Babel


2h 22m 2006

Brief Synopsis

In the remote sands of the Moroccan desert, a rifle shot rings out--detonating a chain of events that will link an American tourist couple's frantic struggle to survive, two Moroccan boys involved in an accidental crime, a nanny illegally crossing into Mexico with two American children and a Japanes

Film Details

MPAA Rating
Genre
Drama
Release Date
Oct 27, 2006
Premiere Information
Cannes Film Festival screening: 23 May 2006
Production Company
Anonymous Content; Central Films; Paramount Vantage; Zeta Film
Distribution Company
Paramount Pictures
Country
United States
Location
Morocco; San Diego, California, United States; Tokyo,Japan; Tijuana, Mexico; California, United States; Baja, Mexico; Morocco

Technical Specs

Duration
2h 22m

Synopsis

On the vast, barren hillsides of Morocco, goatherd Abdullah buys a rifle from his neighbor Hassan, then orders his adolescent sons Yussef and Ahmed to use it to kill jackals attacking the herd. While tending the goats that day, Yussef, at Ahmed's prompting, tries proving Hassan's claim that the gun has a three-kilometer range by taking a potshot at a passing tourist bus. Seeing the bus stop, the boys race home but do not tell their parents about the incident. Meanwhile, American Richard, who is vacationing with his wife Susan in Morocco, calls his home in San Diego where Mexican nanny Amelia is staying with the couple's children Mike and Debbie. When Richard insists that Amelia remain with the children, she quietly protests that she must attend the wedding of her son Luis in Mexico. Despite knowing that crossing the border with the American children is illegal, Amelia decides to take them with her to the wedding, accompanied by her reckless but charming nephew Santiago, who drives them. Earlier at an outdoor café in Morocco, Richard is still convinced that their Moroccan vacation will help him and his wife reconnect after the sudden death their infant son Sam; however, Susan's lingering depression and resentment continues to divide them. Soon after boarding their tourist bus, Susan reaches out for Richard, but is suddenly hit by a bullet that crashes through the window. In Japan, after deaf-mute teenager Chieko is thrown out of a volleyball game for her insolent behavior, her father Yasujiro, knowing that his daughter is acting out over her mother's recent suicide, patiently reminds her that he misses his wife, too. Soon after at J-Pop Special club, Chieko and her friend Mitsu flirt with several boys from across the restaurant, but are soon ridiculed when the boys find out they are deaf. Outraged at being treated like a "monster" and desperate for some kind of communication, Chieko flashes the boys with the "real monster" under her skirt. Meanwhile, in a small, dusty Mexican village, dozens gather to attend Luis and Patricia's wedding. At first shy and bewildered by the different culture, Mike and Debbie soon join other children from the village in capturing chickens to slaughter for the celebration, which continues long into the night with dancing and music. Hours earlier, the Moroccan tour bus pulls to a halt as Richard screams for someone to help his wife. Far from a city, tour guide Anwar suggests driving the bus to his home town Tazarine, where the American, Australian and European tourists are immediately filled with animosity toward the villagers, whom they assume must be terrorists. Leaving the tourists on the bus, Richard carries Susan into Anwar's house and calls his sister Rachel, ordering her to contact the American embassy. Meanwhile, when the only doctor, a veterinarian, pulls out a crude needle and thread to sew up Susan's wound to prevent her from bleeding to death, Richard and Anwar must hold the terrified Susan down for the procedure. At the same time in Japan, Chieko, after being thrown out of her dentist's office for trying to kiss him, returns to her luxurious apartment building where she meets two detectives looking for her father. Chieko takes Detective Kenji's card, although she is wary of his intentions after the recent police investigation into her mother's death. After learning from their father that a tourist was killed on a bus by terrorists, Yussef and Ahmed hide the gun in the hills. Nearby, Police Captain Alarid and his men brutally interrogate Hassan, until he tells them he sold the gun to Abdullah and explains that the gun was given to him by a Japanese hunter as a gift. Returning home from hiding the gun, Yussef and Ahmed are stopped by the police. Yussef misleads them in their quest for Abdullah and races home where he admits to his father that he shot the gun, but accuses Ahmed of prompting him. Desperate to deflect his father's wrath, Ahmed blurts out that Yussef has been watching their sister Zohra undress. Equally angered by the shooting and Yussef's breach of family code, Abdullah lashes out at the boys. In Tazarine, the tourists rudely refuse the villagers' offers of food and tell Richard he has only thirty minutes until they leave without him and Susan. While Moroccan television reports that the U.S. government overreacted