Plagues & Pleasures on the Salton Sea


1h 13m 2004

Brief Synopsis

Covers the historical and environmental issues that face the Salton Sea, while also offering a portrait of the eccentric and individualistic people who populate its shores. Once known as the California Riviera, the Sea is now called one of America's worst ecological disasters: a fetid, stagnant, sal

Film Details

Also Known As
PLAGUES & PLEASURES: A LIFE ON THE SALTON SEA, Plagues & Pleasures: A Life at the Salton Sea, Plagues and Pleasures on the Salton Sea
Genre
Documentary
Political
Release Date
2004

Technical Specs

Duration
1h 13m

Synopsis

Covers the historical and environmental issues that face the Salton Sea, while also offering a portrait of the eccentric and individualistic people who populate its shores. Once known as the California Riviera, the Sea is now called one of America's worst ecological disasters: a fetid, stagnant, salty lake, coughing up dead fish and birds by the thousands. Up until his death in 1998, Congressman Sonny Bono had dedicated himself to saving the lake from complete demise.

Film Details

Also Known As
PLAGUES & PLEASURES: A LIFE ON THE SALTON SEA, Plagues & Pleasures: A Life at the Salton Sea, Plagues and Pleasures on the Salton Sea
Genre
Documentary
Political
Release Date
2004

Technical Specs

Duration
1h 13m

Articles

Plagues and Pleasures on the Salton Sea - PLAGUES AND PLEASURES ON THE SALTON SEA - A Bizarre Documentary on a Southern California Eco-Nightmare


Documentary film production has exploded of late, with a surfeit of shows on every subject known to man. The really worthwhile docus are distinguished by good research on subjects that transcend their own context. Chris Metzler and Jeff Springer's Plagues and Pleasures on the Salton Sea relates the unusual history of an accidental' inland sea, once a Mecca for recreation but now an environmental and economic sinkhole. From beneath the hard facts emerges a sobering lesson: The appalling condition of the Salton Sea is a prediction of disasters to come.

Metzler and Springer offer bouncy graphics, a variety of modern music and the voiceover services of John Waters, but know better than to hype their subject. The Salton Sea is weird enough. Backed by animated maps and old photos, Waters explains how poorly planned irrigation from the Colorado river in 1905 accidentally diverted the Colorado river, resulting in a flooding of Biblical proportions. Many residents of Southern California remember the area's heyday of fishing, water skiing and all night parties back in the 1960s, but since the late 1970s the Sea has dropped off the radar, as if it never existed. Well, it's still there, and it isn't pretty.

Old promotional films show the Sea's development in the late 1950s, with smiling citizens enjoying the sport fishing and boating opportunities. Fifty miles south of ritzy Palm Springs, the Sea became a thriving playground for the middle class. Flotillas of cars towing boats made their way to new motels, and bars and yacht clubs filled with happy patrons. The only requirement for a weekend away from Los Angeles was a tank of gas (at 28 cents a gallon) and a few six-packs of beer.

Most of the local housing was of the trailer-park variety, and fast-buck land developers mapped out huge subdivisions for sale, hoping to make the Sea into the next big thing for vacation and retirement homes. Sewers and power lines were installed, but just when the ink was drying on the land deeds, disaster struck. The lake's shoreline grew and shrank with seasonal flooding and unchecked runoff from Imperial Valley irrigation, which regularly took much more water than it needed from the Colorado. Flooding wiped out some of the more expensive recreational facilities, and when the water receded investors were greeted by acres of mud flats covered with tons of rotting fish. The salinity of the Sea rose dramatically, resulting in more massive fish kill-offs.

Thirty years later, the resort area is now a scary collection of rust and ruin, a gigantic urban dump suitable as a backdrop for a post-apocalyptic fantasy. Plagues and Pleasures interviews a Real Estate broker still in operation, who sells few lots even at rock-bottom prices. Some locals are hilariously frank when they say there's nothing at all wrong with the area ... except the god-awful stench of millions of rotting fish. State and local wildlife and conservation authorities claim that the Sea could be saved if politicians took an interest. Without the promise of fast profits, nobody wants to pick up the tab for cleaning up the lake and properly managing its ecology. The agriculture industry uses it as a dumping ground and San Diego has nabbed its share of the Colorado water supply. If allowed to dry up, the lake will become an alkali dust bowl which will send a toxic stench to Palm Springs every time the wind blows.

