When Howard Alk and Mike Gray of Chicago’s The Film Group started production on their documentary about Fred Hampton, the 21-year-old leader of the Black Panthers’ Illinois chapter, their working title was “Black Panther.” The focus was to be on Hampton’s eloquent speeches, his founding of the chapter and the programs he created for children. However, while still in production, the events of December 4, 1969, changed both the focus and the title of the film to The Murder of Fred Hampton.
On that night, Chicago police, under orders from State’s Attorney Edward V. Hanrahan, conducted a late-night raid on Hampton’s west side apartment, during which both Hampton and Panther member Mark Clark were shot dead. Gray and Alk rushed to the apartment before the police secured it and filmed as much of the crime scene as they could. Their profile of Hampton became an investigation of his murder, claiming that the police deliberately killed Hampton because his charisma and his powers of persuasion posed a threat to the Establishment.
Alk and Gray had trouble getting the film booked into theaters in Chicago when it was released in 1971. Speaking with film critic Roger Ebert, Mike Gray said that despite positive reviews, theater owners were hesitant to screen it because it was made in Chicago, and they would have to screen it outside of the city to gain respect. “If a little New York rubs off on a Chicago film, somehow that makes the film real for Chicagoans.” Alk also felt that the subject matter was too personal for Chicagoans. “It is possible to draw the conclusion that Fred Hampton's death was a case of state murder. Some people in Chicago don't want to draw that conclusion because then they'd have to share responsibility for doing something about it.”
The filmmakers misjudged the timing of the release before the grand jury handed down indictments. Howard Alk recalled later, “[W]e didn't know how long the indictments would be suppressed. But there was something else. A lot of people thought the indictments would take care of everything. That the Fred Hampton case would have a happy ending.”
Chicago theater owners weren’t the only ones to reject the film. Major distributors in the United States were unwilling to release it into commercial theaters in 35mm, and it was later distributed on 16 mm for the college market by National Talent Service of New York. Despite the cold shoulder from America, it received a stellar welcome in Europe, appearing at several film festivals, including Berlin, Cannes and Pesaro.
In his review for The New York Times, A.H. Weiler wrote that while The Murder of Fred Hampton clearly had an agenda and was technically flawed, “it emerges as a disturbingly somber illustration of some of the ills that beset us and our social system. […] [It is] an unleavened indictment of Edward V. Hanrahan, the Illinois State's Attorney, the policemen in the raid and the Chicago political Establishment. […] Mr. Gray, Howard Alk, his editor and the rest of their company, […] deserve credit for presenting their impassioned case, which certainly rates a wider audience.”
Twenty years after the release of The Murder of Fred Hampton, Mike Gray reflected on his time with Hampton. A few months after Hampton was murdered, Gray began to realize what made Hampton stand apart from everyone else. Spending hours in the editing room with Howard Alk watching the footage of Hampton and his speeches brought the answer to him: Fred Hampton had accepted his own death, and that knowledge made him fearless. “Hampton had simply set that fear to rest. He was free. Thus, he was able to speak clean simple truths that hit you like a thunderbolt.”
Because of its historical importance, The Murder of Fred Hampton was restored by the UCLA Film and Television Archive in conjunction with the Chicago Film Archives, whose mission is to preserve films about the Midwest by Midwestern filmmakers. The new 35mm preservation print will ensure that the film will be saved for future generations for at least another century.
SOURCES:
The AFI Catalog of Feature Films. https://catalog.afi.com/Film/54096-THE-MURDEROFFREDHAMPTON?sid=4682f8fe-d37c-4c23-b58f-bbee36c81d33&sr=13.239697&cp=1&pos=0
The Chicago Film Archives. “The Murder of Fred Hampton (1971). http://www.chicagofilmarchives.org/pres-projects/the-murder-of-fred-hampton-1971
Day, Susie. 2020. The Brother You Choose. Chicago: Haymarket Books.
Ebert, Roger. “Interview with Mike Gray.” RogerEbert.com. October 11,1971.
https://www.rogerebert.com/interviews/interview-with-mike-gray
Haas, Jeffrey. 2019. The Assassination of Fred Hampton: How the FBI and the Chicago Police Murdered a Black Panther. Chicago: Lawrence Hill Books.
The Internet Movie Database. https://www.imdb.com/title/tt0067456/?ref_=nv_sr_srsg_0
Pride, Ray. “After the 1968 Riots: Restoring The Film Group’s American Revolution 2.” Newcityfilm.com. October 26, 2018. https://www.newcityfilm.com/2018/10/26/after-the-1968-riots-restoring-the-film-groups-american-revolution-2/
UCLA Library Film & Television Archive. “The Murder of Fred Hampton.” September 24, 2020. https://www.cinema.ucla.edu/events/2020/09/24/the-murder-of-fred-hampton
Weiler, A.H. “The Murder of Fred Hampton.” The New York Times. October 5, 1971. https://www.nytimes.com/1971/10/05/archives/the-murder-of-fred-hampton.html