by insinuating that the shooting was terrorist-related, Anwar's mother gingerly holds Susan's head to help her smoke a pipe containing drugs to soothe her excruciating pain and hysteria. At a Japanese park, Chieko and Mitsu meet Haruki, the cousin of a teammate, and two other boys, who speak slowly enough for the girls to lip-read what they are saying. Assured by their friendliness, the girls get high on drugs and whiskey and traverse the city in a giggling bliss with the boys, ending at a disco, where Chieko is disillusioned when she sees Mitsu making out with Haruki. Arriving at home, Chieko then asks the doorman to call Kenji, to whom she was attracted earlier. In Morocco, the police spot Abdullah and the boys fleeing in the hills and start shooting. The three take cover behind rocks, but when Ahmed is shot in the leg, Yussef, seeing no other way to save his family, shoots at the officers, wounding one. Meanwhile in Mexico, despite Luis' protests that Santiago is drunk and has a police record, Amelia, with no other way to return to San Diego, loads Mike and Debbie into his car. At the border, an officer, seeing the white children with the obviously drunk Santiago and fearful Amelia, searches the car and demands that Amelia show them a letter of permission from the children's parents. Incensed and afraid, Santiago speeds away, then drops the now-weeping Amelia and children in the desert far from any road, promising to return for them after he has lost the police, who are in close pursuit. Back in Tazarine, after hours of waiting, Richard grows more frustrated upon learning that the American Embassy is sending a helicopter, having stopped the ambulance for fear of further "terrorist acts." When the belligerent tourists then accuse him of endangering their lives, Richard hits one of the men, prompting the group to commandeer the bus and leave. In Japan, Chieko, who believes the police are still investigating her mother's suicide, tells the detective that she saw her mother jump from the balcony. Seeing the picture of Yasujiro hunting in Morocco, the detective is shocked by the family tragedy and tries to explain that his questions are about an unrelated matter. As he attempts to leave, Chieko tries to seduce him by returning to the room nude. When the detective pushes her away, Chieko bursts into tears at another rejection and miscommunication. After he comforts her with a long embrace, Chieko writes him a note, insisting that he read it later. On the hillside in Morocco, officers shoot and kill Ahmed, prompting Yussef to bash the gun against a rock and then walk bravely toward them with his hands held high in surrender, crying "I killed the American" and begging them to save his brother. Meanwhile at Anwar's house, Susan and Richard finally cry together for Sam, absolving each other of any wrongdoing. After sleeping on the desert floor, Amelia and the children awaken to a desolate landscape that is soon unbearably hot. Forced to leave the children under the shade of a tree with no water, Amelia continues alone for help. Hours later, Amelia stumbles across the sand to chase down a passing patrol vehicle, but the officer immediately arrests her on suspicion of kidnapping, expressing little sympathy for her pleas to save the children. Later at a police facility, Amelia is told the children were found. The officer continues that, although the children could have died in the adverse conditions, Richard has declined to press charges against her. Despite Amelia's pleas that she has lovingly reared the children since birth and has lived in the U.S. for sixteen years, the officer coldly states that because she is an illegal resident, he is recommending voluntary deportation, threatening further action against her if she refuses. Soon after, Amelia meets Luis in Mexico and cries in his arms at the loss of her American life. In Tazarine, as the helicopter descends to pick up Richard and Susan, Richard attempts to repay Anwar for his kindness, but he gently refuses. Reaching a hospital in a nearby city, dozens of reporters and camera crews descend on the couple, anxious to cover the "injured American." Once in the hospital, Richard calls Amelia, ordering her to stay with the children despite her son's wedding. At the sound of his children's voices on the phone, he weeps helplessly. At the same time in Japan, Kenji, seeing Yasujiro in the lobby of the apartment building, asks about the gun in the photograph, explaining that it was registered to Yasujiro and was used in an attempted murder. Yasujiro says he gave it to Hassan as a gift and, although concerned about Hassan, is more grateful to hear that he is not implicated. When the detective then offers his condolences to Yasujiro for his wife's fatal fall from the balcony, Yasujiro orders him to leave, informing him that his wife shot herself and Chieko was the first to find her. Moments later, as Kenji sees a television report on Susan's recovery and reads Chieko's note, Yasujiro, finding his daughter nude on the balcony, tenderly embraces her and sobs with her over their incredible loss and loneliness.

