Half Nelson


1h 44m 2006

Brief Synopsis

Dan Dunne, an idealistic inner-city junior high school teacher, inspires his 13 and 14-year-olds to examine everything from civil rights to Civil War with a new enthusiasm. Rejecting the standard Civil Rights curriculum in favor of an edgier approach, Dan teaches his students how change works--on bo

Film Details

MPAA Rating
Genre
Adaptation
Drama
Release Date
Aug 25, 2006
Premiere Information
Sundance Film Festival screening: 22 Jan 2006; New Directors/New Films screening: 22 Mar 2006; New York opening: 11 Aug 2006
Production Company
Hunting Lane Films; Journeyman Pictures; Original Media; Silverwood Films
Distribution Company
ThinkFilm
Country
United States
Location
New York City, New York, USA; Brooklyn--Fort Greene, New York, United States; Brooklyn--Gowanus, New York, United States

Technical Specs

Duration
1h 44m

Synopsis

White Brooklyn schoolteacher Dan Dunne regularly shows up to class hung over from his nighttime crack cocaine habit, but nevertheless is an impassioned educator. Dan tries to inspire his mostly African-American students by teaching history through the prism of dialectics, arguing that opposing forces create change. Dan also coaches the girls' basketball team. Distressed after seeing his former girl friend, Rachel, at a game one night, he smokes crack in the supposedly empty girls' locker room, but is discovered by one of his students, thirteen-year-old Drey. Drey is naturally reserved and betrays only a silent disappointment at seeing her teacher high and crouching in a toilet stall. Nevertheless, she stays with Dan, who is anxious, and later allows him to drive her home. Drey's home is an empty apartment: her father is estranged, her mother works double shifts, and her older brother, Mike, is in prison. Drey is noticeably absent from class the next day, but returns on another day on which Dan explains the concept of turning points achieved during moments of opposition. To demonstrate, Dan arm-wrestles¿and beats¿a student. Despite Dan's obvious enthusiasm, the principal reprimands him for refusing to stick to the mandated curriculum. Later, Dan learns that his crack pipe was found in the bathroom, but its owner cannot be identified. After school, meanwhile, Drey forms a wary but close bond with Mike's friend and former employer, Frank, a drug dealer who helps support her family. Drey is unaware that Dan buys his drugs from Frank's confederate, Harvey. Dan continues to guide his class through the period of the civil rights movement and intermittently attempts to stop taking drugs. During one such upswing he meets with Rachel, who is now a recovering addict and has a new life. Upset after learning that Rachel is engaged, Dan overreacts to a foul at a school basketball game and insults the referee, who kicks him off the court. When Drey checks on him afterward, he asks her if she knows Frank, who attended the game with his girl friend, Tina, and was obviously cheering for Drey. However, Drey pretends not to know Frank and Dan does the same. Hung over the next day, Dan lectures aimlessly to the now-bored students and eats lunch alone. He gives Drey a ride home again, but she claims to have lost her key so he will take her back to his apartment. Now becoming genuine friends, Drey and Dan relax into an easy banter, and when she learns he has a date that night, she shares her favorite silly knock-knock joke for him to use. In the evening, Dan's date with his fellow teacher, Isabel, seems to go well and she spends the night, but he is cold toward her the next morning. Following a student dance in the gym one night, Dan intervenes when he discovers that Frank is taking Drey home. Dan goes too far in their tug of war over Drey and grabs her arm, so she leaves with Frank. Deflated by his own failings, the next day Dan lectures to his class about human imperfection, but is interrupted by a nosebleed. In despair, Dan abandons the class and takes refuge on a couch in the faculty lounge. That afternoon, Drey achieves her own conflicted success when she intimidates a boy into returning her stolen bicycle, while a quietly threatening Frank watches. Frank is elated by her achievement, but during a class field trip later, Drey privately conveys to Dan her fear that she may end up like her brother. This prompts Dan to confront Frank, who insists that Drey is like family to him. Frank then observes that Dan appears to believe that "what is white is right," and the possible truth of this accusation throws Dan off-guard. Defeated again, Dan accepts Frank's offer of a drink, and around 2:30 in the morning, turns up high on drugs at Isabel's apartment. Dan is out of control and forces himself on Isabel, who punches him and hides in another room until he leaves. The next day, his lower lip covered with an American flag bandage, Dan is sullen and rebuffs Drey's attempt to check on him at lunch. Some time later, Dan has dinner with his family and, rather than finding comfort there, realizes that both of his former activist parents are now alcoholic has-beens, and his father is a borderline bigot. Drey, meanwhile, is out with Frank, who has finally lured her into delivering drugs. When the subject of Dan comes up, she declares that Dan is her teacher and friend, but Frank observes that addicts have no friends. Frank knowingly sends Drey on a delivery late that night to a motel room, where she is stunned to find herself selling drugs to Dan, who is having a drug-fueled orgy with prostitutes. They make the exchange wordlessly, after which Frank drives Drey home. Drey's mother finds her asleep on the couch, and although Drey has a heavy heart, she will not tell her mother what troubles her. The next day, a substitute teacher appears in class in place of Dan. Although Frank is waiting for Drey after school, she turns down his offer of a ride and instead goes to the motel, where she finds Dan alone and sees him home. At his apartment, Dan cleans up and shaves off his beard. Later, he attempts to tell a silly knock-knock joke that his brother told at dinner, but botches it and he and Drey share a laugh.

