I Am Curious (Yellow)


2h 1m 1969
I Am Curious (Yellow)

Brief Synopsis

A young women attempts to understand her surroundings and, ultimately, herself in this sexually explicit drama.

Film Details

Also Known As
Jag är nyfiken--gul
MPAA Rating
Genre
Drama
Foreign
Release Date
Jan 1969
Premiere Information
New York opening: 10 Mar 1969
Production Company
Sandrews
Distribution Company
Grove Press
Country
Sweden

Technical Specs

Duration
2h 1m

Synopsis

While making a film, actress Lena Nyman has an affair with director Vilgot Sjöman. In the picture, Lena portrays a political activist in search of her own identity. A participant in liberal causes, she interviews people on the streets of Stockholm and asks them about Sweden's class structure, the U. S. position in Vietnam, and the teachings of Martin Luther King, Jr. At home she treats her father with contempt because of his brief dedication to Franco's Loyalists, and she turns her room into an institute filled with radical literature. In both the film and in her private life, Lena has a passionate affair with the actor, Börje. After their initial sexual encounter, Lena makes up a file on him and then has intercourse with him on a balustrade facing the Royal Palace, in the branches of trees, and in the middle of a country pond. Discovering that Börje has a mistress and a child, Lena quarrels with him and retreats to practice yoga. Though Börje follows and makes love to her, Lena flies into a rage when she learns that he is still having affairs with other women. Following a nightmare in which she guns down her former lovers and then shoots and castrates Börje, Lena hysterically destroys all the files in her room. Recognizing that her advocacy of nonviolence is hypocritical, Lena forsakes her political activities; at the same time, a radio broadcasts an announcement that the Swedish Parliament has endorsed nonviolence. In the final scene of the film, Lena and Börje's romance ends as they are brought to a Stockholm disinfectant clinic and scrubbed. Lena terminates her liaison with the director when she sees him flirting with another actress.

Film Details

Also Known As
Jag är nyfiken--gul
MPAA Rating
Genre
Drama
Foreign
Release Date
Jan 1969
Premiere Information
New York opening: 10 Mar 1969
Production Company
Sandrews
Distribution Company
Grove Press
Country
Sweden

Technical Specs

Duration
2h 1m

Articles

I am Curious (Yellow)


A pivotal film in both Swedish cinema and the history of American censorship, I Am Curious (Yellow) (1967) is a film that may seem challenging to modern viewers without any historical context. However, it was a significant trailblazer not only in the type of content that could be shown on movie screens but in the way a story could be told. In fact, some would argue that it barely tells a story at all; instead the combination of documentarian political discourse and social commentary with an unorthodox "love" story was the first time many audiences saw a film that so thoroughly erased the line between cinematic fact and fiction.

In fact, the much-touted sexuality of the film only arrives after we have already gotten to know the main character, Lena Nyman (playing a fictionalized version of herself), who is seen interviewing politicians and people on the street about Sweden's class system. An acting student currently involved with Vilgot Sjöman, the film's director also playing "himself," she is deeply concerned with social injustice and becomes involved with Börje Ahlstedt, a retail salesman with other women in his life. Their affair leads to tension elsewhere in her life as the film switches back and forth between real life and drama, often multiple times within the same scene.

Director Sjöman was one of the directors who built a career at Filmstaden, Sweden's film studio established by Svensk Filmindustri and home to other filmmakers like Ingmar Bergman and Victor Sjöström. Given a finite amount of black and white film stock and a low budget to make any film he wanted without restrictions, Sjöman set out to make a pair of films based on the two colors of the Swedish flag, yellow and blue. He saw them not as a film and its sequel but filmic parallels telling the same story with different material. His audacious concept even extended to getting an interview for the film with Martin Luther King, Jr., which was scheduled to be conducted with Lena but, due to her unavailability at short notice, had to be conducted by Sjöman himself.

Upon its release, I Am Curious (Yellow) caused some controversy in its native country and was banned in Norway, but that was nothing compared to the firestorm to come. Grove Press publisher Barney Rosset, the man behind the publishing of such volatile novels as Tropic of Cancer, acquired the film for $100,000, only to have it seized by U.S. customs and declared obscene. A much-touted court battle ensued with attorney Edward de Grazia stepping in to defend its frank portrayal of women's rights and sexual liberty. Despite an initial defeat, the legal process continued with Rosset eventually prevailing, paving the way for a box office smash and pop culture phenomenon in the same era Broadway was gasping at the counterculture taboo smashing in Hair. Apart from initiating the flood of envelope-pushing erotic films that took over many art house theaters until the advent of Deep Throat the following decade, the film became a common reference in pop culture including, curiously enough, a slew of TV shows ranging from Get Smart and The Simpsons to a particularly infamous episode of Moonlighting.