Cast

Brad Pitt

Richard

Cate Blanchett

Susan

Mohamed Akhzam

Anwar

Peter Wight

Tom

Harriet Walter

Lilly

Trevor Martin

Douglas

Matyelok Gibbs

Elyse

Georges Bousquet

Robert

Claudine Acs

Jane

Andre Oumansky

Walter

Michael Maloney

James

Dermot Crowley

Barth

Wendy Nottingham

Henry Maratray

Linda Broughton

Jean Marc Hulot

Aline Mowat

Lilíane Escoza

Lindsey Beauchamp

Michel Dubois

Shirley Dixon

Patrick Lebre

John O'mohoney

Mary Mitchell

Edward Lyon

Robert Fyfe

Abdelaziz Merzoug

Waiter casbah

Omar El Mallouli

Bus driver

El Hassan Ait Bablal

Old man in car

Sfia Ait Benboullah

Anwar's grandmother

Hammou Aghrar

Doctor/Vet

Mohamed Ait Lahcen

Sheik

Ali Hamadi

Moukadem

Lhacen Znin

Store owner

Mustapha Amhita

Mohammed

Mohammed Amal El Koussi

Mohamed Nait Addi

Mohammed El Bouamraoui

Rahmoune Abdelhalim

Soukayna Ait Boufakri

Yamile

Youssef Boukioud

Police at Anwar's

Khouyael Houssein

Police at Anwar's

Alex Jennings

Ken Clifford

Commandant Mesbah

Helicopter pilot

Timothy Peter Buxton

US Army medic

Dr. Mohammed Ourjdal

US Army medic

Aimée Meditz

Reporter US News

Dr. Mohammed Bennani

Moroccan doctor

Boubker Ait El Caid

Yussef

Said Tarchani

Ahmed

Mustapha Rachidi

Abdullah

Driss Roukhe

Alarid

Wahiba Sahmi

Zohra

Fadmael Ouali

Yasira

Zahra Ahkouk

Jamila

Abdelkader Bara

Hassan

Ehou Mama

Hassan's wife

Rida Taya

Abdullah's 2-year-old son

Salah Mezzi

Moroccan police officer

Mohamed Atkliss

Moroccan police officer

Adriana Barraza

Amelia

Elle Fanning

Debbie

Nathan Gamble

Mike

Gael García Bernal

Santiago

Monica Del Carmen

Lucia

Rosa Reyes

Comadre

Robert "bernie" Esquivel

Luis

Damian Garcia

Lucio

Barbarella Pardo

Amelia's daughter

Ursula Garcia

Amelia's daughter

Cynthia Montaño

Patricia

Maripaz Lopez

Patricia's mother

Santiago Lizarraga

Ismael Gregorio

Pedro Sillas

Enrique Garcia Contreras

Fernando Montes Avila

Luis Avila

Eugenio Jara Reynoso

Pedro Cuota

Romeo Echeverria Jimenez "el Gitano"

Musician

Guadalupe Quintero

Mariano Quintero

Eluterio Higuera

Pascual Montaño

Efrain Gonzalez

Claudia Silvia Mendoza

Patricia's grandmother

Norma Samarin

Patricia's aunt

Polo Nuño

Jacinto

Jose Campas Agiñaga

Amelia's grandfather

Miguel Maldonado Tinoco

Amelia's father

Rosa Campos Maldonado

Amelia's mother

Emilio Echevarria

Emilio

Clifton Collins Jr.

