The Tattooed Police Horse


48m 1964
The Tattooed Police Horse

Brief Synopsis

A horse trained for trotting races, insists on galloping.

Film Details

Genre
Short
Release Date
Jan 1964
Premiere Information
Los Angeles opening: 16 Dec 1964
Production Company
Walt Disney Productions
Distribution Company
Buena Vista Distribution Co., Inc.
Country
United States

Technical Specs

Duration
48m

Synopsis

Jolly Roger, a young trotting horse of good breeding handpicked at a Kentucky auction by horse fancier and trainer Pam Churchill, is entered into races before Pam can cure him of breaking stride in the homestretch. He is sold to his groom, Ben, who also fails to correct the fault, and is eventually barred from racing as a threat to the other horses and drivers. In Arizona, Ben races Jolly Roger against an old roadster driven by three Indians, but a tire blowout causes the horse to bolt, and Ben sells him to a livestock dealer who ships him to an eastern city. Capt. Martin Hanley purchases Jolly Roger for the Boston Mounted Police Force and through rigorous training finally disciplines the horse. Captain Hanley is on duty astride Jolly Roger at a local harness racing track, and when he is summoned to assist a driver who has had an accident during a race, Jolly Roger breaks into a trot, swiftly races down the track, and saves the driver. The story makes the evening newspapers. Pam Churchill, who is in Boston for the races, recognizes Jolly Roger, identifies him by a registration number tattooed on the horse's upper lip, and purchases him. She retrains Jolly Roger and enters him in an important race. The discipline given him by Hanley has paid off; he wins the race and goes on to become a champion.

Film Details

Genre
Short
Release Date
Jan 1964
Premiere Information
Los Angeles opening: 16 Dec 1964
Production Company
Walt Disney Productions
Distribution Company
Buena Vista Distribution Co., Inc.
Country
United States

Technical Specs

Duration
48m

Articles

The Tattooed Police Horse


This slight but entertaining featurette, clocking in at just less than an hour, was originally produced by the Disney studios as the bottom half of the bill with the better-known family caper Emil and the Detectives (1964). It eventually made its way to television as an episode of "Walt Disney's Wonderful World of Color" in 1967.

Harness racing is a variation on horse racing in which the horses pull a driver (not technically a jockey) in a two-wheel cart known as a sulky. The sport has roots reaching back through the centuries: think of the chariot races depicted in the various versions of Ben-Hur. But unlike those dangerous breakneck contests, in modern-day harness racing, the horses move at specific limited gates, either a trot or the slightly faster pace. The sport has been around in the U.S. since the late 19th century, but only took off officially in the second half of the 20th century, reaching the peak of its popularity in the Northeast and Midwest in the 1950s and 60s.

This story centers on a horse called Jolly Rogers, bred for trotting races but determined to gallop whenever he can. The inability of any of his string of owners and trainers to break him of the habit gets the horse banned from racing. He eventually lands with a captain of the Boston Mounted Police Force who finally disciplines him. After helping the captain come to the aid of a harness racing driver following an accident at a local track, Jolly Rogers becomes famous. He is recognized by his first owner and identified by a registration number tattooed on his lip. She purchases the horse and enters him in an important race. Thanks to the discipline instilled in him on the force, he becomes a champion.

The only known actor involved in this production is never actually seen on film. Keith Andes, who narrates the story, never achieved major stardom but had a busy career, initially as a frequently shirtless beefcake player in such films as The Farmer's Daughter (1947), Clash by Night (1952), and Blackbeard, the Pirate (1952). He kept working, mostly in TV, until 1980, retiring more than two decades before his death at the age of 85 of suicide following years of debilitating health problems.

Many of the other people we see in The Tattooed Police Horse were real-life well-known figures in the world of horseracing, including trainer-driver Ralph Baldwin, track manager Walter Gibbons, harness racing executive Stan Bergstein, trade paper editor Bob Hackett, and others. Their presence, along with some good actual racing footage, brought a lot of credibility and appeal to the story.

The film was directed by Larry Lansburgh, an avid horseman himself who helmed several equine-focused pictures for Disney, as well as many of the studio's animal movies so popular at the time. Named a Disney Legend in 1999, Lansburgh reportedly directed the studio's Run, Appaloosa, Run (1966) on horseback.

One viewer commenting on an online listing about this film said he grew up in California just a few blocks from Lansburgh and his wife Janet, who wrote the screenplay based on her husband's story. The viewer said he and other neighborhood children were allowed to play with the sulky Lansburgh had kept from The Tattooed Police Horse.

Director: Larry Lansburgh
Producer: Larry Lansburgh
Screenplay: Janet Lansburgh, story by Larry Lansburgh
Cinematography: Edward P. Hughes
Editing: Herman Freedman
Music: William Lava
Cast: Keith Andes (Narrator), William Hilliard (Bill Churchill), Sandy Sanders (Captain Hanley), Shirley Skates (Pam Churchill)