Ex-rocker Sonny Bono brought hope to the area with plans for a major rescue and redevelopment program, and news film shows Newt Gingrich promising happy days ahead. Bono's unfortunate accidental death in 1998 crippled that program, and it's now predicted that the Sea has only ten years to live.

The docu also covers the human casualties of the depressed area. Small colonies of retirees too poor to move elsewhere watch as vital services shut down. There are no stores and the one grocery closes at 6pm. Some senior citizens are irrationally positive about the lake's prospects. One of the last diners closes because its 91 year-old owner no longer has the energy to keep it running. Welfare families live in trailers and lament the lack of anything for children to do. But some go on camera to say that it's better than living in Los Angeles, where their kids are likely to become victims of violence.

The area is also the home of last resort for a number of eccentrics and all 'round weird-os. One former Hungarian 'freedom fighter' lives in a veritable junkyard and does nothing but drink beer all day. Confronted by a camera, he lauds the wonders of America. A desert rat with benign religious ideas spends his retirement working in painted plaster and adobe lettering, reshaping a small hill into a giant celebration of God. Another ancient fringe dweller celebrates life by standing naked at the side of the road next to an American flag, waving at passing cars. He loves his 'freedom' and only puts his shorts on when the Highway Patrolmen give him a hard time.

This forgotten pocket of decay and weirdness is only a couple of freeway hours from Los Angeles. Plagues and Pleasures on the Salton Sea is funny and compassionate, but it shows us a future that could befall any American community that suddenly becomes economically unsound, or politically inconvenient. Civilization's ratty edges are sometimes frightening to contemplate.

Docurama's DVD of Plagues and Pleasures on the Salton Sea is presented in a colorful flat encoding. The filmmakers have a good eye for the Salton Sea's grotesque ruins and bizarre denizens. One audio commentary offers the filmmakers' self-evaluation and a second track pairs two of the Salton Sea locals, Norm Niver and Steve Horvitz. A selection of deleted scenes appears to be clips from an earlier, longer screening cut. Several more uncut short subjects shamelessly promote the Salton Sea as the next Lake Tahoe or Palm Springs, and one piece looks at the film's composer-musicians. Less germane is an old anti-LSD film re-edited to implicate present day politicians in various nefarious activities. A trailer and filmmaker bios round out the package.

For more information about Plagues and Pleasures on the Salton Sea, visit New Video Group. To order Plagues and Pleasures on the Salton Sea, go to TCM Shopping.

by Glenn Erickson
Plagues And Pleasures On The Salton Sea - Plagues And Pleasures On The Salton Sea - A Bizarre Documentary On A Southern California Eco-Nightmare

Plagues and Pleasures on the Salton Sea - PLAGUES AND PLEASURES ON THE SALTON SEA - A Bizarre Documentary on a Southern California Eco-Nightmare