Officer at border crossing

Aaron Spears

Officer #2

Jamie Mcbride

Bill border patrol

Michael Peña

John border patrol

Ivor Shier

Helicopter pilot

Rd Call

FBI interrogation officer

Rinko Kikuchi

Chieko

Koji Yakusho

Yasujiro

Yuko Murata

Mitsu

Kumi Ohkawatsu

Teammate

Miyuki Tamada

Teammate

Hirotaka Nabeya

Referee

Kazuya Senzaki

Referee

Takanobu Imaizumi

Referee

Koji Yoshida

Volleyball coach

Saki Kito

J-Pop hostess

Tomomi Kosugi

J-Pop waitress

Noemi

J-Pop waitress

Rita Watanabe

J-Pop waitress

Ran Saotome

J-Pop waitress

Sanae Miura

Kumiko

Kazunori Sasaki

Young man

Ryoji Takiguchi

Shocked young man

Shoushi Nakasone

Jun Tanaka

Masayuki Ishiii

Yoshiyuki Yagisawa

Hideto Onishi

Hiroshi Yazaki

Zengo Matayoshi

J-Pop special

Koji Morisawa

J-Pop special

Sumire Matsumura

Receptionist

Kyoko Saito

Mother at dentist

Hazuki Saito

Daughter at dentist

Yu Tanabe

Son at dentist

Kentaro Tokuhiro

Patient

Kiichiro Kawauchi

Patient

Shigemitsu Ogi

Dentist

Tose Fukuda

Nurse at dentist's

Satoshi Nikaido

Kenji

Kazunori Tozawa

Hamano

Junichi Hayakawa

Doorman

Nobushige Suematsu

Haruki

Shinji Suzuki

Takeshi

Reina Makino

Ayako Masagaki

Yurie Okada

Erika Okada

Mika Yokoyama

Kimi Unno

Kazuma Yamane

Kazuma

Hideaki Kunieda

Haruki's friend

Keita Kanegae

Haruki's friend

Tomohiro Higashi

Onbou Miura

Daiki Inuoe

Shinichi Osawa

Club DJ

Noriko Yamamura

Dancer/Club

Motomi Kobayashi

Dancer/Club

Akira Matsuda

Bartender

Shizue Yamamoto

Wife

Kaoru Mihira

Ayaka Kotake

Natsumi Hayashida

Maki Kuraya

Kana Harada

Sayaka Shimizu

Ai Takahashi

Sumie Kobayashi

Yoko Iwasaki

Eri Terada

Reina Aoki

Naoko Kato

Ikumi Muramatsu

Keiko Nakamichi

Miyuki Kido

Fumie Takama

Miki Watanuki

Aki Yanagisawa

Megumi Watanabe

Hanako Komatsu

Fumie Kikuchi

Hotomi Nakajima

Miyuki Aoki

Yuko Raihou

Hosana Ueyama

Erika Nakaya

Sachiyo Yamashita

Kaori Shimizu

Kanagawa Prefectural Hiratsuka School For The Deaf

Mito School For The Deaf

Gunma Prefectural School For The Deaf

Gifu School For The Deaf

Yuta Hori

Tap dancer

Ikken

Tap dancer

Takayuki Matsumoto

Tap dancer

Maro

Juggler

Marie Machida

Kegawazoku

Namiko Hatori

Kegawazoku

Yurako Takano

Kegawazoku

Kiyomi Ensou

Kegawazoku

Ikue Takada

Kegawazoku

Yoshiki Wakura

Yosuke Morita

Yuji Inanobe

Crew

Ignacio "gato" Iii

Electrician Assistant, Mexico

Hiam Abbass

Acting coach, Morocco

Ahmed Jimmy Abounouom

Line prod, Morocco

Karim Abouobayd

Prod services, Morocco

Toufiq Abouobayd

Assistant loc Manager, Morocco

Giovanna Acha

Set prod Assistant, Mexico

Abdellah Achir

Architect, Morocco

Kentaro Adachi

ADR recordist

Richie Adams

Title Designer

Benito Aguilar

Gaffer, Mexico

Tsuneyuki Aikou

Assistant grip, Japan

Hamid Ait Timaghrit

Set prod Assistant, Morocco

Tom Ajar

Dailies projectionist, Mexico

Osamu Akaoda

Assistant grip, Japan

Yoshihito Akatsuka

Set dec, Japan

Hicham Akbour

Interpreter for still Photographer, Morocco

Takahiro Akimoto

Driver, Japan

Geneviéve Akoka

Casting, Morocco

Samir Akrab

Office prod Assistant, Morocco

Yara Al Ghafri

Set prod Assistant trainee, Morocco

Merry Alderman

Casting Assistant, USA

Canek Alfonso

Swing gang, Mexico

Casey Allen

Inferno artist, Lola Visual Effects

Julio Cesar Alvarez G.