By Rob Nixon
The Tattooed Police Horse

The Tattooed Police Horse

This slight but entertaining featurette, clocking in at just less than an hour, was originally produced by the Disney studios as the bottom half of the bill with the better-known family caper Emil and the Detectives (1964). It eventually made its way to television as an episode of "Walt Disney's Wonderful World of Color" in 1967. Harness racing is a variation on horse racing in which the horses pull a driver (not technically a jockey) in a two-wheel cart known as a sulky. The sport has roots reaching back through the centuries: think of the chariot races depicted in the various versions of Ben-Hur. But unlike those dangerous breakneck contests, in modern-day harness racing, the horses move at specific limited gates, either a trot or the slightly faster pace. The sport has been around in the U.S. since the late 19th century, but only took off officially in the second half of the 20th century, reaching the peak of its popularity in the Northeast and Midwest in the 1950s and 60s. This story centers on a horse called Jolly Rogers, bred for trotting races but determined to gallop whenever he can. The inability of any of his string of owners and trainers to break him of the habit gets the horse banned from racing. He eventually lands with a captain of the Boston Mounted Police Force who finally disciplines him. After helping the captain come to the aid of a harness racing driver following an accident at a local track, Jolly Rogers becomes famous. He is recognized by his first owner and identified by a registration number tattooed on his lip. She purchases the horse and enters him in an important race. Thanks to the discipline instilled in him on the force, he becomes a champion. The only known actor involved in this production is never actually seen on film. Keith Andes, who narrates the story, never achieved major stardom but had a busy career, initially as a frequently shirtless beefcake player in such films as The Farmer's Daughter (1947), Clash by Night (1952), and Blackbeard, the Pirate (1952). He kept working, mostly in TV, until 1980, retiring more than two decades before his death at the age of 85 of suicide following years of debilitating health problems. Many of the other people we see in The Tattooed Police Horse were real-life well-known figures in the world of horseracing, including trainer-driver Ralph Baldwin, track manager Walter Gibbons, harness racing executive Stan Bergstein, trade paper editor Bob Hackett, and others. Their presence, along with some good actual racing footage, brought a lot of credibility and appeal to the story. The film was directed by Larry Lansburgh, an avid horseman himself who helmed several equine-focused pictures for Disney, as well as many of the studio's animal movies so popular at the time. Named a Disney Legend in 1999, Lansburgh reportedly directed the studio's Run, Appaloosa, Run (1966) on horseback. One viewer commenting on an online listing about this film said he grew up in California just a few blocks from Lansburgh and his wife Janet, who wrote the screenplay based on her husband's story. The viewer said he and other neighborhood children were allowed to play with the sulky Lansburgh had kept from The Tattooed Police Horse. Director: Larry Lansburgh Producer: Larry Lansburgh Screenplay: Janet Lansburgh, story by Larry Lansburgh Cinematography: Edward P. Hughes Editing: Herman Freedman Music: William Lava Cast: Keith Andes (Narrator), William Hilliard (Bill Churchill), Sandy Sanders (Captain Hanley), Shirley Skates (Pam Churchill) By Rob Nixon

Keith Andes (1920-2005)


Keith Andes, the tall, raw-boned actor who had a notable career in film, television and stage, died on November 11 at his home in Canyon Country, California. He was 85. His death was ruled a suicide by the Los Angeles County coroner's office. He had been suffering for years with bladder cancer.

Born John Charles Andes on July 12, 1920, in Ocean City, New Jersey, Keith been began performing in his teens for school productions and for local radio stations in his hometown. After he graduated with a B.A. in education from Temple University in 1943, he pursued a stage career in earnest, and in 1947 scored a triumph in the Broadway musical The Chocolate Soldier, where he won a Theatre World Award for his performance. That same year, he made his film debut as one of Loretta Young's brothers in The Farmer's Daughter (1947). Although his film career never quite took off, one could certainly envy him for playing opposite two of the hottest blonde bombshells of their generation: first with Marilyn Monroe Clash by Night (1952); and then Jayne Mansfield in The Girl Most Likely (1957).

If Andes lacked the star power to be a consistent Hollywood lead, he certainly had no problems with television. Here, his stalwart presence and commanding baritone made him more than servicable for television through three decades: (Goodyear Theatre, Playhouse 90, The Ford Television Theatre); '60s: (Perry Mason, The Rifleman, Star Trek, The Outer Limits, Glynis); and '70s (Cannon, The Streets of San Francisco).

Andes made his last notable screen appearance in the Al Pacino vehicle And Justice For All (1979), before falling into semi-retirement and doing occassional voice work. He is survived by two sons, Mark, Matt; and three grandchildren.

by Michael T. Toole

Keith Andes (1920-2005)

Keith Andes, the tall, raw-boned actor who had a notable career in film, television and stage, died on November 11 at his home in Canyon Country, California. He was 85. His death was ruled a suicide by the Los Angeles County coroner's office. He had been suffering for years with bladder cancer. Born John Charles Andes on July 12, 1920, in Ocean City, New Jersey, Keith been began performing in his teens for school productions and for local radio stations in his hometown. After he graduated with a B.A. in education from Temple University in 1943, he pursued a stage career in earnest, and in 1947 scored a triumph in the Broadway musical The Chocolate Soldier, where he won a Theatre World Award for his performance. That same year, he made his film debut as one of Loretta Young's brothers in The Farmer's Daughter (1947). Although his film career never quite took off, one could certainly envy him for playing opposite two of the hottest blonde bombshells of their generation: first with Marilyn Monroe Clash by Night (1952); and then Jayne Mansfield in The Girl Most Likely (1957). If Andes lacked the star power to be a consistent Hollywood lead, he certainly had no problems with television. Here, his stalwart presence and commanding baritone made him more than servicable for television through three decades: (Goodyear Theatre, Playhouse 90, The Ford Television Theatre); '60s: (Perry Mason, The Rifleman, Star Trek, The Outer Limits, Glynis); and '70s (Cannon, The Streets of San Francisco). Andes made his last notable screen appearance in the Al Pacino vehicle And Justice For All (1979), before falling into semi-retirement and doing occassional voice work. He is survived by two sons, Mark, Matt; and three grandchildren. by Michael T. Toole

Quotes

Trivia

Notes

Location scenes filmed in Kentucky, Boston, and Arizona.