Ohan
Cast & Crew
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Kon Ichikawa
Director
Sayuri Yoshinaga
Ohan
Koji Ishizaka
Kohkichi
Reiko Ohara
Okayo
Wataru Hasegawa
Satoru
Tomoyuki Asakawa
Music
Film Details
Genre
Drama
Release Date
1985
Production Company
Toho Company Ltd.
Location
Japan
Technical Specs
Duration
1h 52m
Synopsis
Director
Kon Ichikawa
Director
Film Details
Genre
Drama
Release Date
1985
Production Company
Toho Company Ltd.
Location
Japan
Technical Specs
Duration
1h 52m
Articles
Kon Ichikawa (1915-2008)
He was born on November 25, 1915, in Ise, Japan. Ichikawa built on a long standing fascination with art and animation when, after formal schooling, he moved to Kyoto to work at the animation department of J.O. Studios. Working his way up the studio ladder, he eventually made his first film, a 20 minute short called A Girl at Dojo Temple (1946) using a cast of puppets.
He spent the next few years working on small, but well-received features such as Endless Passion (1949), Stolen Love (1951) and Mr. Poo (1953) before scoring a breakout hit with his moving, sweeping epic The Burmese Harp (1956). The film, about a Japanese soldier (Shoji Yasui) who becomes a Buddhist monk and devotes himself to burying his dead comrades, was acclaimed for its strong humanity and meditative tone. It won the San Giorgio Prize at the Venice Film Festival and put Ichikawa on the map as a major talent.
Ichikawa would continue his solid streak throughout the '60s: the devastating, often horrific war drama Fires on the Plains (1959), the moving family drama Ototo (1960); a fascinating look at Japanese male virility in Kagi (1960, a Golden Globe and Cannes Festival winner); the strong social document The Outcast (1962); the gender bending An Actor's Revenge (1963); and his stunning observations of the 1964 Tokyo Olympics for Tokyo Olympiad (1965) which won a BAFTA winner for Best Documentary.
Although he would never quite scale the same artistic heights of the '50s and '60s, Ichikawa, ever the consummate filmmaker, would continue to have domestic hits in his native Japan in a variety of molds: social satire I Am A Cat (1975); the pulsating period piece The Firebird (1979); the sentimental, but beautifully photographed domestic drama, The Makioka Sisters (1983); and arguably, his last great film, the samurai epic 47 Ronin (1994).
Ichikawa was still directing theatrical and television movies well into his 80s and never officially retired. His last film was The Inugamis (2006). He was married to screenwriter Natto Wada from 1948 until her death in 1983. He is survived by two sons.
by Michael T. Toole
Kon Ichikawa (1915-2008)
Kon Ichikawa, the acclaimed Japanese director whose best work such as The Burmese
Harp, Ototo and the documentary Tokyo Olympiad earned him
international awards and further elevated the strength of post war Japanese cinema, died on
February 13 in Tokyo of pneumonia. He was 92.
He was born on November 25, 1915, in Ise, Japan. Ichikawa built on a long standing
fascination with art and animation when, after formal schooling, he moved to Kyoto to work
at the animation department of J.O. Studios. Working his way up the studio ladder, he
eventually made his first film, a 20 minute short called A Girl at Dojo Temple (1946)
using a cast of puppets.
He spent the next few years working on small, but well-received features such as
Endless Passion (1949), Stolen Love (1951) and Mr. Poo (1953) before
scoring a breakout hit with his moving, sweeping epic The Burmese Harp (1956). The
film, about a Japanese soldier (Shoji Yasui) who becomes a Buddhist monk and devotes
himself to burying his dead comrades, was acclaimed for its strong humanity and meditative
tone. It won the San Giorgio Prize at the Venice Film Festival and put Ichikawa on the map
as a major talent.
Ichikawa would continue his solid streak throughout the '60s: the devastating, often horrific
war drama Fires on the Plains (1959), the moving family drama Ototo (1960);
a fascinating look at Japanese male virility in Kagi (1960, a Golden Globe and Cannes
Festival winner); the strong social document The Outcast (1962); the gender bending
An Actor's Revenge (1963); and his stunning observations of the 1964 Tokyo
Olympics for Tokyo Olympiad (1965) which won a BAFTA winner for Best
Documentary.
Although he would never quite scale the same artistic heights of the '50s and '60s, Ichikawa,
ever the consummate filmmaker, would continue to have domestic hits in his native Japan in
a variety of molds: social satire I Am A Cat (1975); the pulsating period piece The
Firebird (1979); the sentimental, but beautifully photographed domestic drama, The
Makioka Sisters (1983); and arguably, his last great film, the samurai epic 47
Ronin (1994).
Ichikawa was still directing theatrical and television movies well into his 80s and never
officially retired. His last film was The Inugamis (2006). He was married to
screenwriter Natto Wada from 1948 until her death in 1983. He is survived by two
sons.
by Michael T. Toole
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Miscellaneous Notes
Released in United States 1985
Released in United States 1985