Wardrobe Assistant, Mexico

Julieta Alvarez Icaza

Assistant set dec, Mexico

José Amador

Driver, Mexico

Lucy Amador

Prod accountant, Mexico

Masanobu Amemiya

Camera/Insert car driver, Japan

Giovanni Angeletti

Genny op, Morocco

Yassine Aouni

Cast Assistant, Morocco

Kevin Aragón

Addl Electrician, Mexico

Gerardo Arellano

Prod accountant, Mexico

Christian Arias

Post intern

Elena Armas

ADR recordist

Carlos Armella

Making of filmmaker

José Manuel Arrellano

Driver, Mexico

Blanca Arreola

Wardrobe Assistant, Mexico

Guillermo Arriaga

Based on an idea by

Guillermo Arriaga

Writer

Shinichiro Asakura

Addl Assistant Director, Japan

Greg Astles

Digital fusion compositing artist, Intelligent Creatures

Alain Aswani

Addl Moroccan casting

Mohamed Atbir

Office prod Assistant, Morocco

Irma Avila

Prod Designer Assistant, Mexico

José Ayala

Driver, Mexico

Francisco Ayala Martínez

Const van driver, Mexico

Jalal Aziz

Transportation capt, Morocco

Hassan Bajja

2d unit loc scout, Morocco

Hicham Balafrej

Set prod Assistant, Morocco

Majid Balafrej

Assistant accountant, Morocco

Ana Ballesteros

Caterer, Mexico

José Manuel Ballesteros

Craft service Coordinator, Mexico

Patrick Bard

Special Photographer, Yussef & Ahmed, Morocco

Jeremy Bau

Assistant loc Manager, Morocco

Robby Baumgartner

Gaffer, Morocco and Japan

Galaxia Bautista

Addl Wardrobe Assistant, Mexico

Driss Bayoussef

Tailor, Morocco

Kenny Becker

Col timer

Steev Beeson

Prod controller

Darren Bell

Associate visual Effects prod, Intelligent Creatures

Mustapha Ben Hattom

Head carpenter, Morocco

Youssef Benaji

On-set carpenter, Morocco

Salah Benchegra

Extras casting, Morocco

Mohammed Najib Benfares

Electrician, Morocco

Jinane Benzaida

Assistant prod Coordinator, Morocco

Berto

B Camera op/2d unit Photographer, Morocco

Alessandro Bertolazzi

Key make-up artist, Morocco

Christine Bieselin

Assistant Costume Designer, Morocco

Caroldene Black

Composer

Jean Black

Make-up artist for Mr. Pitt, Morocco

Luis Blackaller

Senior graphics artist/Storyboard artist, Mexico

James Bomalick

SFX tech, Morocco

Khalid Boulasri

Assistant loc Manager, Morocco

Fouad Bourbouh

Camera loader, Morocco

Aziz Bousfiha

Assistant accountant, Morocco

Khalid Bouslamti

2d unit loc Manager, Morocco

Abderrahim Bouwizri

Driver, Morocco

Rick Boyle

Best boy grip, Morocco

Miguel Rio Branco

Special Photographer, Japan

Brigitte Broch

Production Design

Richard Burton

Dial Editor

Maurico Lule Camacho

2d unit 1st Assistant Director/2d AD, Mexico

Victor Manuel Camacho

Video assist tech, Mexico

Raúl Farías Campos

Painter, Mexico

Alexandra Cardenas

Prod Supervisor, Mexico

Tomás Carlos

Driver, Mexico

Antonio Carrasco

Prod Assistant, Mexico

Luis Eduardo Carreola

3CP tech, Morocco, Mexico and Japan

Juliette Castanier

2d AC addl Camera, Morocco

Luis Haro Castro

Driver, Mexico

Joaquín Cervera

1st Assistant B Camera, Mexico

Jeannette Cerwonka

Studio teacher, Mexico

Abdelkader Chaoui

Base camp Manager, Morocco

Jeff Charles

Data conform, Laser Pacific

Adan Sierra Chávez

Painter, Mexico

José Lorrabaquio Chávez

Chief Electrician, Mexico

Dominic Cheung

3D artist, Intelligent Creatures

Houssana Choukri

2d unit Screenplay Supervisor, Morocco

Mohammed Chrouate

Loc Manager, Casablanca, Morocco

Saulo Cisneros

Casting/Research Assistant, Mexico

Richard Clark

24-frame playback, Mexico

Nicola Clarke

Hair stylist for Ms. Blanchett, Morocco

Nigel Clay

Prod consulting

Murray Close

Unit stills Photographer, Morocco

Oscar Cobar

Z FilmBusiness Affairs, Mexico

Carlos Cole

Loc Assistant, Mexico

Juana Bocanegra Colin

Anda representative, Mexico

José Luis Nava Contreras

Const chief, Mexico

Manuel Cordero

Special Effects Coordinator, Mexico

Arturo Castañeda Corona

1st Assistant A Camera, Mexico and Japan

Ignacio Arteaga Cortez

Stunts, Mexico

Alex Corven

Prod Supervisor, Morocco

Conor Coughlan

SFX tech, Morocco

Thiery Couturier

Dial Editor

Gustavo Covarrubias