Crew

Loretta Alston

Key hairstylist

Sabrina Alston

Addl hair

Ronald Arceneaux

Addl set prod Assistant

Jeremy L. Balon

Props Master

Remy Balon

Composer

Molly Bauml

Wardrobe intern

Chad Beck

Associate Editor

Eyde Belasco

Casting

Adam Bell

Still Photographer

Nick Bell

2d Assistant Director

Erin Benach

Costume Design

Doug Bernheim

Music Supervisor

Justin Bischoff

Art intern

Carter Bissel

Addl grip/Electrician

Leslie Bloom

Foley artist

Anna Boden

Writer

Anna Boden

Producer

Anna Boden

Editing

Tim Bond

Dailies colorist

Jared Bougarner

Art intern

E. J. Bradley

Set prod Assistant

Broken Social Scene

Composer

Broken Social Scene

Music

Leonard Bullock

Parking prod Assistant

George Bunce

IQ editorial

Tom Caldwell

Composer

Nissa Cannon

Assistant to Silverwood Films

Alexy Cantero Perez

Composer

Brian Carenard

Composer

Victoria Carter

Office intern

Guillermo Céspedes

Composer

Luís Céspedes

Composer

Amyjoy Clark

2d 2d Assistant Director

Riddick Claudia

Parking prod Assistant

Mariela Comitini

1st Assistant Director

Molly Condit

Videographer

Charlie Corwin

Executive Producer

David Crabb

Foley Editor

Marilyn Cush

Addl hair

Katie Dainson

Camera loader

Dewitt Davis

Addl grip/Electrician

Stanton Davis

Composer

Defiance, Ohio

Composer

Soandres Del Río Ferrer

Composer

Dan Delorenzo

Art intern

Mark Depace

Assistant loc Manager

Joey Depaolo

Art intern

Doug Dey

Executive Producer

Craig Difolco

Assistant to Hunting Lane Films

Leo Driver

Parking Coordinator

Tom Efinger

Supervisor Sound ed/Re-rec mixer

Joe Facey

Catering

Nick Faviano

Art intern

Daniel Feighery

Addl 1st Assistant Camera

Ryan Fleck

Writer

Darin Frank

[Attorney]

Stacy Frankel

Assistant to Original Media

John Frisbie

Best boy Electrician

Alex Gale

Composer

Amparo Garcia

Set intern

Samuel Gilbert

Composer

Julie Gollins

Specialty Props maker

Gina P. Gordon

Clearance Supervisor

Steven Gorel

Office intern

Jared Graf

Addl Camera Assistant

Hunter Gray

Associate Producer

Homer Greencastle

Composer

Scott Greene

Parking prod Assistant

Thomas Gross

Composer

Dave Guy

Composer

Ricardo Guzman

Scanning and film rec

Carol Hall

Composer

Shawn Hamilton

Prod accountant

Loren Hammonds

Composer

Samuel M. Henderson

Composer

John Henry

Assistant prod Coordinator

Bert Hilaire

Digital intermediate eng

Wesley Hodges

2d Assistant Camera

Alonso Homs

Art intern

Lynette Howell

Producer

James Hundley

Parking prod Assistant

Jeff Huston

Scanning and film rec

Aaron Jones

Composer

David Kalahiki

Addl makeup

Judy Karp

Sound Mixer

Kc Accidental

Composer

Dan-ah Kim

On-set dresser

Rich Kleiman

Music Supervisor

Chris Knable

Grip/Electrician intern

Rosanne Korenberg

Producer

Dave Kupferstein

Composer

Max Lawrence

Composer

Jennifer Le Roux

Wardrobe intern

Cindy Lee

Assistant Editor

Darius Leon

Composer

Ilana Lifshitz

Payroll accountant

Scott London

Executive Producer

Melissa Lucier

Office intern

Clara Markowicz

Executive Producer

Anthony Martinez

Parking prod Assistant

Marcy Mckenzie

Loc Manager

Xandra Mercedez

Addl makeup

Ronny Merdinger

Prod Supervisor

Mike Mervilde Jr.

