The Blood of Jesus


1h 8m 1941
The Blood of Jesus

Brief Synopsis

A rural black woman lying near death is torn between heaven and hell.

Film Details

Also Known As
The Glory Road
Genre
Drama
Religion
Release Date
Jan 1941
Premiere Information
not available
Production Company
Amegro Films
Distribution Company
Sack Amusement Enterprises
Country
United States

Technical Specs

Duration
1h 8m
Film Length
6,065ft

Synopsis

At the riverside baptism of Sister Martha Ann Jackson, two members of a Southern black church congregation, Sister Ellerby and Sister Jenkins, discuss Martha's three-month-old marriage to the godless Ras Jackson and agree that, because of his wayward behavior, she is not ready for religion. After the baptism, Sister Jenkins escorts Martha home and advises her to get some rest. As she is leaving, Sister Jenkins encounters Ras, who missed the baptism and is returning home from a hunting trip. When Ras's wife presses him with questions about his hunting trip and the hog he captured, he confesses that it was a neighbor's hog that he killed. Ras begrudgingly joins his wife in prayer and then sets down his rifle, which falls to the ground and fires a bullet. The bullet strikes Martha, passes through her and hits a picture of Jesus Christ. On her deathbed, Martha is visited by a heavenly angel, who takes her spirit to a mystical graveyard where those whose lives have been cut short by the sins of others walk in silence. The angel tells Martha that this is not the place for her yet, and sends her on a journey down the highway of life to the crossroads of life and death. No sooner does the angel warn Martha to beware of hypocrites and false prophets, than she is tempted by Judas Green, Satan's emissary, who dresses her in fancy clothes and takes her to a nightclub in the city. While Martha is entertained by an acrobat and a jazz singer, Judas makes arrangements with sleazy roadhouse operator Rufus Brown to hire her as one of his "girls." Martha is tempted with the promise of abundant wealth for little work, but she changes her mind just before she is to begin her job. Claiming that he invested money in her clothing, Brown ignores her pleas and insists that she go to work immediately. Martha eventually takes the advice of the angel and flees the roadhouse, only to be chased by a customer who mistakes her for the escort who picked his pocket. The man and his friends chase Martha to the crossroads of eternal life and death, where Satan and a jazz band assembled on the back of a flatbed truck are waiting for her. Martha collapses at the crossroads but is saved by the angel, who sends away the men who have been chasing her. As the crossroads sign is transformed into a crucifix and drops of Jesus Christ's blood land on Martha's forehead, she is revived and returned to life. Ras is amazed at Martha's miraculous recovery, and they fall into an embrace under the watchful eye of the angel.

Film Details

Also Known As
The Glory Road
Genre
Drama
Religion
Release Date
Jan 1941
Premiere Information
not available
Production Company
Amegro Films
Distribution Company
Sack Amusement Enterprises
Country
United States

Technical Specs

Duration
1h 8m
Film Length
6,065ft

Articles

The Blood of Jesus


The financial backer of Spencer Williams' The Blood of Jesus (1941) claimed it was "possibly the most successful" and "lived the longest" of all the movies of its period created by black filmmakers for black audiences. Williams wrote, produced and directed this religious drama. He also stars in the leading role of Razz, a ne'er-do-well who accidentally shoots his wife, causing her to hover in limbo between life and death, heaven and hell. The struggle for a woman's soul is underscored by ethereal gospel songs alternated with "down-and-dirty" blues numbers.

In his book Black Film as Genre, Thomas Cripps wrote that the film "provided a brief anatomy of Southern Baptist folk theology by presenting Christian myth in literal termsÉ From its opening voiceover, the film became an advocate for the most enduring traditions of Afro-American family life on Southern ground."

Williams (1893-1969) began writing for and acting in films in 1929. The Blood of Jesus, shot on location in Texas on a budget of only $5,000, marked his directorial debut. He directed seven more films during the 1940s, including Dirty Gertie From Harlem U.S.A. (1946), Beale Street Mama (1947), and Juke Joint (1947). He also directed a tribute to blacks in the military entitled Marching On in the forties.

Director: Spencer Williams
Producer: Spencer Williams, Alfred N. Sack (executive)
Screenplay: Spencer Williams
Cinematography: Jack Whitman
Cast: Cathryn Caviness (Martha), Spencer Williams (Razz ), Juanita Riley (Sister Jenkins), Reather Hardeman (Sister Ellerby), Rogenia Goldthwaite (The Angel), James B. Jones (Satan), Frank H. McClennan (Judas Green), Eddie DeBase (Rufus Brown), Alva Fuller (Luke Williams).
BW-56m.

by Roger Fristoe
The Blood Of Jesus

The Blood of Jesus

The financial backer of Spencer Williams' The Blood of Jesus (1941) claimed it was "possibly the most successful" and "lived the longest" of all the movies of its period created by black filmmakers for black audiences. Williams wrote, produced and directed this religious drama. He also stars in the leading role of Razz, a ne'er-do-well who accidentally shoots his wife, causing her to hover in limbo between life and death, heaven and hell. The struggle for a woman's soul is underscored by ethereal gospel songs alternated with "down-and-dirty" blues numbers. In his book Black Film as Genre, Thomas Cripps wrote that the film "provided a brief anatomy of Southern Baptist folk theology by presenting Christian myth in literal termsÉ From its opening voiceover, the film became an advocate for the most enduring traditions of Afro-American family life on Southern ground." Williams (1893-1969) began writing for and acting in films in 1929. The Blood of Jesus, shot on location in Texas on a budget of only $5,000, marked his directorial debut. He directed seven more films during the 1940s, including Dirty Gertie From Harlem U.S.A. (1946), Beale Street Mama (1947), and Juke Joint (1947). He also directed a tribute to blacks in the military entitled Marching On in the forties. Director: Spencer Williams Producer: Spencer Williams, Alfred N. Sack (executive) Screenplay: Spencer Williams Cinematography: Jack Whitman Cast: Cathryn Caviness (Martha), Spencer Williams (Razz ), Juanita Riley (Sister Jenkins), Reather Hardeman (Sister Ellerby), Rogenia Goldthwaite (The Angel), James B. Jones (Satan), Frank H. McClennan (Judas Green), Eddie DeBase (Rufus Brown), Alva Fuller (Luke Williams). BW-56m. by Roger Fristoe

Quotes

Trivia

Notes

The viewed print of the film bore the title The Blood of Jesus, but information contained in the file on the film in the MPAA/PCA Collection at the AMPAS Library indicates that in 1941 a censored version, running 57 minutes, was exhibited in New York State under the title The Glory Road. It has not been determined when the title of the film was changed. Modern sources list the running time of the film at 68 minutes, and the length at 6,065 feet; however, the print viewed ran only 57 minutes. Modern sources also note that as a result of the film's success, producer Alfred N. Sack offered director Spencer Williams a ten-year contract with his company to produce eight more films.

Miscellaneous Notes

Released in United States 1941

Selected in 1991 for inclusion in the Library of Congress' National Film Registry.

Released in United States 1941