Grip Assistant, Mexico

Raul Covarrubias

Addl hair stylist, Mexico

Denise Crise

Assistant Editor

Douglas Crise

Editing

Florencia Martha Cruz

Catering crew, Mexico

Eduardo Valverde Cueto

Boom op, Mexico

Eddie Curtis

Composer

James Cutting

Driver, Morocco

Martin De Chabaneix

2d Assistant B Camera, Morocco

Marco De Filippis

Genny op, main unit, Morocco

Bárbara De Haro

Prod office trainee, Mexico

Luisa Gomez De Silva

Assistant prod office Coordinator, Mexico

Alejandro Torres Delgado

Cableman, Mexico

Khalid Dellali

Photo double, Morocco

Joey Dianda

Key grip, Japan

Joey Dianda

Key grip, Morocco

Gabriela Diaque

Costume Design

Derek Hecker Díaz

Set dresser Assistant, Mexico

Sergio Diaz

Dial Editor

Mounir Dine

Transportation Assistant, Morocco

Alice Ding

Office prod Assistant, Japan

Frank Dominguez

Composer

Blake Dow

Photo double, Mexico

Kathy Driscoll-mohler

Casting Associate, USA

Alisarine Ducolomb

Art Department Coordinator, Mexico

Valance Eisleben

Data conform, Laser Pacific

Mouhssine El Badaoui

2d Assistant Director, Morocco

Hiba El Boukili

Assistant hair stylist, Morocco

Lahcen El Harraf

Grip, Morocco

Saida El Idrissi

Prod Secretary/Switchboard, Morocco

Souad El Khattabi

Assistant make-up artist, Morocco

Ouassil El Kilali

Stand-by Props man, Morocco

Sana El Kilali

Prod account Supervisor, Morocco

Hicham El Kounty

Art Department Assistant, Morocco

Said El Kounty

Props master, Morocco

Ahmed Elarachi

Grip, Morocco

Fernando Elizalde

Dailies runner, Mexico

Ahmet Ertegun

Composer

Estanislao Espinoza

Driver, Mexico

Trinidad Espinoza

Carpenter, Mexico

Jorge Sandoval Estrada

Driver, Mexico

Odin Cruz Estrada

Mexico, Security for cast and crew provided by

Hideo Eto

Prod Assistant, Japan

Redouane Ezahri

Swing gang, Morocco

Lynn Fainchtein

Music Supervisor

Elvia Felix

Addl hair stylist, Mexico

Marie-bertha Ferrer

Special Photographer Assistant, Yussef & Ahmed, Morocco

Marina Fillipeli

Translator, Mexico

Marina Fillipeli

Prod Assistant, Mexico

Patrick Flannery

VFX stills Photographer, Lola Visual Effects

José Angel Valencia Flores

Catering crew, Mexico

Marcelino Hernandez Flores

Composer

Christina Foundation

US office prod Assistant

Frantic

Composer

Kevin Frost

Composer

Jonathan Fuh

Boom op, Morocco

Jonathan Fuh

Boom op, Japan

Genichiro Fujimori

Best boy, Japan

Hiroshi Fujita

Driver, Japan

Kenichi Fukuyama

Addl Assistant Director, Japan

Dj Fumiya

Composer

Katsumi Furuhashi

Prod accountant, Japan

Nozomi Furuhashi

Monitor system op, Japan

Toshitaka Furuike

4th Assistant Director, Japan

Driss Gaidi

Loc Manager, Casablanca, Morocco

Manuel Galaviz

Addl Electrician, Mexico

Luis Edgar Gallaga

Set prod Assistant, Mexico

Juan Carlos Gamiño

Catering crew, Mexico

Leonardo Soto Garay

Set dresser Assistant, Mexico

Griselda García

Wardrobe Assistant/Seamstress, Mexico

Guillermo Victoria García

Z FilmBusiness Affairs, Mexico

José Garcia

Prod Sound mixer

Juan Carlos García

Driver, Mexico

Juan Manuel García

Painter, Mexico

Marco Antonio García Mungula

Make-up artist, Mexico

Claudia García Repper

Prod office trainee, Mexico

Fiona Garland

Assistant prod Coordinator, Morocco

Federico Zavala Gazca

Swing gang, Mexico

Marco Giacalone

2d unit Manager, Morocco

Raymond Gieringer

Visual Effects creative adv, Intelligent Creatures

Anna Golin

Set prod Assistant, Mexico

Steve Golin

Producer

Francisco Ruben Nava Gómez

Catering crew, Mexico

Alfonso Gómez-rejón

Casting consultant

Alfonso Gómez-rejón

2nd Unit Director

Efrain Gonzalez Gonzalez

Composer

Film Details

MPAA Rating
Genre
Drama
Release Date
Oct 27, 2006
Premiere Information
Cannes Film Festival screening: 23 May 2006
Production Company
Anonymous Content; Central Films; Paramount Vantage; Zeta Film
Distribution Company
Paramount Pictures
Country
United States
Location
Morocco; San Diego, California, United States; Tokyo,Japan; Tijuana, Mexico; California, United States; Baja, Mexico; Morocco