Documentary film production has exploded of late, with a surfeit of shows on every subject known to man. The really worthwhile docus are distinguished by good research on subjects that transcend their own context. Chris Metzler and Jeff Springer's Plagues and Pleasures on the Salton Sea relates the unusual history of an accidental' inland sea, once a Mecca for recreation but now an environmental and economic sinkhole. From beneath the hard facts emerges a sobering lesson: The appalling condition of the Salton Sea is a prediction of disasters to come. Metzler and Springer offer bouncy graphics, a variety of modern music and the voiceover services of John Waters, but know better than to hype their subject. The Salton Sea is weird enough. Backed by animated maps and old photos, Waters explains how poorly planned irrigation from the Colorado river in 1905 accidentally diverted the Colorado river, resulting in a flooding of Biblical proportions. Many residents of Southern California remember the area's heyday of fishing, water skiing and all night parties back in the 1960s, but since the late 1970s the Sea has dropped off the radar, as if it never existed. Well, it's still there, and it isn't pretty. Old promotional films show the Sea's development in the late 1950s, with smiling citizens enjoying the sport fishing and boating opportunities. Fifty miles south of ritzy Palm Springs, the Sea became a thriving playground for the middle class. Flotillas of cars towing boats made their way to new motels, and bars and yacht clubs filled with happy patrons. The only requirement for a weekend away from Los Angeles was a tank of gas (at 28 cents a gallon) and a few six-packs of beer. Most of the local housing was of the trailer-park variety, and fast-buck land developers mapped out huge subdivisions for sale, hoping to make the Sea into the next big thing for vacation and retirement homes. Sewers and power lines were installed, but just when the ink was drying on the land deeds, disaster struck. The lake's shoreline grew and shrank with seasonal flooding and unchecked runoff from Imperial Valley irrigation, which regularly took much more water than it needed from the Colorado. Flooding wiped out some of the more expensive recreational facilities, and when the water receded investors were greeted by acres of mud flats covered with tons of rotting fish. The salinity of the Sea rose dramatically, resulting in more massive fish kill-offs. Thirty years later, the resort area is now a scary collection of rust and ruin, a gigantic urban dump suitable as a backdrop for a post-apocalyptic fantasy. Plagues and Pleasures interviews a Real Estate broker still in operation, who sells few lots even at rock-bottom prices. Some locals are hilariously frank when they say there's nothing at all wrong with the area ... except the god-awful stench of millions of rotting fish. State and local wildlife and conservation authorities claim that the Sea could be saved if politicians took an interest. Without the promise of fast profits, nobody wants to pick up the tab for cleaning up the lake and properly managing its ecology. The agriculture industry uses it as a dumping ground and San Diego has nabbed its share of the Colorado water supply. If allowed to dry up, the lake will become an alkali dust bowl which will send a toxic stench to Palm Springs every time the wind blows. Ex-rocker Sonny Bono brought hope to the area with plans for a major rescue and redevelopment program, and news film shows Newt Gingrich promising happy days ahead. Bono's unfortunate accidental death in 1998 crippled that program, and it's now predicted that the Sea has only ten years to live. The docu also covers the human casualties of the depressed area. Small colonies of retirees too poor to move elsewhere watch as vital services shut down. There are no stores and the one grocery closes at 6pm. Some senior citizens are irrationally positive about the lake's prospects. One of the last diners closes because its 91 year-old owner no longer has the energy to keep it running. Welfare families live in trailers and lament the lack of anything for children to do. But some go on camera to say that it's better than living in Los Angeles, where their kids are likely to become victims of violence. The area is also the home of last resort for a number of eccentrics and all 'round weird-os. One former Hungarian 'freedom fighter' lives in a veritable junkyard and does nothing but drink beer all day. Confronted by a camera, he lauds the wonders of America. A desert rat with benign religious ideas spends his retirement working in painted plaster and adobe lettering, reshaping a small hill into a giant celebration of God. Another ancient fringe dweller celebrates life by standing naked at the side of the road next to an American flag, waving at passing cars. He loves his 'freedom' and only puts his shorts on when the Highway Patrolmen give him a hard time. This forgotten pocket of decay and weirdness is only a couple of freeway hours from Los Angeles. Plagues and Pleasures on the Salton Sea is funny and compassionate, but it shows us a future that could befall any American community that suddenly becomes economically unsound, or politically inconvenient. Civilization's ratty edges are sometimes frightening to contemplate. Docurama's DVD of Plagues and Pleasures on the Salton Sea is presented in a colorful flat encoding. The filmmakers have a good eye for the Salton Sea's grotesque ruins and bizarre denizens. One audio commentary offers the filmmakers' self-evaluation and a second track pairs two of the Salton Sea locals, Norm Niver and Steve Horvitz. A selection of deleted scenes appears to be clips from an earlier, longer screening cut. Several more uncut short subjects shamelessly promote the Salton Sea as the next Lake Tahoe or Palm Springs, and one piece looks at the film's composer-musicians. Less germane is an old anti-LSD film re-edited to implicate present day politicians in various nefarious activities. A trailer and filmmaker bios round out the package. For more information about Plagues and Pleasures on the Salton Sea, visit New Video Group. To order Plagues and Pleasures on the Salton Sea, go to TCM Shopping. by Glenn Erickson

Chris Metzler/Jeff Springer Interview - Director of Plagues and Pleasures on the Salton Sea - An Interview with Chris Metzler & Jeff Springer, Co-Director of Plagues and Pleasures on the Salton Sea


It is Labor Day, 2007, and it seems that film festivals are impossible to avoid. Some of your TCM viewers are at the Telluride Film Festival, hanging out with people like Daniel Day-Lewis. I'm not there -- although I love it -- because I say that I need an occasional vacation that doesn't center around movies. Strange then that I find myself writing about a festival favorite, Plagues and Pleasures on the Salton Sea.