With its shock value quickly eclipsed by more extreme offerings upon its wide release in 1969, the film instead offers rewards now as a snapshot of the European youth mentality with a still-surprising amount of humor (including some jabs at the Swedish royalty that still provoke chuckles). At the time many reviewers had to stand on separate sides of the dividing line between loving and loathing it, with the socially conservative Rex Reed (who had yet to appear in the far more perverse Myra Breckinridge, 1970) famously slamming it "as good for you as drinking furniture polish." With Ken Russell's Women in Love (1969) still yet to cross an English-speaking barrier with its legendary wrestling scene, this was also the first time many mainstream viewers were, ahem, exposed to frontal male nudity, the most contentious aspect of its legal wrangling with a prosecutor even interrogating Ahlstedt about the nature and extent of his costar's handling of his manhood. Now of course the nudity is more remarkable for its casual earthiness, and the film's structure can be admired as the progenitor for reality-jumbling successors ranging from Medium Cool (1969) to Borat (2006). Sjöman's experiment may be a curious footnote in cinematic history now, but just try to imagine how different films might be today without it.

By Nathaniel Thompson
I Am Curious (Yellow)

I am Curious (Yellow)

A pivotal film in both Swedish cinema and the history of American censorship, I Am Curious (Yellow) (1967) is a film that may seem challenging to modern viewers without any historical context. However, it was a significant trailblazer not only in the type of content that could be shown on movie screens but in the way a story could be told. In fact, some would argue that it barely tells a story at all; instead the combination of documentarian political discourse and social commentary with an unorthodox "love" story was the first time many audiences saw a film that so thoroughly erased the line between cinematic fact and fiction. In fact, the much-touted sexuality of the film only arrives after we have already gotten to know the main character, Lena Nyman (playing a fictionalized version of herself), who is seen interviewing politicians and people on the street about Sweden's class system. An acting student currently involved with Vilgot Sjöman, the film's director also playing "himself," she is deeply concerned with social injustice and becomes involved with Börje Ahlstedt, a retail salesman with other women in his life. Their affair leads to tension elsewhere in her life as the film switches back and forth between real life and drama, often multiple times within the same scene. Director Sjöman was one of the directors who built a career at Filmstaden, Sweden's film studio established by Svensk Filmindustri and home to other filmmakers like Ingmar Bergman and Victor Sjöström. Given a finite amount of black and white film stock and a low budget to make any film he wanted without restrictions, Sjöman set out to make a pair of films based on the two colors of the Swedish flag, yellow and blue. He saw them not as a film and its sequel but filmic parallels telling the same story with different material. His audacious concept even extended to getting an interview for the film with Martin Luther King, Jr., which was scheduled to be conducted with Lena but, due to her unavailability at short notice, had to be conducted by Sjöman himself. Upon its release, I Am Curious (Yellow) caused some controversy in its native country and was banned in Norway, but that was nothing compared to the firestorm to come. Grove Press publisher Barney Rosset, the man behind the publishing of such volatile novels as Tropic of Cancer, acquired the film for $100,000, only to have it seized by U.S. customs and declared obscene. A much-touted court battle ensued with attorney Edward de Grazia stepping in to defend its frank portrayal of women's rights and sexual liberty. Despite an initial defeat, the legal process continued with Rosset eventually prevailing, paving the way for a box office smash and pop culture phenomenon in the same era Broadway was gasping at the counterculture taboo smashing in Hair. Apart from initiating the flood of envelope-pushing erotic films that took over many art house theaters until the advent of Deep Throat the following decade, the film became a common reference in pop culture including, curiously enough, a slew of TV shows ranging from Get Smart and The Simpsons to a particularly infamous episode of Moonlighting. With its shock value quickly eclipsed by more extreme offerings upon its wide release in 1969, the film instead offers rewards now as a snapshot of the European youth mentality with a still-surprising amount of humor (including some jabs at the Swedish royalty that still provoke chuckles). At the time many reviewers had to stand on separate sides of the dividing line between loving and loathing it, with the socially conservative Rex Reed (who had yet to appear in the far more perverse Myra Breckinridge, 1970) famously slamming it "as good for you as drinking furniture polish." With Ken Russell's Women in Love (1969) still yet to cross an English-speaking barrier with its legendary wrestling scene, this was also the first time many mainstream viewers were, ahem, exposed to frontal male nudity, the most contentious aspect of its legal wrangling with a prosecutor even interrogating Ahlstedt about the nature and extent of his costar's handling of his manhood. Now of course the nudity is more remarkable for its casual earthiness, and the film's structure can be admired as the progenitor for reality-jumbling successors ranging from Medium Cool (1969) to Borat (2006). Sjöman's experiment may be a curious footnote in cinematic history now, but just try to imagine how different films might be today without it. By Nathaniel Thompson

I Am Curious Yellow - I AM CURIOUS - YELLOW and BLUE


In 1968 the U.S. Customs Office seized the first copy of Vilgot Sjoman's I Am Curious-Yellow. It was being imported into the United States for a very limited theatrical run. While the Government was trying to shield the US from Swedish nudity and mock copulation, they ignited a media brushfire that freed American cinema from the watchful eye of the Hayes Code and other censorship regulations.