Technical Specs

Duration
2h 22m

Award Wins

Best Score

2006

Award Nominations

Best Director

2006

Best Editing

2006

Best Original Screenplay

2006

Best Picture

2006

Best Supporting Actress

2006
Adriana Barraza

Best Supporting Actress

2006
Rinko Kikuchi

Quotes

Trivia

Notes

Aside from the title, production and distribution companies, all credits are at the end of the film. The closing credits state that the film was dedicated to director Alejandro González Iñárritu's children "Maria Eladia and Eliseo...the brightest lights in the darkest night." Acknowledgment is given to several companies for the use of Japanese television animation, commercial and program footage. Special thanks is given to dozens of individuals and associations who assisted at the various shooting locations, including His Majesty King Mohamed VI, Princess Lalla Hasna, Les Forces Armées Royales, residents of Taguenzalt, Japan Deaf Volleyball Association, Instituto Nacional de Migración and Presidencía Municipal, Jorge Hank Rhon.
       Babel is set in four diverse locations and illustrates each location's distinctive culture: San Diego, CA; a small village just south of Tijuana, Mexico; a farming community in Berber-speaking Morocco; and affluent Tokyo, Japan. González Iñárritu and writer Guillermo Arriaga chose to present the film's scenes out of chronological order and to juxtapose the action among the various locales, thus enabling them to control the resolution of each group of characters at different locations at the end of the film.
       On the film's official website, González Iñárritu stated that he was inspired to make the film during a 2003 visit to Japan during which he encountered deaf-mute citizens dealing with difficult communication issues. In addition, his immigrant status as a Mexican who had recently moved from Mexico City to the U.S. just before the September 11, 2001 terrorist attacks prompted him to create one story specifically revolving around U.S.-Mexico border issues and to create a web of international diplomatic circumstances among the various stories. Further, he explained that the film was an expression of the tragedy of being unable to be touched by love or sentiment.
       Although Hollywood Reporter production charts stated that the film was shooting from 2 May to late September 2005 solely in Morocco, a May 27, 2005 Screen International article stated that after shooting in Morocco from May to mid-Jun, the production planned to move to Mexico and was scheduled to shoot in Japan in mid-Nov. González Iñárritu and cinematographer Rodrigo Prieto used several techniques to ensure the authenticity and distinctive quality of each location. According to a November 10, 2006 Hollywood Reporter article, the filmmakers used several different types of film stock to make each location distinct, including three-perf Super 35mm, 35mm, 18.5 anamorphic and Super 16mm. According to an September 8, 2006 WSJ article, when the film began principal photography in Morocco, González Iñárritu had recently replaced most of his professional actors with non-professionals from the area including a shepherd, carpenter and two young boys for the four key roles. In Japan, González Iñárritu hired actress Rinko Kikuchi, who then taught herself sign language for the lead role; however, all of the other deaf-mute characters were deaf-mute girls with no professional acting experience.
       As related in the Bible, Genesis.11, in the city of Babel, humans attempted to build a tower to the heavens, thus angering God, who then created disunity among them by giving them different languages. To convey this sense of troubled communication, the filmmakers used many cultural conflicts between countries and used several languages in the film including Berber, English, Spanish, Japanese and sign language. Subtitles were used for all non-English dialogue in the English-language release. In addition, the Japanese deaf-mute characters used notepads to write their thoughts down for each of the characters who did not sign. Although these were not translated for the audience, characters' reactions to the notes usually alluded sufficiently to the content. Several Tokyo sequences are almost silent, giving the viewer a chance to understand the perspective of a deaf-mute character negotiating the world with limited sensory abilities.
       The film's official website notes that costume designer Michael Wilkinson contributed to the authenticity of the Moroccan scenes by trading newly purchased clothes with villagers for their own clothes to use in the shooting. Composer Gustavo Santaolalla was drawn to an instrument called the ude, an ancestor to the lute and guitar, and sounding much like the Japanese instrument koto, to connect the Arab, Spanish and Japanese locations.
       As González Iñárritu stated in several interviews, Babel was the final film in a trilogy of films on which he collaborated with writer Arriaga, beginning with the 2000 film Amores Perros and the 2003 film 21 Grams. A October 30, 2006 Variety article reported that producers Jon Kilik and Steve Golin placed an advertisement in New York Times asserting that, although the collaborative team had decided to end their partnership, rumors attesting to arguments over creative authorship of the film were unfounded. According to a November 3, 2006 Entertainment Weekly article, the rumored disagreements centered on Arriaga's feeling that he should receive more credit for his involvement in developing the film.
       Babel was the first film released by Paramount Vantage, a newly formed subsidiary of The Paramount Motion Picture Group, a division of Viacom. When the picture was released, it received mixed reviews. Some critics felt that the multiple interwoven stories made popular by such films as the 2001 film Traffic and the 1999 picture Magnolia, merely created "narrative gimmickry," according to the Village Voice review. Other critics, such as Ray Bennett of Hollywood Reporter, praised the filmmakers for "brilliantly weaving" the stories and creating compassion for characters from different cultures.
       Babel was selected by AFI as one of the Movies of the Year. The film won an Academy Award for Best Original Score and was nominated for Best Motion Picture, Best Original Screenplay and Achievement in Film Editing. González Iñárritu was nominated for Best Director, and Adriana Barraza and Rinko Kikuchi were both nominated for Best Supporting Actress. Babel won a Golden Globe for Best Motion Picture-Drama and received nominations in the following categories: Best Director, Best Screenplay, Best Original Score, Best Performance by an Actress in a Supporting Role (Barraza and Kikuchi) and Best Performance by an Actor in a Supporting Role (Brad Pitt). The film was nominated for BAFTA awards in the following categories: Film, Achievement in Direction, Original Screenplay, Cinematography, Editing, Sound.
       In addition, Babel won the Best Director award and Technical Grand Prize for Film Editing at the Cannes Film Festival. The Screen Actors Guild nominated the film for Best Ensemble Cast and Adriana Barraza for Best Supporting Actress. The picture received a nomination by the Writers Guild of America for Best Original Screenplay; the Producers Guild nominated the film for the Darryl F. Zanuck Producer of the Year Award; and González Iñárritu was nominated by the Directors Guild of America for Directorial Achievement in Feature Film. The National Board of Review honored Kikuchi with an award for Breakthrough Performance. Babel was also listed on several best films of the year list, including New York Times and Los Angeles Times.