Swing

Paul Mezey

Executive Producer

Elizabeth Mickle

Production Design

John Moros

Dial Editor

Smokey Nelson

Gaffer

Michael Nostrand

Videographer

Tiffany Nottage

Catering Assistant

Scot Olive

Digital intermediate colorist

Alex Orlovsky

Producer

Tony Osso

Script Supervisor

Andrij Parekh

Cinematographer

Natalia Parsons

Costume Designer Assistant

Jamie Patricof

Producer

Jillian Paul

Office intern

Luke Pendley

Art intern

Alyson Perlongo

Assistant to Original Media

Rita Powers

Extras casting

Sean Powers

Extras casting

Aaron Randall

Best boy grip

Matthew Reedy

Digital intermediate prod

Chris Regan

Color timer

Jaime Reyes

Boom Operator

Justin Rigby

Set prod Assistant

Taylor Rivelli

Composer

Andrea Roa

Wardrobe Supervisor

Morgan Roberts

Set intern

Mike Romano

Leadman

Mark Ronson

Composer

S. Ronson

Composer

Gabrielle Russomagno

Still Photographer

Paul Sacco

Dolby Sound consultant

Adam Salky

Assistant to Hunting Lane Films

Sofie Sandberg

Set intern

Michael Sapia

Parking prod Assistant

Abigail Savage

Foley recordist

Ashley Sawyer

Set intern

Nicholas J. Schenck

Assistant Sound Editor

Josie Sejour

Composer

Lara Sfire

Office prod Assistant

David Sheffield

Set intern

Howard Shipman

Parking prod Assistant

C. Smith

Composer

Craig Spencer

Effects Editor

William Staler

Composer

Corey Stewart

Digital intermediate eng

Kareem Taylor

Set intern

The Lodge

Composer

Stephen Versecky

Composer

Jeremy Kipp Walker

Co-producer

Matt Walker

Key grip

Joe Wehmeyer

Key set prod Assistant

Inbal Weinberg

Art Director

Joseph White

Composer

Rachel Williams

Office intern

Leo Won

Key makeup

Toshiro Yamaguchi

1st Assistant Camera

Sam Yoo

Loc intern

Film Details

MPAA Rating
Genre
Adaptation
Drama
Release Date
Aug 25, 2006
Premiere Information
Sundance Film Festival screening: 22 Jan 2006; New Directors/New Films screening: 22 Mar 2006; New York opening: 11 Aug 2006
Production Company
Hunting Lane Films; Journeyman Pictures; Original Media; Silverwood Films
Distribution Company
ThinkFilm
Country
United States
Location
New York City, New York, USA; Brooklyn--Fort Greene, New York, United States; Brooklyn--Gowanus, New York, United States