After some highly publicized court cases, picket lines, and a 20 million dollar profit, I Am Curious-Yellow went on to represent one of the first in a legacy of sexual avante garde films that include Bernardo Bertolucci's Last Tango in Paris starring Maron Brando, and Just Jaeckin's The Story of O. Incidentally, there was enough footage left over from the filming of I Am Curious-Yellow to spawn I Am Curious-Blue also included on The Criterion Collection DVD.

Seized by customs upon entry to the United States, subject of a heated court battle, and banned in numerous cities, Vilgot Sjoman's I Am Curious-Yellow is one of the most controversial films of all time. This landmark document of Swedish society during the sexual revolution has been declared both obscene and revolutionary. It tells the story of Lena (Lena Nyman), a searching and rebellious young woman, and her personal quest to understand the social and political conditions in 1960s Sweden, as well as her bold exploration of her own sexual identity. I Am Curious-Yellow is a subversive mix of dramatic and documentary techniques, attacking capitalist injustices and frankly addressing the politics of sexuality. Criterion is proud to present Vilgot Sjoman's infamous I Am Curious-Yellow.

* New high-definition digital transfer

* New video introduction by director Vilgot Sjoman

* Director's diary: Vilgot Sjoman's commentary on selected scenes from the film

* New video interview with legendary publisher Barney Rosset and attorney Edward de Grazia about the controversy surrounding the film

* "The Battle for I Am Curious-Yellow," a video essay on the film's censorship and trial

* Excerpts from the transcripts of the trial for I Am Curious-Yellow

* Theatrical trailer

* Essay by critic Gary Giddins

* New and improved English subtitle translation

* Optimal image quality: RSDL dual-layer edition

For more information about the DVD special edition of I Am Curious - Blue, visit The Criterion Collection web site. To order I Am Curious - Yellow, visit TCM Shopping.

I Am Curious Yellow - I AM CURIOUS - YELLOW and BLUE

In 1968 the U.S. Customs Office seized the first copy of Vilgot Sjoman's I Am Curious-Yellow. It was being imported into the United States for a very limited theatrical run. While the Government was trying to shield the US from Swedish nudity and mock copulation, they ignited a media brushfire that freed American cinema from the watchful eye of the Hayes Code and other censorship regulations. After some highly publicized court cases, picket lines, and a 20 million dollar profit, I Am Curious-Yellow went on to represent one of the first in a legacy of sexual avante garde films that include Bernardo Bertolucci's Last Tango in Paris starring Maron Brando, and Just Jaeckin's The Story of O. Incidentally, there was enough footage left over from the filming of I Am Curious-Yellow to spawn I Am Curious-Blue also included on The Criterion Collection DVD. Seized by customs upon entry to the United States, subject of a heated court battle, and banned in numerous cities, Vilgot Sjoman's I Am Curious-Yellow is one of the most controversial films of all time. This landmark document of Swedish society during the sexual revolution has been declared both obscene and revolutionary. It tells the story of Lena (Lena Nyman), a searching and rebellious young woman, and her personal quest to understand the social and political conditions in 1960s Sweden, as well as her bold exploration of her own sexual identity. I Am Curious-Yellow is a subversive mix of dramatic and documentary techniques, attacking capitalist injustices and frankly addressing the politics of sexuality. Criterion is proud to present Vilgot Sjoman's infamous I Am Curious-Yellow. * New high-definition digital transfer * New video introduction by director Vilgot Sjoman * Director's diary: Vilgot Sjoman's commentary on selected scenes from the film * New video interview with legendary publisher Barney Rosset and attorney Edward de Grazia about the controversy surrounding the film * "The Battle for I Am Curious-Yellow," a video essay on the film's censorship and trial * Excerpts from the transcripts of the trial for I Am Curious-Yellow * Theatrical trailer * Essay by critic Gary Giddins * New and improved English subtitle translation * Optimal image quality: RSDL dual-layer edition For more information about the DVD special edition of I Am Curious - Blue, visit The Criterion Collection web site. To order I Am Curious - Yellow, visit TCM Shopping.

Quotes

Trivia

Notes

Opened in Stockholm in October 1967 as Jag är nyfiken-gul; running time: 121 min.

Miscellaneous Notes

Released in United States 1973

Re-released in United States August 1991

Highest grossing foreign film in US box office history.

Released in United States 1973

Re-released in United States August 1991 (New York City)