Modern Motherhood


60m 1934

Brief Synopsis

Molly and Ted Wayne, a young, newly married couple, plan to live their lives in the fast lane. The have no desire for children. At first. Soon, Molly wonders about the positive aspects of kids. Ted on the other hand, finds he is growing to hate children more with each passing day. They visit their friends Bob Helen, who have a lot of kids, and agree that their friends are "tied down" by their brood. Soon, Molly discovers she is pregnant. She considers getting the child aborted until she visits the local movie house and sees a film about sex higene. She is so upset by the movie, particularely an abortion scene, that she decides to keep the child. Returning home to Ted, she informs him of her condition. He goes out drinking for several days, until he does to his mother's house, where she tells him Molly is worried about him. He goes back to the bar, where he saved a boy who is getting beat up. He realizes his place is with his wife and their child. Molly gives birth to a boy, and they live happily ever after.

Film Details

Release Date
Jan 1934
Premiere Information
not available
Production Company
Roadshow Attractions Co.
Country
United States

Technical Specs

Duration
60m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
6 reels

Synopsis

Just before her wedding, sophisticated Molly Marsden informs her more traditional parents that she and her fiancé, Ted Wayne, want a childless, "modern" marriage. In contrast to the Marsdens, Ted's mother supports her son's plans, reassuring him that he will be happier without the burden of children. After a year of marriage, Molly, who works a full-time job, questions Ted about his feelings and discovers that he still has no desire to become a father. At a nightclub, Ted spots a married friend cavorting with a single woman and tells Molly that by having a baby, the friend's wife chose motherhood over marriage and therefore deserves to be abandoned. Distressed by Ted's attitude, Molly telephones a girl friend and confides in her that she is pregnant and may need an abortion. Later, Ted and Molly are entertained by Bob and Helen, a young couple with two small children. Although Molly is entranced by the children, Ted finds them irritating and expresses only pity for their parents. Molly then goes to the movie theater and watches Sins of Love , a cautionary story about promiscuity and venereal disease. Moved by the film, Molly confronts Ted and tells him that she is pregnant and wants to have the baby. Unable to accept his impending responsibility, Ted deserts Molly, loses his job, and spends his days drinking in bars. After watching his vain and cold-hearted mother get a face lift, Ted saves the young son of a bar mate from a gang beating. Eventually Ted ends up in a sanitarium and, during his convalescence, is visited by his bar mate's son, who tells him that he would make a good father. Repentant and wiser, a recovered Ted returns to Molly and embraces "Junior," his newborn son.

Film Details

Release Date
Jan 1934
Premiere Information
not available
Production Company
Roadshow Attractions Co.
Country
United States

Technical Specs

Duration
60m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
6 reels

Quotes

Trivia

This film is presumed lost. Please check your attic.

Notes

The script that was submitted with the copyright records for this film was sketchy and vaguely written. For some scenes, only general indications of presentation and content were given. Sins of Love, the "movie-within-the movie," was described in a two-page essay, inserted in the middle of the script, which describes the "sex impulse" and venereal disease. The essay details the stages of gonorrhea and syphilis and warns the reader against promiscuity, consulting "quacks," and ignoring symptoms of the diseases. The dramatic content of the movie-within-the-movie and its exact connection to the frame story is not known. It is possible that Roadshow filmed Sins of Love as a discrete product but later incorporated it into this film for financial or censorship reasons. No release date or reviews were found for the film. Although the date of the copyright entry is April 1934, a Film Daily news item stated that the film was still in production as of July 1934. The copyright records were not deposited by Roadshow until November 1936.