Passe ton bac d'abord
Cast & Crew
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Maurice Pialat
Director
Sabine Haudepin
Elisabeth
Philippe Marlaud
Philippe
Valerie Chassigneux
Valerie
Annick Alane
Mother
Michel Caron
Father
Film Details
Also Known As
Get Your Diploma First, Graduate First
Genre
Comedy
Release Date
1979
Production Company
Fr3 Films Productions
Distribution Company
Amlf; New Yorker Films
Technical Specs
Duration
1h 30m
Synopsis
Director
Maurice Pialat
Director
Cast
Sabine Haudepin
Elisabeth
Philippe Marlaud
Philippe
Valerie Chassigneux
Valerie
Annick Alane
Mother
Michel Caron
Father
Christian Bouillette
Le Vieux Dragueur
Jean-francois Adam
Professeur De Philosophie
Crew
Albert Bonomi
Other
Marceline Charpentier
Continuity
Emmanuel Clot
1st Assistant Director
Sophie Coussein
Editor
Jean-marie Duhart
2nd Assistant Director
Pierre Gamet
Sound
Martine Giordano
Editor
Pierre-william Glenn
Camera Operator
Jean-francois Gondre
Camera Assistant
Patrick Grandperret
1st Assistant Director
Jean-paul Janssen
Director Of Photography
Arlette Langman
Editor
Michel Laurent
Sound
Gilbert Loreaux
Camera Assistant
Maurice Pialat
Screenwriter
Maurice Pialat
Dialogue
Micheline Pialat
Production Supervisor
Rene Rochera
Chief Electrician
George Vimard
Property Master
Film Details
Also Known As
Get Your Diploma First, Graduate First
Genre
Comedy
Release Date
1979
Production Company
Fr3 Films Productions
Distribution Company
Amlf; New Yorker Films
Technical Specs
Duration
1h 30m
Articles
Maurice Pialat (1926-2003)
Born in the mountain village of Cunhat, Puy de Dome, France on August 31, 1925, Pialat grew up in Paris from age three and studied art at its Ecole des Arts Decoratifs and Ecole des Beaux Arts. After World War II, he painted and had several exhibitions of his work. By the late '50s, Pialat became fascinated with cinema, and he got his start making short films, notably L'Amour Existe/Love Exists (1960), which won a prize at the Venice Festival. Pialat spent the next decade directing for French television and making documentaries in Turkey and Saudi Arabia before embarking on his feature film career in Enfance nue, L' aka Naked Childhood (1969). This bleak, semi-autobiographical drama about a troubled childhood immediately set the tone for Pialat's cinema verite style: tough realism, the use of non-professional actors (with some exceptions), long takes and moments of punctuating improvisation. Pialat continued to incorporate personal issues in his next two films: Nous ne vieillrons pas ensemble/We Will Not Grow Old Together (1972), about his agonizing marital breakdown; and Gueule ouverte, La aka The Mouth Agape (1974), about the impact of his elderly mother's death from cancer.
International fame arrived with his first film featuring the celebrated French star Gerard Depardieu, Loulou (1980). This trenchant study of middle-class boredom and the cathartic benefits of hedonism and thuggery drew praise from all quarters and proved Pialat to be one of the toughest critics on modern French society. His next film A nos amours aka To Our Loves (1983), focused on the emotionally unstable life of a promiscuous teenager (Sandrine Bonnaire) with Pialat acting impressively as her perplexed father; and Police (1985), was his first venture into the crime genre that reunited him with Depardieu.
He won the Cannes Film Festival's coveted Palme d'Or/Golden Palm for Sous le soleil de Satan aka Under Satan's Sun (1987) a harsh, provocative tale about a clergyman's (Gerard Depardieu) disturbing relationship with a young woman (Sandrine Bonnaire) and his encounter with satanic elements. Pialat's last two films were met with lukewarm reception: Van Gogh (1991), was his overlong look at the last year of the painter's life; and his final film, Le Garcu (1995) was a refreshingly simple story about a young boy (Pialat's son Antoine) and his aimless, womanizing father (Depardieu).
Although he only made ten feature length films in his career, Pialat made his mark in French cinema with his tough cinematic techniques and probing subject matters. He is survived by his only son, Antoine.
by Michael T. Toole
Maurice Pialat (1926-2003)
Maurice Pialat, the highly influential, award winning French film director, who focused unflinchingly on brutal, realistic portrayals of marital problems, adolescence, and family life, died December 11 at his Paris home of kidney failure. He was 77.
Born in the mountain village of Cunhat, Puy de Dome, France on August 31, 1925, Pialat grew up in Paris from age three and studied art at its Ecole des Arts Decoratifs and Ecole des Beaux Arts. After World War II, he painted and had several exhibitions of his work. By the late '50s, Pialat became fascinated with cinema, and he got his start making short films, notably L'Amour Existe/Love Exists (1960), which won a prize at the Venice Festival. Pialat spent the next decade directing for French television and making documentaries in Turkey and Saudi Arabia before embarking on his feature film career in Enfance nue, L' aka Naked Childhood (1969). This bleak, semi-autobiographical drama about a troubled childhood immediately set the tone for Pialat's cinema verite style: tough realism, the use of non-professional actors (with some exceptions), long takes and moments of punctuating improvisation. Pialat continued to incorporate personal issues in his next two films: Nous ne vieillrons pas ensemble/We Will Not Grow Old Together (1972), about his agonizing marital breakdown; and Gueule ouverte, La aka The Mouth Agape (1974), about the impact of his elderly mother's death from cancer.
International fame arrived with his first film featuring the celebrated French star Gerard Depardieu, Loulou (1980). This trenchant study of middle-class boredom and the cathartic benefits of hedonism and thuggery drew praise from all quarters and proved Pialat to be one of the toughest critics on modern French society. His next film A nos amours aka To Our Loves (1983), focused on the emotionally unstable life of a promiscuous teenager (Sandrine Bonnaire) with Pialat acting impressively as her perplexed father; and Police (1985), was his first venture into the crime genre that reunited him with Depardieu.
He won the Cannes Film Festival's coveted Palme d'Or/Golden Palm for Sous le soleil de Satan aka Under Satan's Sun (1987) a harsh, provocative tale about a clergyman's (Gerard Depardieu) disturbing relationship with a young woman (Sandrine Bonnaire) and his encounter with satanic elements. Pialat's last two films were met with lukewarm reception: Van Gogh (1991), was his overlong look at the last year of the painter's life; and his final film, Le Garcu (1995) was a refreshingly simple story about a young boy (Pialat's son Antoine) and his aimless, womanizing father (Depardieu).
Although he only made ten feature length films in his career, Pialat made his mark in French cinema with his tough cinematic techniques and probing subject matters. He is survived by his only son, Antoine.
by Michael T. Toole
Quotes
Trivia
Miscellaneous Notes
Released in United States 1979
Released in United States 1981
Shown at New York Film Festival September-October 1981.
Released in United States 1979
Released in United States 1981 (Shown at New York Film Festival September-October 1981.)