Plagues and Pleasures co-director Chris Metzler is at home, relaxing for a day and a half between shooting his new documentary and promoting Plagues and Pleasures. He seems to have film festivals on the mind, too.

"The thing that film festivals have been most handy for are the friendships that you strike up," says Metzler, kicking things off.

He's trying to explain how he learned to promote a movie, which seems to me like a an ill-defined, black hole of a task. Metzler and co-director Jeff Springer are giving it the old college try. "Being an independent filmmaker, you're always wearing lots of hats as it is. [...] As we started traveling around on the film festival circuit, we started meeting other documentary filmmakers. Some of them have done it before. That sense of community starts to form, you start swapping tips."

So festivals are important. That, and "basically just throw a lot of energy into it. Hopefully none of the mistakes you make are horrible -- that you can always recover from them. "

Palm Springs Wannabe

Metzler and Springer threw four years of energy into the making of Plagues and Pleasures on the Salton Sea, a portrait of the quirky locals who live on the shores of a landlocked California lake 200 feet below sea level.

The Salton Sea is the result of a mistake made a hundred years ago. A company diverted water from the Colorado River into the Imperial Valley for irrigation. Before the cut could be fortified, the Colorado river flooded, spilling most of its flow into what is now the Salton Sea. The former bank of the Colorado was eventually fortified, but the water remained. The lake is now fed only by agricultural runoff, and drained only by evaporation. That combination explains why the Salton Sea is already saltier than the ocean and will only get saltier.

Sold in the 1950s as a resort to rival Palm Springs, the Salton Sea experienced a real estate boom that has since gone bust. Flooding in the 1970s drove many away. Massive fish kills caused by heat and salinity create a negative public image of the Sea.

Now only a few thousand remain, and they make a colorful subject for a documentary. As the promotional materials put it, Plagues and Pleasures features "Hungarian revolutionaries, Christian nudists, pop stars, land sharks, hard drinkers, empty cities, failed resort towns, tons of dead fish, a dying café, and a man who built a mountain."

How to Tell the Story

Metzler and Springer seem proud that their movie isn't a dry treatise on water rights in the West or on the environmental folly of trying to irrigate a desert. Instead, they focus on the human angle, on the eccentrics, retirees, and expatriates from L.A. who choose to live there.

But everyone appreciated that approach. When looking for natural supporters of the film, Metzler says "a lot of people higher up in environmental organizations would say 'you gotta get rid of this humor; this is a serious issue.' But they underestimate that you can mix entertainment and education.... People are naturally curious, and if you present them an interesting story, they can draw their own conclusions. "

That said, there is an "environmental" version of the movie. It's cut down to an hour (from about 80 minutes) with TV time slots and public schools in mind. Metzler says it has a more traditional story arc, and it leaves out the brash Hungarian revolutionary and the Christian nudist.

"The theatrical film is a little bit more meandering. The middle section is short vignettes of the people who have remade the Salton Sea. That, really, we think, represents the Salton Sea, and that's the reason why we made the film that way."

"We created an environmental version, one, because we needed a TV cut-down," says Metzler. "PBS, HBO, and Sundance Channel prefer documentaries that are just under an hour long. -- And then also for something that could be used in classrooms."

After the Show

Metzler says one of the most popular questions he gets asked is "what's happened since the end of the movie?" Unfortunately, there's been very little progress on the activist front. The movie tells how the federal government transferred some of Salton's water rights to San Diego, practically guaranteeing that the water level will keep dropping. It also shows congressman Sonny Bono leading a big push to save the Sea, but since his death... nothing.

But once again, the human story is more moving than the story of water rights. "The two biggest changes in relation to the film are that several people in the film have passed away, and then some of the land prices around the Sea have increased; they've had a land and mortgage boom in the last year or so."

If you've seen the film, you'll be sad to hear that Mr. Gaston, the former owner of the café, has died. The Christian nudist who was so charming on camera and the woman driving the golf cart died too.