Miscellaneous Notes

Co-winner of the 2006 award for Best Female Breakthrough Performance (Rinko Kikuchi) by the National Board of Review (NBR).

Co-winner of the 2006 Eddie Award for Best Edited Feature Film - Dramatic by the American Cinema Editors (ACE).

Voted one of the 10 best films of 2006 by the American Film Institute (AFI).

Winner of the 2006 Anthony Asquith Award for Achievement in Film Music by the British Academy of Film and Television Arts (BAFTA).

Winner of the 2006 award for Best Supporting Actress (Rinko Kikuchi) by the Chicago Film Critics Association (CFCA).

Winner of the 2006 award for Best Supprting Actress (Adrianna Barraza) by the San Francisco Film Critics Circle (SFFCC).

Winner of the 2006 Satellite Award for Best Original Score by the International Press Academy (IPA).

Winner of the Best Director award at the 2006 Cannes Film Festival.

Limited Release in United States October 27, 2006

Released in United States 2006

Released in United States December 2006

Released in United States Fall October 27, 2006

Released in United States on Video February 20, 2007

Released in United States September 2006

Shown at Dubai International Film Festival (Operation Cultural Bridge) December 10-17, 2006.

Shown at London Film Festival (Closing Night Gala) October 18-November 2, 2006.

Shown at San Sebastian Film Festival (Zabaltegi/Pearls/Opening Film) September 21-30, 2006.

Paramount reportedly paid roughly $20 million for rights to package that include North and South American distribution.

Released in United States 2006 (Shown at London Film Festival (Closing Night Gala) October 18-November 2, 2006.)

Released in United States on Video February 20, 2007

Released in United States September 2006 (Shown at San Sebastian Film Festival (Zabaltegi/Pearls/Opening Film) September 21-30, 2006.)

Released in United States September 2006 (Shown at Telluride Film Festival September 1-4, 2006.)

Limited Release in United States October 27, 2006 (major markets)

Released in United States Fall October 27, 2006

Released in United States December 2006 (Shown at Dubai International Film Festival (Operation Cultural Bridge) December 10-17, 2006.)

Project was included on the 2005 Black List.