Pictura--Adventure in Art


1h 20m 1952

Brief Synopsis

On the grounds of an American university, actor and art collector Vincent Price conducts an informal art appreciation class with a group of students, telling them that he would like to intrduce them to "a strange and interesting voyage into the world of art," as exemplified by six noted artists from...

Film Details

Also Known As
Pictura
Release Date
Jan 1952
Premiere Information
World premiere in Los Angeles: 21 Dec 1951; San Francisco opening: 8 Feb 1952; New York opening: 7 Apr 1952
Production Company
Colonna Films; Pictura Films Corp.
Distribution Company
Pictura Films Corp.
Country
United States
Location
Westwood--UCLA campus, California, United States; France; Spain; Italy
Screenplay Information
"Hieronymous Bosch" sequence narration based on "The Book of Genesis," Old Testament. The Bible.

Technical Specs

Duration
1h 20m
Film Length
7,170ft (8 reels)

Synopsis

On the grounds of an American university, actor and art collector Vincent Price conducts an informal art appreciation class with a group of students, telling them that he would like to introduce them to "a strange and interesting voyage into the world of art," as exemplified by six noted artists from the fifteenth century to modern days. As the students look at fifteen century Flemish artist Hieronymus Bosch's "The Lost Paradise" Price describes the painting by reading passages from the Bible 's Book of Genesis that relate Adam and Eve's expulsion from the Garden of Eden after eating fruit forbidden by God. The painting depicts Adam and Eve swimming, crawling and flying through fantastic flora and fauna in a violent depiction of their fall from Paradise. Price then introduces the students to the work of fifteenth century Venetian Renaissance painter Vittore Carpaccio. Actor Gregory Peck's offscreen narration explores the story behind Carpaccio's painting "The Legend of Saint Ursula." When a foreign prince asks for the hand of Ursula, the daughter of the King of Brittany, she accepts on the condition that he be baptized in Rome. After the ceremony in Rome, the couple leave with an escort of 11,000 virgins for Cologne, where, as an angel had predicted, enemies of the Christian faith massacre Ursula, her prince and the virgins, thus making Ursula a martyr. Price then turns his attention to the eighteenth century, in which art is more concerned with everyday life of man, and introduces the students to Spanish painter Francisco Goya y Lucientes. Accompanied by the music performed by world-famous Spanish classical guitarist Andres Segovia, offscreen narrator Harry Marble tells of a matador's skill during a bullfight while the audience views Goya's "Feast of St. Isidore." "The Invasion of Spain," another painting by Goya, was inspired by the occupation of Madrid by Napolean's army in 1808. The painting depitcs a passionate people ravaged by war. The French painter Henri de Toulouse-Lautrec, a dwarfish aristocrat, is the next subject of Price's discourse. Actress Lilli Palmer's offscreen narration describes Lautrec's interest in the seamy side of 1890s Parisian night life, related in portraits of working class people in which both the drudgery and the carefree nature of the working class are tenderly portrayed. Lautrec had a penchant for coquettes, portraying them as flirtatious stars among the late night crowds at clubs and music halls. In contrast to this gaiety, Price introduces Paul Gauguin, also a resident of Paris at the time, but whose paintings were met with harsh criticism. Using excerpts from Gauguin's diaries and letters, off-screen narrator Martin Gabel describes the painter's misery among the French public and his final move to Tahiti, where he created the portraits of native women which later made him famous. Price closes his discussion with American painter Grant Wood, a self-educated artist from Iowa. Actor Henry Fonda's offscreen narration dramatizes the stories behind several of Wood's most famous paintings, including "John B. Turner, pioneer," a portrait of a Midwestern undertaker; "Woman with Plants," a study of his mother; and the infamous "American Gothic," in which his sister and his dentist were the models for corn farmers.

