation
Lillian Berlin
Book As Source Material
Film Details
Genre
Short
Drama
Release Date
2006
Technical Specs
Duration
11m
Synopsis
This short film presents a modern portrayal of the turbulence and pain of adolescence.
Director
Floria Sigismondi
Director
Crew
Daniele Auber
Animation
Lillian Berlin
Book As Source Material
Brooks Branch
Producer
Natasha Alexsa Garcia
Producer
Richard King
Sound Department
Daniel Long
Assistant Director
Jannie Mcinnes
Executive Producer
Eric Nagy
Sound Department
Nicola Pecorini
Director Of Photography
Michelle Pizanis
Assistant Camera
Devin Sarno
Music
Kelly Norris Sarno
Executive Producer
Floria Sigismondi
Still Photographer
Holle Singer
Film Editor
Amy E. Thompson
Casting
Liz Vap
Executive Producer
Film Details
Genre
Short
Drama
Release Date
2006
Technical Specs
Duration
11m
Articles
Postmortem Bliss
Friday, September 15 at 8 & 11 pm ET and an additional showing at 4 am ET
Producer: Natasha Alexa Garcia, Brooks Branch
Director: Floria Sigismondi
Screenplay: Lillian Berlin
Cinematography: Nicola Pecorini
Film Editing: Holle Singer
Art Direction: David King
Music: Devin Sarno, The Watson Twins, Nels Cline, Jadyn Norris Sarno
Cast: Nick Fowler (main boy), Mirjam Kositchek (mother), Holle Singer (Teacher's voice).
C-11m.
Floria Sigismondi
Floria Sigismondi's work encompasses film, video, photography and installations. Incorporating early film and painterly aesthetics, she creates a hyper-surrealism based on the figure, using images derived from hallucinatory dream-states. Her videos mix seamlessly with her photography series, and her photographic images translate naturally into mixed-media forms. Sigismondi's images exist in a theatre setting that is both narrative and starkly visual, revealing the poetic and sometimes macabre world.
She explores the effects of science on our contemporary experience of the body and describes an undefined possibility for the future; with our current advances in biotechnology, it poses a possibility that is frightening, complex, mysterious and compelling.
Sigismondi started her career as a fashion photographer. She ventured into music videos when she was approached by the production company The Revolver Film Co. to direct for a number of Canadian bands.
Her very innovative, but also very disturbing, video works, located in sceneries she once described as "entropic underworlds inhabited by tortured souls and omnipotent beings," attracted a number of prominent musicians. Sigismondi has worked with The White Stripes, David Bowie, The Cure, Leonard Cohen, Sigur Ros, Marilyn Monroe and Bjork, among others.
Her trademark dilating, jittery camerawork, noticeable as early as her video for Manson's "The Beautiful People," has been replicated by a great number of directors. Sigismondi has exhibited her photography, film and sculpture installations in exhibitions internationally in New York, Paris, Toronto, Rome, Los Angeles, Mexico City, London, Italy, Germany, Sweden and Copenhagen. Her photographs have been included in group exhibitions with Cindy Sherman, Rebecca Horn, Vanessa Beecroft, Tony Oursler, Donald Kipski, Francesco Clemente and Joel-Peter Witkin. The German art press Die Gestalten Verlag has published two monographs of her photography, Redemption (1999) and Immune (2005).
Sigismondi was born in Pescara, Italy, to opera-singer parents. The family immigrated to the industrial city of Hamilton, Ontario, Canada, when she was 2.
Postmortem Bliss Friday, September 15 at 8 & 11 pm ET and an additional showing at 4 am ET
In homage to Rebel Without A Cause,
Sigismondi recasts Nicholas Ray's portrayal of the turbulence and pain of adolescence
in a modern light. Today, institutions and their educators often diagnose these pains
and confusions as a mental disorder. Postmortem Bliss is a film about the
over-medicated, addicted, and misdiagnosed generation of today.
Producer: Natasha Alexa Garcia, Brooks Branch
Director: Floria Sigismondi
Screenplay: Lillian Berlin
Cinematography: Nicola Pecorini
Film Editing: Holle Singer
Art Direction: David King
Music: Devin Sarno, The Watson Twins, Nels Cline, Jadyn Norris Sarno
Cast: Nick Fowler (main boy), Mirjam Kositchek (mother), Holle
Singer (Teacher's voice).
C-11m.
Floria Sigismondi
Floria Sigismondi's work encompasses film, video, photography and installations.
Incorporating early film and painterly aesthetics, she creates a hyper-surrealism
based on the figure, using images derived from hallucinatory dream-states. Her
videos mix seamlessly with her photography series, and her photographic images
translate naturally into mixed-media forms. Sigismondi's images exist in a theatre
setting that is both narrative and starkly visual, revealing the poetic and sometimes
macabre world.
She explores the effects of science on our contemporary experience of the body and
describes an undefined possibility for the future; with our current advances in
biotechnology, it poses a possibility that is frightening, complex, mysterious and
compelling.
Sigismondi started her career as a fashion photographer. She ventured into music
videos when she was approached by the production company The Revolver Film Co. to
direct for a number of Canadian bands.
Her very innovative, but also very disturbing, video works, located in sceneries she
once described as "entropic underworlds inhabited by tortured souls and omnipotent
beings," attracted a number of prominent musicians. Sigismondi has worked with The
White Stripes, David Bowie, The Cure, Leonard Cohen, Sigur Ros, Marilyn Monroe and
Bjork, among others.
Her trademark dilating, jittery camerawork, noticeable as early as her video for
Manson's "The Beautiful People," has been replicated by a great number of directors.
Sigismondi has exhibited her photography, film and sculpture installations in
exhibitions internationally in New York, Paris, Toronto, Rome, Los Angeles, Mexico
City, London, Italy, Germany, Sweden and Copenhagen. Her photographs have been
included in group exhibitions with Cindy Sherman, Rebecca Horn, Vanessa Beecroft,
Tony Oursler, Donald Kipski, Francesco Clemente and Joel-Peter Witkin. The German
art press Die Gestalten Verlag has published two monographs of her photography,
Redemption (1999) and Immune (2005).
Sigismondi was born in Pescara, Italy, to opera-singer parents. The family
immigrated to the industrial city of Hamilton, Ontario, Canada, when she was
2.