But if you're rooting for the people in the movie, you'll be happy to hear about the value of their land increasing. Metzler says the increase may just be part of a natural cycle. Then again, maybe their movie had something to do with it.

"There are several people who have seen the film and have moved down to the Salton Sea. It was something that I never expected, but it's kind of exciting. There's not very many people who live around the Salton Sea -- there's about six to seven thousand people. Once you add six or seven people, that's a significant increase."

Metzler thinks the area could draw lots of people, from environmentalists to artists to people who just like to live on the fringe. "It's a cheap place to live. The climate's nice nine months of the year. It's a place that lets people be whoever they want to be."

Waters of the Salton Sea

Amplifying that fringe-of-society vibe is the movie's narrator, pop icon John Waters, the director of the original Hairspray and the king of bad-taste movies like Polyester and Pink Flamingos. Even if you haven't seen Waters' films you might have heard his voice as The Simpsons' gay friend John, owner of Springfield's campiest boutique.

"We had always wanted John Waters to narrate the film," explains Metzler. But deadlines for festivals were looming, so they went with a more traditional narrator for the cut they showed at Slamdance. "It worked, but it wasn't quite what our ideal was."

But serendipity struck. Metzler recalls, "one night at a film festival we met the director of the festival. She was friends with John Waters and wanted to show him the movie because she just thought he'd enjoy it. She asked us for an extra DVD and we said 'Of course! Would you mind asking if he wouldn't mind narrating the film?'"

"A couple weeks later, he called and said 'I loved your movie. Come out to Baltimore and I'll narrate it.' "

So once again, it was a film festival that saved the day and paved the way.

Next year, come Labor Day, maybe I'd better go to Telluride.

by Marty Mapes

Chris Metzler/Jeff Springer Interview - Director of Plagues and Pleasures on the Salton Sea - An Interview with Chris Metzler & Jeff Springer, Co-Director of Plagues and Pleasures on the Salton Sea

