A Time for Drunken Horses


1h 20m 2000

Brief Synopsis

Twelve-year-old Ayoub, the eldest boy in a family of six orphans, has become head of his household. Living in extreme poverty in the mountains of Iranian Kurdistan, Ayoub and his siblings must find whatever work they can to afford enough food to survive. But when Ayoub's handicapped brother Madi falls ill, the family must come up with the money for an operation. Ayoub takes a dangerous job, smuggling truck tires to Iraq through the mountains, to earn some of the money and his sister agrees to marry into a family that will help pay for the operation. But when Ayoub is given a mule instead of money as payment, he must struggle to sell the animal in Iraq.

Film Details

Also Known As
Time for Drunken Horses, Un Temps pour l'ivresse des chevaux, Zamani Baraye Masti Asbha, Zeit der trunkenen Pferde, temps pour l'ivresse des chevaux
MPAA Rating
Genre
Drama
Foreign
Release Date
2000
Production Company
Mk2 International; Mk2 International
Distribution Company
SHOOTING GALLERY/SHOOTING GALLERY PICTURES; Look Now! Filmverleih; Lucky Red
Location
Sardab, Iranian Kurdistan; Bane, Iranian Kurdistan

Technical Specs

Duration
1h 20m

Synopsis

Twelve-year-old Ayoub, the eldest boy in a family of six orphans, has become head of his household. Living in extreme poverty in the mountains of Iranian Kurdistan, Ayoub and his siblings must find whatever work they can to afford enough food to survive. But when Ayoub's handicapped brother Madi falls ill, the family must come up with the money for an operation. Ayoub takes a dangerous job, smuggling truck tires to Iraq through the mountains, to earn some of the money and his sister agrees to marry into a family that will help pay for the operation. But when Ayoub is given a mule instead of money as payment, he must struggle to sell the animal in Iraq.

Film Details

Also Known As
Time for Drunken Horses, Un Temps pour l'ivresse des chevaux, Zamani Baraye Masti Asbha, Zeit der trunkenen Pferde, temps pour l'ivresse des chevaux
MPAA Rating
Genre
Drama
Foreign
Release Date
2000
Production Company
Mk2 International; Mk2 International
Distribution Company
SHOOTING GALLERY/SHOOTING GALLERY PICTURES; Look Now! Filmverleih; Lucky Red
Location
Sardab, Iranian Kurdistan; Bane, Iranian Kurdistan

Technical Specs

Duration
1h 20m

Articles

A Time for Drunken Horses - A TIME FOR DRUNKEN HORSES - Critically Praised Iranian Film from 2000


In the decade since Iran's first Kurdish director, Bahman Ghobadi, released his debut feature A Time for Drunken Horses to international acclaim, he has established himself as the preeminent filmmaker of the new generation of Iranian filmmakers. More than ten years since he shared the Camera d'Or (awarded to best first feature) with fellow Iranian filmmaker Hassan Yektapanah's Djomeh at the 2000 Cannes Film Festival, A Time for Drunken Horses debuts on DVD in the U.S.

Set in a mountain village in Kurdish Iran (the very village where Ghobadi was born, it turns out), near the border of Iraq, the drama follows the harrowing existence of the villagers--and a family of orphaned children in particular--carving out a subsistence living smuggling goods over the border. It's not simply back-breaking, spirit-crushing work; they face the threat of death from mines and thieves, or confiscation of goods by the government forces. The film's title refers to the overworked pack animals, which are plied with vodka to keep them going through the cold (the snow drifts at times come to knees of the horses) and hardships. The humans themselves are beasts of burden in their own right, but without the numbing effects of alcohol. That Ghobadi focuses on the ordeal of a 12-year-old boy who signs on as an apprentice to the veteran smugglers makes the experience all the more dire.

Ayoub, an adolescent growing up fast (father and mother are both dead and his eldest sister Rojine plays at den mother to their younger siblings while he's the breadwinner), takes the job to raise money for an operation for his crippled older brother Madi, a tiny boy in an awkward, misshapen dwarf body who will die within a couple of weeks without the procedure (which will only give him a few more months at that). Not much hope here, but Ghobadi fills these scenes with the affection they have for one another and his compassion warms the film for a few brief moments.

