The Flaming Teenage


55m 1956

Brief Synopsis

A small town boy heads for the lights of the big city and discovers the delights of hard liquor and fast women. Ere long, he becomes an addict, a dope peddler and a shop-lifter to obtain money for drugs.

Film Details

Release Date
Oct 1956
Premiere Information
Los Angeles opening: 10 Oct 1956
Production Company
Truman Enterprises, Inc.
Distribution Company
State Rights
Country
United States

Technical Specs

Duration
55m
Sound
Mono
Color
Black and White

Synopsis

Drunken teenager Tim Kruger stumbles and collapses in a street and is picked up by police. After Tim is released into his father's custody, his father and mother discuss his drinking problem and realize they have not spent enough time with him. Tim's father decides to show Tim the ugly side of alcohol by taking him to honky-tonks and bars. Tim thereby sees firsthand how drinking leads to ruination, and his father admits that social drinking nearly ruined his marriage years earlier. Tim then recalls what happened the night he was arrested: Tim meets high school dropout Gloria at his friend Bill's party. Gloria convinces Tim to try a potent drink. As the party continues late into the night, various teenagers amuse each other with stories of how they deceived their parents in order to attend the party. Around midnight, Bill offers to drive Tim home, but Tim insists on walking home alone. Tim now admits to his father that he had no idea what he was doing. Tim's lesson concludes when they witness a drunk woman get into a fight with her husband because she is flirting with another man.
       Theatrical producer Fred Garland watches a rehearsal of a musical play called The Broadway Scandals , and reflects how far his career has come since he was a teenager: Fred owns a candy store but discounts the business as "kid's stuff". Fred disappoints his girl friend Mary when he gets drunk for the first time at a party. As weeks pass, Fred continues drinking despite Mary's and his parents' disapproval. One day after a confrontation with his mother, Fred admits that he sold the candy store and moves to New York City. There, Fred works as a drugstore clerk and soon gets into trouble after overspending on dating, drinking and gambling. After he becomes indebted to loan shark Jack Hartell, Fred hastily moves out of his rented room to avoid Jack, who has threatened him. Fred gets a job in a touring theatrical production after meeting an actress at a coffee shop, but eventually quits because the schedule interferes with his fun. Now broke, Fred returns home and, after vowing to reform, gets a job as a shoe salesmen and reunites with Mary. One evening, Fred's boss, Mr. Barnes, asks him to produce a musical on his behalf, with Barnes as a silent financial backer. A delighted Fred immediately puts together the cast that he is now watching rehearse. When Fred drinks up the profits following their successful opening, Barnes demands an explanation. Instead, Fred quits and forms a booking agency with actor Lee Taylor. Mary breaks up with Fred because of his lifestyle, and as a result, Fred tries to commit suicide by drinking iodine. Fred survives thanks to an unexpected visit from Lee, but is still emotionally distraught and moves without telling Lee. When a disreputable friend named Harry uses Fred as a shill in a robbery, Fred is arrested for grand larceny. After being released on bail, Fred falls prey to his friend Felix, a drug dealer, and becomes addicted to heroin. His father, meanwhile, is stricken with a fatal illness and sends for his son. Fred returns home too late to talk to his father, as he has slipped into a coma. Fred blames himself for their failure to communicate over the years and returns to New York. After becoming a homeless, addicted beggar, Fred is caught stealing ties from a clothing store, and is arrested. Although convinced that Fred cannot be reformed, a district attorney pleads for leniency on his behalf and he is sentenced to only six months in prison. Fred is enlightened by the prison minister's religious services and accepts Jesus Christ as his savior. Having given up his sinful lifestyle, Fred embarks on a career of evangelism. Years later, Fred preaches to a large audience on the merits of Christian salvation.

Film Details

Release Date
Oct 1956
Premiere Information
Los Angeles opening: 10 Oct 1956
Production Company
Truman Enterprises, Inc.
Distribution Company
State Rights
Country
United States

Technical Specs

Duration
55m
Sound
Mono
Color
Black and White

Quotes

Trivia

Notes

Opening credits note that the film is "Based on the true-life story of Fred Garland." According to modern sources, Garland founded the International Fellowship of Fundamental Baptists in the 1960s. The title on the viewed print reads The Flaming Teenage. However, reviews included a hyphen in the word teenage. In addition, opening credits following the title card appear to have been revised for a later print. Producer Yeaworth's given name is spelled Irvin in these credits, but his name appears as Ervin in all contemporary sources. Although there is a copyright statement on the film, it is not included in copyright records.
       The Flaming Teenage consists of two distinct cautionary tales about alcoholism that are introduced by a commentator. The following written foreword precedes the segment about Fred Garland: "This is the story of the people and events that crowded the life of Fred Garland. Names of persons and places have been changed and many episodes shortened, but the story is true. Gratitude is extended to the many friends of Fred Garland who made this film possible; and to the New York Correction Department and Warden Herman Ruthazer of `Tombs' Prison, for valuable cooperation." Two songs are heard in the film, however, their composers and titles have not been determined.
       The film was universally panned by critics. Among the reviews, the Los Angeles Mirror critic remarked that "If nominations are being accepted for the worst movie of the year, let me submit The Flaming Teen-age, a yawn-packed, drab and almost witless botching of screencraft," and Daily Variety noted that "[a] pitch is made to give feature a documentary flavor by use of a commentator spieling on modern youth and responsibility of the parent, resulting in so much wasted footage." No general release date has been found. Information in AMPAS Production Files indicates that the film played in Los Angeles in October 1956.