It is Labor Day, 2007, and it seems that film festivals are impossible to avoid. Some of your TCM viewers are at the Telluride Film Festival, hanging out with people like Daniel Day-Lewis. I'm not there -- although I love it -- because I say that I need an occasional vacation that doesn't center around movies. Strange then that I find myself writing about a festival favorite, Plagues and Pleasures on the Salton Sea. Plagues and Pleasures co-director Chris Metzler is at home, relaxing for a day and a half between shooting his new documentary and promoting Plagues and Pleasures. He seems to have film festivals on the mind, too. "The thing that film festivals have been most handy for are the friendships that you strike up," says Metzler, kicking things off. He's trying to explain how he learned to promote a movie, which seems to me like a an ill-defined, black hole of a task. Metzler and co-director Jeff Springer are giving it the old college try. "Being an independent filmmaker, you're always wearing lots of hats as it is. [...] As we started traveling around on the film festival circuit, we started meeting other documentary filmmakers. Some of them have done it before. That sense of community starts to form, you start swapping tips." So festivals are important. That, and "basically just throw a lot of energy into it. Hopefully none of the mistakes you make are horrible -- that you can always recover from them. " Palm Springs Wannabe Metzler and Springer threw four years of energy into the making of Plagues and Pleasures on the Salton Sea, a portrait of the quirky locals who live on the shores of a landlocked California lake 200 feet below sea level. The Salton Sea is the result of a mistake made a hundred years ago. A company diverted water from the Colorado River into the Imperial Valley for irrigation. Before the cut could be fortified, the Colorado river flooded, spilling most of its flow into what is now the Salton Sea. The former bank of the Colorado was eventually fortified, but the water remained. The lake is now fed only by agricultural runoff, and drained only by evaporation. That combination explains why the Salton Sea is already saltier than the ocean and will only get saltier. Sold in the 1950s as a resort to rival Palm Springs, the Salton Sea experienced a real estate boom that has since gone bust. Flooding in the 1970s drove many away. Massive fish kills caused by heat and salinity create a negative public image of the Sea. Now only a few thousand remain, and they make a colorful subject for a documentary. As the promotional materials put it, Plagues and Pleasures features "Hungarian revolutionaries, Christian nudists, pop stars, land sharks, hard drinkers, empty cities, failed resort towns, tons of dead fish, a dying café, and a man who built a mountain." How to Tell the Story Metzler and Springer seem proud that their movie isn't a dry treatise on water rights in the West or on the environmental folly of trying to irrigate a desert. Instead, they focus on the human angle, on the eccentrics, retirees, and expatriates from L.A. who choose to live there. But everyone appreciated that approach. When looking for natural supporters of the film, Metzler says "a lot of people higher up in environmental organizations would say 'you gotta get rid of this humor; this is a serious issue.' But they underestimate that you can mix entertainment and education.... People are naturally curious, and if you present them an interesting story, they can draw their own conclusions. " That said, there is an "environmental" version of the movie. It's cut down to an hour (from about 80 minutes) with TV time slots and public schools in mind. Metzler says it has a more traditional story arc, and it leaves out the brash Hungarian revolutionary and the Christian nudist. "The theatrical film is a little bit more meandering. The middle section is short vignettes of the people who have remade the Salton Sea. That, really, we think, represents the Salton Sea, and that's the reason why we made the film that way." "We created an environmental version, one, because we needed a TV cut-down," says Metzler. "PBS, HBO, and Sundance Channel prefer documentaries that are just under an hour long. -- And then also for something that could be used in classrooms." After the Show Metzler says one of the most popular questions he gets asked is "what's happened since the end of the movie?" Unfortunately, there's been very little progress on the activist front. The movie tells how the federal government transferred some of Salton's water rights to San Diego, practically guaranteeing that the water level will keep dropping. It also shows congressman Sonny Bono leading a big push to save the Sea, but since his death... nothing. But once again, the human story is more moving than the story of water rights. "The two biggest changes in relation to the film are that several people in the film have passed away, and then some of the land prices around the Sea have increased; they've had a land and mortgage boom in the last year or so." If you've seen the film, you'll be sad to hear that Mr. Gaston, the former owner of the café, has died. The Christian nudist who was so charming on camera and the woman driving the golf cart died too. But if you're rooting for the people in the movie, you'll be happy to hear about the value of their land increasing. Metzler says the increase may just be part of a natural cycle. Then again, maybe their movie had something to do with it. "There are several people who have seen the film and have moved down to the Salton Sea. It was something that I never expected, but it's kind of exciting. There's not very many people who live around the Salton Sea -- there's about six to seven thousand people. Once you add six or seven people, that's a significant increase." Metzler thinks the area could draw lots of people, from environmentalists to artists to people who just like to live on the fringe. "It's a cheap place to live. The climate's nice nine months of the year. It's a place that lets people be whoever they want to be." Waters of the Salton Sea Amplifying that fringe-of-society vibe is the movie's narrator, pop icon John Waters, the director of the original Hairspray and the king of bad-taste movies like Polyester and Pink Flamingos. Even if you haven't seen Waters' films you might have heard his voice as The Simpsons' gay friend John, owner of Springfield's campiest boutique. "We had always wanted John Waters to narrate the film," explains Metzler. But deadlines for festivals were looming, so they went with a more traditional narrator for the cut they showed at Slamdance. "It worked, but it wasn't quite what our ideal was." But serendipity struck. Metzler recalls, "one night at a film festival we met the director of the festival. She was friends with John Waters and wanted to show him the movie because she just thought he'd enjoy it. She asked us for an extra DVD and we said 'Of course! Would you mind asking if he wouldn't mind narrating the film?'" "A couple weeks later, he called and said 'I loved your movie. Come out to Baltimore and I'll narrate it.' " So once again, it was a film festival that saved the day and paved the way. Next year, come Labor Day, maybe I'd better go to Telluride. by Marty Mapes

Quotes

Trivia

Miscellaneous Notes

Released in United States January 2004

Released in United States January 2006

Released in United States Spring April 20, 2007

Shown at Palm Springs International Film Festival (New American Cinema) January 5-16, 2006.

Shown at Slamdance Film Festival (Documentary Competition) January 17-24, 2004.

Feature directorial debut for Chris Metzler and Jeff Springer.

Released in United States January 2004 (Shown at Slamdance Film Festival (Documentary Competition) January 17-24, 2004.)

Released in United States January 2006 (Shown at Palm Springs International Film Festival (New American Cinema) January 5-16, 2006.)

Will be released theatrically with 10-minute short "LSD A Go Go."

Released in United States Spring April 20, 2007