The peak of American noir was in the 1940s, with films like The Maltese Falcoln (1941) and The Postman Always Rings Twice (1946). But it flourished across the ocean in Britain too, with films like Night And The City (1950) and Cast A Dark Shadow (1955) -- but delayed by a decade, since a war-ravaged England Britain was most concerned with rebuilding. Maybe smarting over those war wounds is also why vengeance, an uncommon motivating theme in American noir, is so popular among films like Lady Of Vengeance. Here, a gruff publisher (American actor Dennis O'Keefe), after learning his pretty ward Melissa (Ann Sears, also of Bridge On The River Kwai of the same year) has committed suicide after being ruined by her no-good boyfriend (Vernon Greeves), becomes obsessed with making the cad pay. A revenge plot that includes stamp collecting auctions contributes to a slow pace that some reviewers described as "totally tedious", but this is an interesting specimen among other British "revenge noirs". (And besides, fellow philatelists will enjoy scenes shot on location at the H. R. Harmer Philatelic Organisation.)
By Violet LeVoit
Lady of Vengeance
Brief Synopsis
When he hires a killer to avenge an innocent girl's death, a man gets caught up in a string of killings.
Cast & Crew
Read More
Burt Balaban
Director
Dennis O'keefe
William T. Marshall
Ann Sears
Katie Whiteside
Anton Differing
[Emile] Karnak
Patrick Barr
Inspector Madden
Vernon Greeves
Larry Shaw
Film Details
Also Known As
Mistress to Murder
Genre
Drama
Action
Release Date
Aug
1957
Premiere Information
not available
Production Company
Princess Production Corp.
Distribution Company
United Artists Corp.
Country
Great Britain and United States
Location
Boreham Wood, England, Great Britain; Elstree--Boreham Wood, England, Great Britain; London--H.R. Harmer Philateuc Organisation, England, Great Britain; London--H.R. Harmer's, England, Great Britain
Technical Specs
Duration
1h 14m
Film Length
6,709ft
Synopsis
One day, after the stern American publisher of a London newspaper, William T. Marshall, learns from Inspector Madden that his ward, a young woman named Melissa, has committed suicide, Marshall recounts how their relationship went wrong: In her early twenties, rebellious Melissa insists on dating singer and philanderer Larry Shaw despite Marshall's disapproval. Melissa believes Marshall's domineering personality is only a facade and challenges his authority. One night when Marshall finds Larry and Melissa kissing at his mansion, Craighorn, he orders Larry out. In the ensuing fight between Melissa and Marshall, Melissa vows to run away with her lover and Marshall retorts that he will never allow her to return home if she does so. Marshall's secretary, Katie Whiteside, warns him to let Melissa have her way, but Marshall insists that Melissa forsake Larry, prompting her to leave with few belongings and make no contact with Marshall for over two years. After Melissa's death, Marshall receives a letter from her explaining that she does not want forgiveness for her choices. Instead she asks Marshall to take revenge against the man who caused her so much pain that she felt she had no reason to live. After months of research, Marshall has a plan to undo Melissa's last lover. At an international auction, Marshall outbids Schteigel, the representative of criminal mastermind Emile Karnak, for a precious stamp. He then offers to trade the item to Karnak, an avid stamp collector, in exchange for a meeting at Craighorn that night. Reluctantly, Karnak arrives at Craighorn, where Marshall asks him to help perfect a murder plan in exchange for the rarest stamp in the world. After Schteigel establishes the stamp's authenticity in a battery of tests, Karnak reluctantly agrees to the trade. Marshall wants the man tortured before he is killed and insists on keeping the identity of the victim secret. Days later, Katie, realizing Marshall is distressed about Melissa's death, offers her sympathy and love to him. They kiss, but Marshall tells Katie that it is too late for him to begin a romance. Meanwhile, Karnak discovers an article identifying Larry as Melissa's last boyfriend and assumes that Marshall wishes to kill the playboy. At the club in which Larry is performing, Madden questions the singer about Melissa's death, insinuating that he blackmailed Marshall. Larry claims Melissa was insane and he had broken up with her before her suicide. Meanwhile Karnak, obsessed with keeping his plans secret, kills Schteigel by running over him with his car. Later at the club, Karnak, posing as a journalist, threatens to expose a secret that will ruin Larry's stage career. The next morning after newspapers report that Larry is to be deported shortly, Karnak tells Marshall that he knows Larry is his intended victim. He then explains the plan: Larry will find himself alone, realize he is trapped and be told he is going to die without meeting his murderer. Panic will set in, leaving Larry a desperate "animal" seeking escape. Although he will escape, when he has his "life is sweetest" moment of freedom, Marshall will kill him. Karnak states that he will complete the plan in a few days and suggests that Marshall decide the exact technique for the final execution. Later, after Marshall tells his butler Bennett to take a vacation, insisting the obviously healthy man is ailing, Bennett enlists Katie's help in investigating Marshall's strange behavior. Katie drives to Craighorn, where she begs Marshall to tell her where he is going and what he is running away from, but he refuses to reply. Marshall orders her to contact his lawyer in case of an accident during his absence, gives her a beautiful keepsake brooch and makes her promise not to ask any