Tunisian Victory


1h 16m 1944
Tunisian Victory

Brief Synopsis

The U.S. Army's Tunisian campaign forces the Germans out of Africa.

Film Details

Genre
Documentary
War
Release Date
Mar 23, 1944
Premiere Information
not available
Production Company
Great Britain. Army. British and Indian Army Film Units; U.S. Army. Signal Corps; U.S. War Department
Distribution Company
Great Britain. Ministry of Information; Loew's Inc.; U.S. Office of War Information
Country
United States

Technical Specs

Duration
1h 16m
Film Length
7,666ft (8 reels)

Synopsis

In November 1942, the largest expedition ever to sail from the United States, and a large British convoy twice its size, are poised for a combined top-secret operation, code-named "Acrobat." President Franklin Roosevelt and British Prime Minister Winston Churchill plan a joint Allied effort to thwart the two Axis powers, east through Europe to India, and west from Japan to India, thereby isolating China and Russia except for their remote Arctic ports. In just over four months, the offensive will be launched in North Africa involving hundreds of thousands of American and British soldiers. An American soldier, Joe McAdams of Kansas City, and a British soldier, George Metcalf, describe some of their feelings and thoughts throughout the course of the operation. The first invasions begin on 8 November 1942, with simultaneous and successful landings by the Americans, under General George Patton, at Casablanca, and by the British at Oran and Algiers. Joined by the Free French forces, they begin an eastward thrust toward Tunisia, where Germany's supply lines from Europe are to be cut. The plan calls for the assistance of the British Eighth Army, which is heading east from the Egyptian border. As the troops progress, Allied planes bomb factories in Genoa, Naples and Turin. On 18 November, skirmishes begin on the Tunisian border as the Allies enter that country. Within four days, Beja, 450 miles from Tunis, is captured, but as Allied soldiers proceed across the plains to Tunis, they fall prey to German aircraft. On 25 November, a huge tank battle is won by the Allied forces, but a retreat is ordered outside Tunis as the German air force attacks, cutting supplies off and causing heavy casualties. Winter brings mud and floods to the Allied forward airfields; tanks and planes are immobilized, although battle lines are held as both sides gather their forces. After Christmas, when the joint forces enjoyed a good meal and celebrated with gifts and letters from home, Roosevelt and Churchill meet again in Casablanca and organize a new Tunisian campaign under General Eisenhower. British, American and French troops surround the northwest corner of Tunisia and plan their attack. Rommel, anticipating such a move, attacks first on 14 February, forcing his way through the Faid pass and Maknassy. By the 21st, Allied forces have retreated behind their original battle lines. Rommel then makes an abortive attack against the British Eighth Army on the east. On 7 Apr, the Americans break through and meet the Eighth, taking Sfax and Sousse. The vital hills west of Tunis become the sites of five major battles: Hill 609, Longstop Hill, Goubellat Plain, Djebel Mansour and Takrouna. A coordinated Allied attack is successful on all fronts, and the enemy is splintered into four separate pockets. In the greatest mass surrender of fully equipped troops in modern history, 266,000 enemy soldiers lay down their arms. For every Allied soldier lost, the Germans lost five. Joe and George think of all the cars and trucks that might have been built instead of the piles of junked jeeps and tanks in North Africa. Soldiers are shown from all the countries that supported the African campaign: France, Russia, Australia, Canada, South Africa, New Zealand, Belgium, the Netherlands, Norway, Poland, Yugoslavia, Czechoslovakia and the United States. The two soldiers plan to keep in touch. They hope the world can build things up instead of blowing them up.

Film Details

Genre
Documentary
War
Release Date
Mar 23, 1944
Premiere Information
not available
Production Company
Great Britain. Army. British and Indian Army Film Units; U.S. Army. Signal Corps; U.S. War Department
Distribution Company
Great Britain. Ministry of Information; Loew's Inc.; U.S. Office of War Information
Country
United States

Technical Specs

Duration
1h 16m
Film Length
7,666ft (8 reels)

Articles

Tunisian Victory


During World War II, some of Hollywood's top directors enlisted to film wartime documentaries, most of them with a distinctly Hollywood touch. For this re-creation of Operation Torch, the Allied campaign in North Africa, Frank Capra asked George Stevens to provide footage of battles that had already been fought. Since he'd had trouble getting actual battle footage at the time, Stevens had to re-stage the combat. In addition, he contributed documentary footage he had shot of the troops resting between battles. When some of Stevens' footage was damaged en route to the U.S., John Huston replaced it with re-enactments shot in the Mojave Desert in the U.S. The film was still too short for a feature, so Capra sent Huston off to Orlando, FL, to re-create the Allied bombardment of Germany's forces. The film roused British ire since the re-enactments gave the U.S. credit for some of Great Britain's victories, yet it did its job in the states, giving film audiences an inside look at the war in North Africa. For all the re-enactments, the most powerful sequences in the film were simple documentary scenes showing U.S. and British soldiers relaxing between battles, including a touching Christmas scene.

By Frank Miller
Tunisian Victory

Tunisian Victory

During World War II, some of Hollywood's top directors enlisted to film wartime documentaries, most of them with a distinctly Hollywood touch. For this re-creation of Operation Torch, the Allied campaign in North Africa, Frank Capra asked George Stevens to provide footage of battles that had already been fought. Since he'd had trouble getting actual battle footage at the time, Stevens had to re-stage the combat. In addition, he contributed documentary footage he had shot of the troops resting between battles. When some of Stevens' footage was damaged en route to the U.S., John Huston replaced it with re-enactments shot in the Mojave Desert in the U.S. The film was still too short for a feature, so Capra sent Huston off to Orlando, FL, to re-create the Allied bombardment of Germany's forces. The film roused British ire since the re-enactments gave the U.S. credit for some of Great Britain's victories, yet it did its job in the states, giving film audiences an inside look at the war in North Africa. For all the re-enactments, the most powerful sequences in the film were simple documentary scenes showing U.S. and British soldiers relaxing between battles, including a touching Christmas scene. By Frank Miller

Quotes

Trivia

Notes

The film was subtitled "Project 3802; Signal Corps Miscellaneous Film #1012." According to contemporary reviews, this film was made as the result of a decision by Brendan Bracken of the British Ministry of Information and Elmer Davis of the OWI to co-produce a film on the campaign in North Africa using footage shot separately by British and American units. The British unit, which had produced the much-praised film Desert Victory, about the rout of Field Marshal Rommel at Alamein, was engaged in making a documentary entitled Africa Freed. The combined Anglo-American staff of Tunisian Victory, which consisted of some 300 technicians, including 50 cameramen covering a 2,000 mile area, was led by Lt. Col. Hugh Stewart. Frank Capra supervised the production of the film in the United States. The British material was written by British war correspondent and author J. L. Hodson; Capt. Anthony Veiller of the Signal Corps wrote the American material.
       According to government documents at NARS, the film, in addition to containing footage shot especially for this production and for its two precursors, contained footage from other American and British governmental agencies, American newsreels, captured enemy film and newsreels, the Canadian National Film Board, the French government, and the films Journey in Tunisia, Moscow Strikes Back, The 400 Million and Thunder Afloat. According to Variety, three cameramen were killed during filming, and 300,000 feet of film was shot. According to modern sources, Capra and John Huston were assigned to direct reenactment scenes of the North African campaign in the Mojave Desert and Orlando; it is uncertain whether these scenes were included in the final cut.

Miscellaneous Notes

Released in United States 1943

No credits are listed on the film itself.

Released in United States 1943