Birthright


1924

Brief Synopsis

After graduating from Harvard, Peter Siner, a black man, travels to the South by train, planning to set up a school for black children in his hometown. At the town of Cairo, he is ordered to leave his Pullman car and get into the "Jim Crow" car for blacks. At the platform of his destination, he mee...

Film Details

Release Date
Jan 1924
Premiere Information
Harlem, NY opening: 14 Jan 1924
Production Company
Micheaux Film Corp.
Country
United States
Screenplay Information
Based on the novel Birthright by T. S. Stribling (New York, 1922).

Technical Specs

Sound
Silent
Color
Black and White
Film Length
9,500ft (10 reels)

Synopsis

After graduating from Harvard, Peter Siner, a black man, travels to the South by train, planning to set up a school for black children in his hometown. At the town of Cairo, he is ordered to leave his Pullman car and get into the "Jim Crow" car for blacks. At the platform of his destination, he meets Tump Pack, a burly, loud-mouthed black man, who is returning home from fighting overseas, after receiving the Distinguished Service badge. When Tump arrives at his home on the Tennessee River, he is given a warm welcome, but during the celebration, the white constable, Dawson Bobbs, arrests him on a four-year-old charge of shooting craps. A few days later, Bobbs raids Peter's village, searching for a stolen turkey roaster, and ransacks the house where Peter and his mother live. When the roaster turns up after Bobbs leaves, Peter is embarrassed. Peter meets and falls in love with Cissie Dildine, but then learns that she is Tump's girl friend. A local lodge raises one hundred dollars for Peter's school, and he purchases land on which to build it. He soon learns, however, that the deed for the land has a clause in it that prohibits blacks from occupying the land. The black townfolk now ridicule Peter and his education, but Cissie stands by him. Tump, released from jail, beats Peter up after seeing him and Cissie together, which further adds to Peter's humiliation in the eyes of the townfolk. Some time later, Tump goes to shoot Peter, but he is apprehended and sent to work on a chain gang. Peter and Cissie now become engaged. Peter's mother dies, and after a strange, elderly white man named Captain Renfrew visits Peter, he goes to live with the man. On the night before their wedding is to take place, Cissie, feeling that Peter is too far above her intellectually, tells him that she is an immoral woman and unfit to marry him. Peter leaves her, and afterwards, Cissie, goaded by ambition, struggles to rise up and be someone, but the townfolks' accusations against her contribute to her downfall. When she goes to visit Peter, Bobbs, tipped off by a black informant known as "The Persimmon," waits outside. He arrests her for grand larceny as she leaves Peter, but it is uncertain whether she is actually guilty, or has been framed because she has refused to give her body to a seducer. [No information has been located concerning the conclusion of this plot.]

Film Details

Release Date
Jan 1924
Premiere Information
Harlem, NY opening: 14 Jan 1924
Production Company
Micheaux Film Corp.
Country
United States
Screenplay Information
Based on the novel Birthright by T. S. Stribling (New York, 1922).

Technical Specs

Sound
Silent
Color
Black and White
Film Length
9,500ft (10 reels)

Quotes

Trivia

Notes

According to New York Age, in adapting the novel by T. S. Stribling, Oscar Micheaux was "following the book very closely, even using in the headlines the identical language contained therein." New York Age called the film "a sort of colored Main Street. All of the ignorance, prejudice and many of the crimes of both races in this town is graphically depicted." Billboard stated, "It was apparently not intended for colored audiences alone. It's brutal frankness hurts, and some of the titles put a sting into the evening's entertainment."
       In an article by Micheaux published in Pittsburgh Courier on December 13, 1924 (the text of which is similar to a talk given by Micheaux to a motion picture audience on December 7, 1924, as reported in Billboard on 27 December 1924), he addressed critics of this film and states his some of his intentions in filmmaking: "I have been informed that my last production, Birthright, has occasioned much adverse criticism, during its exhibition in Philadelphia. Newspapermen have denounce me as a colored Judas, merely because they were either unaware of my aims, or were not in sympathy with them. What then, are my aims, to which such critics have taken exception? I have always tried to make my photoplays present the truth, to lay before the race a cross section of its own life to view the colored heart from close range. My results might have been narrow at times, due perhaps to certain limited situations, which I endeavored to portray, but in those limited situations, the truth was the predominant characteristic. It is only by presenting those portions of the race portrayed in my pictures, in the light and background of their true state, that we can raise our people to greater heights. I am too much imbued with the spirit of Booker T. Washington to engraft false virtues upon ourselves, to make ourselves that which we are not. Nothing could be a greater blow to our own progress. The recognition of our true situation, will react in itself as a stimulus for self-advancement. It is these ideals that I have injected into my pictures, and which are now being criticized. Possibly my aims have been misunderstood, but criticism arising from such misunderstanding, only doubles the already overburdening labors of the colored producer." Micheaux remade this film in 1938 (see below).