Technical Specs

Duration
1h 44m

Award Nominations

Best Actor

2006
Ryan Gosling

Quotes

Trivia

Notes

The opening titles feature the distribution and production company names and the film's title; all other credits run after the film. In the end credits, the names of Ryan Gosling, Shareeka Epps and Anthony Mackie first appear before the film's title is repeated, followed by the names of several other actors. In the cast of characters, which appears later in the end credits, the names are listed in order of appearance. End titles note that the film was "produced with the support of Verisimilitude, Sundance Institute, developed with the assistance of the Sundance Institute Feature Film Program."
       Numerous individuals and companies, including Apt. 5 Cosmetics, the Meow Mix Company and The New York Times, are mentioned as having provided props, artworks and other items to the production. Within the film, classroom scenes in which students present oral reports about the civil rights era include actual newsreel footage of people and historical events, including the 1971 riots at New York's Attica Correctional Facility in Attica, NY, Free Speech Movement leader Mario Savio, politician and gay-rights activist Harvey Milk, and the 1973 American-sponsored coup in Chile.
       The title, Half Nelson, was taken from a wrestling move, which, as the presskit describes, is "an immobilizing hold that is difficult, if not impossible, to escape." Half Nelson was based on Gowanus, Brooklyn, a short film made by Ryan Fleck and Anna Boden after they graduated from New York University Film School. According to a January 30, 2006 Hollywood Reporter article, the screenplay for the short was developed at the Sundance Screenwriters and Filmmakers Lab. Gowanus, Brooklyn was then produced, according to the presskit, over a weekend, at a cost of $800 in order to interest potential backers to invest in a feature-length version. The short film later won the Special Jury Award in Short Filmmaking at the 2004 Sundance Film Festival. Shareeka Epps made her film debut in Gowanus, Brooklyn, and was recast in the same role for the feature.
       The feature film, Half Nelson, was shot on location in Gowanus and other locales in Brooklyn, New York in late June and early July 2005. The presskit notes that some scenes in Half Nelson were inspired by the music of Broken Social Scene, the popular Canadian collective of artists from other bands. The band, which also provides the score for the film, was founded in 2002 and included seventeen members at the time of production. A July 30, 2006 article in New York Times reported that Gosling, who was the filmmakers' only choice for the role of "Dan Dunne," prepared for it by observing public schoolteacher David Easton in his classroom. Easton's physical resemblance to Gosling inspired the filmmakers to cast him as Dunne's brother in the film. According to the January 30, 2006 Hollywood Reporter article, after representatives of ThinkFilm saw Half Nelson at Sundance, they purchased the distribution rights for under $1 million. According to the article, a first and lower offer was made by Miramax, but the filmmakers turned it down. In addition to being shown at the Sundance and New York New Directions/New Films festivals, Half Nelson was also screened at the Los Angeles Film Festival and Seattle International Film Festival prior to its New York and Los Angeles premieres.
       In addition to being selected as one of AFI's Movies of the Year, Half Nelson received the following awards and nominations: Gosling received an Academy Award nomination for Best Actor; the film received the Special Prize of the Jury and Youth Jury Award at the 2006 Locarno Film Festival; it was co-winner of the Audience Awards for Best Actor (Gosling) and Best Actress (Epps) at the 2006 Seattle International Film Festival; and received the Revelations Prize and Special Jury Prize at the 2006 Deauville Festival of American Cinema. The New York Independent Film Project Gotham Awards named Half Nelson as Best Feature, and gave director Fleck the Breakthrough Director Award, and Epps the Breakthrough Actor Award. For Film Independent's 2007 Spirit Awards, Gosling received the Best Male and Epps the Best Female Lead awards and was nominated in the categories of Best Feature, Best Director and Best First Screenplay.

Miscellaneous Notes

Released in United States Summer August 11, 2006

Released in United States August 25, 2006

Released in United States on Video February 13, 2007

Released in United States 2006

Released in United States January 2006

Released in United States June 2006

Released in United States August 2006

Released in United States September 2006

Shown at London Film Festival (Film on the Square) October 18-November 2, 2006.

Shown at New Directors/New Films Series at the Film Society of Lincoln Center March 22-April 2, 2006.

Shown at San Francisco International Film Festival (New Directors) April 20-May 4, 2006.

Shown at Seattle International Film Festival (Special Presentations) May 25-June 18, 2006.

Shown at Urbanworld VIBE Film Festival in New York City June 21-25, 2006

Shown at Locarno International Film Festival (International Competition) August 2-12, 2006.

Shown at Deauville Festival of American Cinema (Competition) September 1-10, 2006.

Based on the short film "Gowanus, Brooklyn" (USA/2003) directed by Ryan Fleck, which won the Jury Prize in Short Filmmaking at Sundance 2004.

Thinkfilm acquired worldwide distribution rights at the 2006 Sundance Film Festival for a reported sum of just under $1 million.

Released in United States Summer August 11, 2006

Released in United States August 25, 2006 (Los Angeles)

Released in United States on Video February 13, 2007

Released in United States 2006 (Shown at London Film Festival (Film on the Square) October 18-November 2, 2006.)

Released in United States 2006 (Shown at New Directors/New Films Series at the Film Society of Lincoln Center March 22-April 2, 2006.)

Released in United States 2006 (Shown at San Francisco International Film Festival (New Directors) April 20-May 4, 2006.)

Released in United States 2006 (Shown at Seattle International Film Festival (Special Presentations) May 25-June 18, 2006.)

Released in United States January 2006 (Shown at Sundance Film Festival (Independent Dramatic Competition) January 19-29, 2006.)

Released in United States June 2006 (Shown at Urbanworld VIBE Film Festival in New York City June 21-25, 2006)

Released in United States August 2006 (Shown at Locarno International Film Festival (International Competition) August 2-12, 2006.)

Released in United States September 2006 (Shown at Deauville Festival of American Cinema (Competition) September 1-10, 2006.)

Winner of the 2007 Artios Award for Feature Film - Independent by the Casting Society of America (CSA).