Wild Life of America in Films


1915

Brief Synopsis

Scenes of wild animal life in the Western part of America are presented. The life of trout is depicted at Federal government hatcheries, including their artificial spawning, fertilization, growth and entrapment as adults. Studies of birds include the nesting of the bald eagle, the habits of buzzar...

Film Details

Also Known As
Wild Animal Life in America, Wild Life in America, Wild Life in Films
Release Date
Feb 1915
Premiere Information
not available
Production Company
Edward A Salisbury
Distribution Company
All Star Feature Distributors; Central Film Co.; State Rights
Country
United States

Synopsis

Scenes of wild animal life in the Western part of America are presented. The life of trout is depicted at Federal government hatcheries, including their artificial spawning, fertilization, growth and entrapment as adults. Studies of birds include the nesting of the bald eagle, the habits of buzzards, the growth of pelicans from eggs to full-grown birds at the bird colony on Pelican Island, Clear Lake, California aand other parts of California. Trained dogs are used to hunt quail, pheasant and woodcocks. "Pot hunters" break game laws and wantonly destroy flocks of wild geese. Using dead and crippled birds as decoys, they hide in holes and imitate bird calls to lure the geese down. A lynx is chased up a tree by Curley, Edward A. Salisbury's dog, who then cannot get down. An Indian guide wins a $2.50 bet by rescuing the dog and capturing the biting, fighting mountain lion. Bears and cougars are also captured.

Film Details

Also Known As
Wild Animal Life in America, Wild Life in America, Wild Life in Films
Release Date
Feb 1915
Premiere Information
not available
Production Company
Edward A Salisbury
Distribution Company
All Star Feature Distributors; Central Film Co.; State Rights
Country
United States

Quotes

Trivia

Notes

Contemporary sources also reviewed this film under the titles Wild Life in America, Wild Life in Films and Wild Animal Life in America. The film opened at the Tivoli Theater in San Francisco early in 1915. It played to over 120,000 people in two weeks. The film played to a private audience in New York on February 23, 1915 and opened in Chicago on March 1, 1915. Salisbury lectured with the showings. The film was made with the cooperation of government officials. Salisbury, who began the project with the intention of using the footage only for scientific study and research purposes, spent over three years on the picture and shot 250,000 feet of film.