Backs Turned


1956

Brief Synopsis

In Havana, Cuba, Joe Garceras awakens one morning to find that his family has already left for the day, and that he is in a state of malaise. Joe leaves for work, but is distressed to find that other people in the city seem to mirror his dark mood. Rather than go straight to his office, Joe wander...

Film Details

Also Known As
Cuban Confidential, De espaldas
Release Date
Jan 1956
Premiere Information
not available
Production Company
Conde of New York Studios
Country
Cuba and United States
Location
Havana,Cuba

Synopsis

In Havana, Cuba, Joe Garceras awakens one morning to find that his family has already left for the day, and that he is in a state of malaise. Joe leaves for work, but is distressed to find that other people in the city seem to mirror his dark mood. Rather than go straight to his office, Joe wanders into a cemetery and becomes obsessed by the idea of death. Afterward, Joe calls his office to say that he is sick and will not be coming in. He then continues his aimless walk through the city, during which he ponders the meaning of unhappiness, death and dying. When he wanders into a hospital, Joe encounters a boy whose appendix has ruptured because his sister pressed on his stomach when he was sick. A nurse explains that there are many such cases, which are caused by ignorance and poverty. As the boy's sister sobs by his bedside, Joe recalls a visit to a fortune teller, who told him that he can foretell death. Joe looks into the boy's eyes and feels sure that he will not die, then leaves with a lighter heart. However, before exiting the hospital, Joe hears an announcement that the boy has indeed died. Joe becomes overwrought by the news and runs to a hilltop overlooking the city, where he sobs. Moments later, he is surprised to hear a disembodied voice laugh at him and say that everyone wants to be God. Joe recovers and continues his exploration in a poor neighborhood. There he ponders the meaning of poverty, and urges the children, who have little clothing, food or toys, to become activists when they are old enough to vote. Joe's experience there is contrasted when he encounters wealthy children in a playground, and sees a girl willfully squander a glass of milk. Soon after, Joe is appalled when he hears a revolutionary organizer teaching young teenagers violent rhetoric. Joe next wanders over to a prison and is summoned inside by a warden, because a condemned man's last wish was to be visited by the first person the warden saw outside the prison. In his cell, the condemned man explains that he is innocent of murder, and has been convicted only because he is ugly. Joe consoles the man, who is distraught that he will never have a family, but is comforted because at least Joe believes his innocence. A free man, Joe leaves the prison and encounters the annual Carnaval parade. Joe is caught up in the celebration, but is unable to enjoy himself. In the early evening, Joe is lured into a prostitute's apartment, and although she offers the comfort of physical love, he rejects her, feeling too morbid after his experiences of the day. Joe explains that he is searching for meaning, but the prostitute thinks he is crazy, and reminds Joe she will be beaten by her pimp for allowing Joe to stay as long as he has without paying her. However, she reassures Joe that she can withstand the brutality, so Joe leaves. Joe finally returns home to his children who are thrilled to see their father. His wife gently chides him for getting home so late, but she and the children shower Joe with affection. After being momentarily beset by a vision of the condemned man as a loving father, Joe relaxes and realizes that "life is wonderful."

Film Details

Also Known As
Cuban Confidential, De espaldas
Release Date
Jan 1956
Premiere Information
not available
Production Company
Conde of New York Studios
Country
Cuba and United States
Location
Havana,Cuba

Quotes

Trivia

Notes

The opening title card of the viewed print reads: "Productores Independientes Americanos S.A. Piasa Presenta BACKS TURNED (de espaldas)." The song credit reads: "The Song: 'Comparsas de Carnaval' by: Alberto Zayas Featuring Cuba's Singing Star: Celia Cruz." Although Cruz (1924-2003), often called the "Queen of Salsa," did not actually appear onscreen, Backs Turned marked her first work on an American feature-film. The film opens with the following written foreword: "People are real...any resemblance is a happy or bitter reality."
       The picture then opens in Cuba, where a man in his backyard opens a book titled de Espaldas, but laughs aloud at the premise that the story is about experiences common to all persons. He begins to read the story of "Joe Garceras," which is the subject of the book. After Joe's story concludes, the reader finishes his book and reflects that Joe is a selfish man, but that he himself is not. The reader then asks if Joe really resembles every man, and laughs as he settles into his hammock.
       Although the onscreen credits state "Produced by Conde of New York Studios," the viewed print was dubbed into English, and the picture appears to have been shot on location in Havana, Cuba. Productores Independientes Americanos S.A. May be a modern distribution credit. Modern sources also list an alternate title as Cuban Confidential. No release date, contemporary reviews or production information about this film have been located. The release year listed above, 1956, is an approximation based on the film's content.