Crew

Lan Adomian

Music [Grant Wood seq]

Isaac Albeniz

Music [Francisco Goya seq]

Sergio Amidel

Co-prod [Vittore Carpaccio seq]

Mario Bava

Photographer Vittore Carpaccio seq

Guy Bernard

Music [Henrí de Toulouse-Lautrec seq]

Pierre Braunberger

Co-prod [Henrí de Toulouse-Lautrec and Paul Gauguin seq]

Mario Craveri

Photography

George Davis

Screenwriter

Gaston Diehl

Screenwriter

Gaston Diehl

Research for Paul Gauguin seq

Reine Dorian

Editing

Luciano Emmer

Adapted Hieronymous Bosch seq

Luciano Emmer

Director [Hieronymous Bosch, Vittore Carpaccio and Francisco Goya seq]

Willy Ferrero

Conductor

Enrico Gras

Adapted Hieronymous Bosch seq

Ernest Haller

Photography

Robert Hessens

Director [Henrí de Toulouse-Lautrec seq]

Leonid Kipnis

Planned and prod [Grant Wood seq prod]

Frederick Kohner

Screenwriter

John Lewis

Photographer [Grant Wood seq]

Olga Lipska

Director Henrí de Toulouse-Lautrec seq

Ubaldo Marelli

Photography

Darius Milhaud

Music [Paul Gauguin seq]

Richard Nickson

Screenplay [Vittore Carpaccio seq]

Allan Resnais

Director [Paul Gauguin seq]

Robert S. Robinson

Adaptation

Robert S. Robinson

Editing

Chester Schaeffer

Editing

Jules Schwerin

Research for Grant Wood seq

Andres Segovia

[Francisco Goya seq mus] played by

Jack Shaindlin

Music Director [Grant Wood seq]

Mark Sorkin

Editing

Mark Sorkin

Director Grant Wood seq

Herman Starr

Adapted Henrí de Toulouse-Lautrec seq

Herman Starr

Planned and prod

The Orchestra Of Santa Cecilia, Rome

Hieronymous Bosch and Vittore Carpaccio seq Music performed by

Lauro Venturi

Adaptation

Lauro Venturi

Co-prod [Francisco Goya seq]

Román Vlad

Music [Hieronymous Bosch and Vittore Carpaccio seq]

Film Details

Also Known As
Pictura
Release Date
Jan 1952
Premiere Information
World premiere in Los Angeles: 21 Dec 1951; San Francisco opening: 8 Feb 1952; New York opening: 7 Apr 1952
Production Company
Colonna Films; Pictura Films Corp.
Distribution Company
Pictura Films Corp.
Country
United States
Location
Westwood--UCLA campus, California, United States; France; Spain; Italy
Screenplay Information
"Hieronymous Bosch" sequence narration based on "The Book of Genesis," Old Testament. The Bible.

Technical Specs

Duration
1h 20m
Film Length
7,170ft (8 reels)

Quotes

Trivia

Notes

Although screen credits and other contemporary information has been found to enable respective credit to be given to the producers, directors and actors of some of the individual segments, the exact role of other credited filmmakers has not been determined. Following the opening title, a statement reads "Featuring Vincent Price." The various sequences are credited "In order of Appearance." All sequences include music credits, and most credit the narrators, except for the squences on Vittore Carpaccio and Francisco Goya, which do not give written credit to the narrators. Classical guitarist Andres Segovia is the only musician to receive onscreen credit.
       According to a November 21, 1951 Variety article, sixty top art experts were consulted before production of the film. The producers paid for the artworks to be transported in order to photograph them for the film. Portions of the film were shot in museums in Italy, Spain, France and the United States. The informal art appreciation class sequence was shot on the UCLA campus in Westwood, CA.
       According to a December 16, 1951 Los Angeles Times article, the Los Angeles County Museum of Art sponsored the film's premiere at the Esquire Theater in Los Angeles on December 21, 1951. An April 8, 1952 New York Times review noted that because the picture was in black and white, it lacked the "aesthetic completion" necessary to view the paintings, which are color.
       A February 16, 1952 Saturday Review (of Literature) article stated that Pictura-Adventures in Art was the first American produced film to feature artworks as the subject of a documentary; however, a 20 December 51 Daily Variety notes that the film's production company, Pictura Films, had previously produced two other films on the subject of artists Michelangelo Buonarotti and Vincent Van Gogh.