questions. Noting that Katie never fails him, Marshall hands her an envelope to be delivered to Madden at 10:00 the next evening. Katie reluctantly agrees to follow the orders, but tells him to stop obsessing over Melissa and then criticizes his need to follow through with any plan regardless of the potential harm to others. Hours before the 10:00 deadline, Katie gives the letter to Madden to help save Marshall. Back at Craighorn, after Karnak hands him the final plan in trade for the stamp, Marshall leaves the room to fetch some bourbon, but as time passes, Karnak becomes increasingly nervous. Deciding to leave, Karnak finds the front door locked. Searching for another exit, Karnak quickly realizes that all the doors and windows are bolted with solid shutters Marshall has recently installed. Clambering from floor to floor, the desperate Karnak surmises that he is the murder victim and is caught in his own plan. Upon finding a room with Melissa's portrait illuminated over a mantle, Karnak recognizes Melissa as his former lover, whose name he never knew, then hears Marshall's voice over the intercom. Marshall explains that Melissa is the person seeking revenge and describes how the vulnerable woman's anguish over being used and "kicked aside" by Karnak caused her to commit suicide. Marshall then concludes that Karnak was the real cause of her demise. As Marshall repeatedly plays a recording of Karnak's own description of how he will die, Karnak races through the house to find an exit. Breaking an attic window, Karnak climbs down the stone mansion walls and escapes in his car. Meanwhile, as Marshall stands in the middle of the road with a loaded gun preparing to shoot Karnak, he hears Katie's voice in his head calling him to stop, and decides to stand aside as Karnak's car passes him. Soon after, Katie and Madden, racing to Craighorn, pass Karnak and realize, to their relief, that Marshall did not follow through with his plan. Spotting him in the road, Katie runs to Marshall's side. Meanwhile, Karnak is just realizing "life's sweetest moment" when he begins to laugh and loses control of his car. Karnak is killed and the stamp is destroyed in the ensuing crash.
Director
Burt Balaban
Director
Cast
Dennis O'keefe
William T. Marshall
Ann Sears
Katie Whiteside
Anton Differing
[Emile] Karnak
Patrick Barr
Inspector Madden
Vernon Greeves
Larry Shaw
Eileen Elton
Melissa
Frederick Schiller
Schteigel
Jacqueline Curtiss
Penny
George Mulcaster
Bennett
Gerald Case
Hawley
Jack Mcnaughton
Coronor
Colin Croft
Bartender
Andy Ho
Houseman
Humphrey Morton
Corbey
Crew
Burt Balaban
Producer
Irma Birch
Wardrobe
Eric Boyd-perkins
Editing
William N. Boyle
Prod Supervisor
Phil Cardew
Music
Bernard Donnenfeld
Producer
Cyril Harmer
Technical Advisor
Ted Heath
Trombone coach for Vernon Greeves
Percy Hermes
Assistant Director
Jim Hyde
Makeup
Laurie Lawrence
Unit Manager
Terry Maher
Camera Operator
Ian Struthers
Director of Photography
Irve Tunick
Story and Screenplay
Barbara Wainwright
Cont
Harry White
Art Director
Sydney Wiles
Sound
Film Details
Also Known As
Mistress to Murder
Genre
Drama
Action
Release Date
Aug
1957
Premiere Information
not available
Production Company
Princess Production Corp.
Distribution Company
United Artists Corp.
Country
Great Britain and United States
Location
Boreham Wood, England, Great Britain; Elstree--Boreham Wood, England, Great Britain; London--H.R. Harmer Philateuc Organisation, England, Great Britain; London--H.R. Harmer's, England, Great Britain
Technical Specs
Duration
1h 14m
Film Length
6,709ft
Articles
Lady of Vengeance -
By Violet LeVoit
Lady of Vengeance -
The peak of American noir was in the 1940s, with films like The Maltese Falcoln (1941) and The Postman Always Rings Twice (1946). But it flourished across the ocean in Britain too, with films like Night And The City (1950) and Cast A Dark Shadow (1955) -- but delayed by a decade, since a war-ravaged England Britain was most concerned with rebuilding. Maybe smarting over those war wounds is also why vengeance, an uncommon motivating theme in American noir, is so popular among films like Lady Of Vengeance. Here, a gruff publisher (American actor Dennis O'Keefe), after learning his pretty ward Melissa (Ann Sears, also of Bridge On The River Kwai of the same year) has committed suicide after being ruined by her no-good boyfriend (Vernon Greeves), becomes obsessed with making the cad pay. A revenge plot that includes stamp collecting auctions contributes to a slow pace that some reviewers described as "totally tedious", but this is an interesting specimen among other British "revenge noirs". (And besides, fellow philatelists will enjoy scenes shot on location at the H. R. Harmer Philatelic Organisation.)
By Violet LeVoit
Quotes
Trivia
Notes
The opening cast credits differ in order from the closing credits. According to information contained in the file on the film in the MPAA/PCA Collection at the AMPAS Library, in July 1956, a lawyer representing American production company Princess Production Corp. submitted the film's script, originally entitled Mistress to Murder, to the PCA, which approved it that month. Although no production charts have been found on the film, information in the PCA file suggests that Lady of Vengeance was most likely shot during the latter part of 1956.
Lady of Vengeance was shot entirely in England. Publicity material contained in the file of the film at the AMPAS Library adds location shooting at the H. R. Harmer Philatelic Organisation, a leading stamp auctioneer in London. Lady of Vengeance was the first production of Princess Production Corp. and the first directing and producing credit for company president Burt Balaban. The film also marked Ann Sears's first starring role.