Amore e morte


1h 34m 1932

Film Details

Also Known As
Il trionfo dell'innocenza, Love and Death, The Triumph of Innocence
Release Date
Oct 1932
Premiere Information
New York premiere: 1 Oct 1932
Production Company
Aurora Film Corp.
Distribution Company
Aurora Film Corp.
Country
United States
Location
New York City, New York, United States; Peekskill, New York, United States; Watchung Mountain, New Jersey, United States

Technical Specs

Duration
1h 34m
Film Length
10,846ft (8 reels)

Synopsis

When Ruggiero De Agro', a patriarch and the wealthy owner of a bustling farm in Sicily at the turn of the century, seems concerned about the health of his beloved daughter Chiara, the august farmhand Sylvestro tells his fellow workers, Mauro, Ntoni, Filippo, Simuni and Nuzzo, the story of a curse that was placed upon the De Agro' family long ago. When an evil young rake of the otherwise Christian clan married a young girl only to stab her to death a few months later, her mother, who was practiced in the art of Saracen magic, placed upon the family a curse whereby all the De Agro' women have died terrible deaths, and the men have never been permitted to enjoy their wives and daughters. Ruggiero believes Chiara's illness to be part of this cruel destiny. Meanwhile, in town, Mauro's wife Lucia tells a friend that she has not seen her husband in two months and that she is unable to feed their two children. The philandering husband Mauro and Chiara sneak a kiss in the chicken coup but are interrupted by Barbara, a faithful servant to Ruggiero and a mother figure for Chiara, who warns Mauro to stay away from the master's innocent daughter. Mauro then threatens to reveal to Chiara that Ruggiero and Barbara are living in sin. Years earlier, Ruggiero saved Barbara from an abusive husband who continues to torment them by refusing to annul their marriage so that Ruggiero and Barbara can wed. Chiara and Mauro rendezvous in the stable, and Chiara admits to having seen Mauro ride through the storm on her father's white horse. The horse, Ruggiero's favorite, has fallen sick with pneumonia, and Mauro, who used the horse to visit his mistress, the innkeeper's daughter Saridda, fears that Ruggiero will discover that he kept the horse out all night. Mauro lies and tells Chiara that he took the horse in order to see a lawyer about annulling his marriage, for which he asks Chiara to procure one hundred lire to pay at the Court of Catania. The next day, Ruggiero takes Mauro to see Lucia and scolds him for his neglect, then gives him money to buy his children food and to pay the landlord. Upon Ruggiero's departure, Mauro threatens Lucia and then goes to a pub where he spends the money on drink and a dress for the Saridda. A gay celebration ensues, and Gennarino, a Neapolitan salesman who sells Saridda the dress, sings the customers a few songs, including a Tarantella. The next day, a feast is being lavishly organized for Chiara's sixteenth birthday. The farmhands congratulate Chiara, sing, drink wine and toast the adored girl's health, and Ruggiero plans a special surprise: a performance by the best musicians and singers in the land. During the party, a messenger arrives with a letter for Ruggiero, and Mauro asks Chiara to find out its contents. Barbara overhears their intimate words and confronts the girl. Upon discovering that Chiara has lost her virginity, Barbara decides that she herself must leave Ruggiero's house as she has failed to protect her master's prize possession. She tells Ruggiero, however, that she must go because Chiara has discovered they have been conducting an illicit union. Ruggiero finally reads the letter, which informs him that Lucia has been arrested for stealing to feed her children. He finds Mauro and whips him, as Chiara begs him to stop. After sending Mauro away, Ruggiero perceives that Chiara is in love, and she finally admits that she is Mauro's wife "before God." Incensed, Ruggiero falls back stricken, and Chiara dies of grief as she prays before the Virgin. Ruggiero then chases Mauro into the fields, and as he is about to catch up to him, the young man is struck dead by lightning. Ruggiero, having now gone crazy, returns to his daughter's bed and tells Barbara not to wake the "sleeping" girl.

Film Details

Also Known As
Il trionfo dell'innocenza, Love and Death, The Triumph of Innocence
Release Date
Oct 1932
Premiere Information
New York premiere: 1 Oct 1932
Production Company
Aurora Film Corp.
Distribution Company
Aurora Film Corp.
Country
United States
Location
New York City, New York, United States; Peekskill, New York, United States; Watchung Mountain, New Jersey, United States

Technical Specs

Duration
1h 34m
Film Length
10,846ft (8 reels)

Quotes

Trivia

Notes

Reviews and news items also refer to the film by its English-language title, Love and Death. The plot summary was based on a dialogue continuity deposited at NYSA. Film Daily news item noted that the visiting Marchesa Iside Minnucci and Countess Mariani Doni were signed to appear in the film. Their appearance in the final film is undetermined. According to news items in Film Daily, the film was edited at Craft Film Laboratory. Harry DeBelsch and his assistant, Harry Glass, both employed by the Standard Sound Recording Corp., corrected a sequence of the film that was out of synchronization.
       Although Alfred Gandolfi and Nick Rogalli were generally known as cameramen, Film Daily news items noted that they "handled the sound and camera work." The New York Times review notes that many of the performers were part of an Italian acting troupe in New York known as Teatro d'Arte, headed by Commander Giuseppe Sterni. Further news items in Film Daily note that the film was shot on location in Peekskill, NY, although the New York Times review indicates that the location was in New Jersey, near the Watchung Mountains. A new "edition" of the film was submitted to the New York State censors for approval for exhibition in May 1939 under the title Il trionfo dell'innocenza (The Triumph of Innocence). This version credited Joseph G. Sedita as technical editor and technical director, J. Lombardi for "Title," and Harry Bellock and H. E. Reeves as sound engineers. It is unclear from the correspondence at NYSA if this version was ever approved for exhibition.