Ghobadi apprenticed under Abbas Kiarostami, the most internationally famous of Iran's master class, and he appropriates many of the narrative conventions that Kiarostami and Mohsen Mahkmalbaf settled into to make meaningful films within the restrictive limitations imposed by the government on the cinematic representation of adult subjects and themes. Yet Ghobadi's sensibility owes more neo-realist melodrama mixed with a kind of polished version of documentary immediacy than the Iranian master's gently profound stories and poetic style. Though he uses the experience of children as his entry into the hard lives of these people on the outskirts of civilization, he's more confrontational, his portrait of the poverty and violence of their existence raw and unmediated by metaphor, and narratively direct, with a story that takes us from one dramatic crisis and disappointment to another.

In many ways it is more conventional and literal than Kiarostami's work, a hard yet visually beautiful portrait of grueling third world lives under the desperation of poverty and the terror of war. Where Ghobadi's later films add an element of humor to the drama, this is simply grim: bold, vivid and arresting, to be sure, but bleak. But this is also elevated by excellent performances he draws from the undeniably photogenic children--he gets these non-actors, cast right out of the village, to behave like kids on camera and there seems no acting is going on--astounding locations, vivid photography and a harrowing climax that delivers the adrenaline-rush drama of an action thriller in a style consistent with immediacy and intimacy of the boy's experience. It is an accomplished and compelling debut.

Kino's DVD release presents the film in the familiar European aspect ratios of 1.66:1 (though the disc lists it at 1.85:1). The image is perfectly watchable and the film has a rough, austere beauty but the transfer appears to be ported over from a European Pal master adjusted for NTSC. The image is soft and shows excessive video grain that is apparent on large monitors. In Kurdish with clean, white English subtitles. No supplements.

For more information about A Time for Drunken Horses, visit Kino Lorber. To order A Time for Drunken Horses, go to TCM Shopping.

by Sean Axmaker
A Time For Drunken Horses - A Time For Drunken Horses - Critically Praised Iranian Film From 2000

A Time for Drunken Horses - A TIME FOR DRUNKEN HORSES - Critically Praised Iranian Film from 2000

In the decade since Iran's first Kurdish director, Bahman Ghobadi, released his debut feature A Time for Drunken Horses to international acclaim, he has established himself as the preeminent filmmaker of the new generation of Iranian filmmakers. More than ten years since he shared the Camera d'Or (awarded to best first feature) with fellow Iranian filmmaker Hassan Yektapanah's Djomeh at the 2000 Cannes Film Festival, A Time for Drunken Horses debuts on DVD in the U.S. Set in a mountain village in Kurdish Iran (the very village where Ghobadi was born, it turns out), near the border of Iraq, the drama follows the harrowing existence of the villagers--and a family of orphaned children in particular--carving out a subsistence living smuggling goods over the border. It's not simply back-breaking, spirit-crushing work; they face the threat of death from mines and thieves, or confiscation of goods by the government forces. The film's title refers to the overworked pack animals, which are plied with vodka to keep them going through the cold (the snow drifts at times come to knees of the horses) and hardships. The humans themselves are beasts of burden in their own right, but without the numbing effects of alcohol. That Ghobadi focuses on the ordeal of a 12-year-old boy who signs on as an apprentice to the veteran smugglers makes the experience all the more dire. Ayoub, an adolescent growing up fast (father and mother are both dead and his eldest sister Rojine plays at den mother to their younger siblings while he's the breadwinner), takes the job to raise money for an operation for his crippled older brother Madi, a tiny boy in an awkward, misshapen dwarf body who will die within a couple of weeks without the procedure (which will only give him a few more months at that). Not much hope here, but Ghobadi fills these scenes with the affection they have for one another and his compassion warms the film for a few brief moments. Ghobadi apprenticed under Abbas Kiarostami, the most internationally famous of Iran's master class, and he appropriates many of the narrative conventions that Kiarostami and Mohsen Mahkmalbaf settled into to make meaningful films within the restrictive limitations imposed by the government on the cinematic representation of adult subjects and themes. Yet Ghobadi's sensibility owes more neo-realist melodrama mixed with a kind of polished version of documentary immediacy than the Iranian master's gently profound stories and poetic style. Though he uses the experience of children as his entry into the hard lives of these people on the outskirts of civilization, he's more confrontational, his portrait of the poverty and violence of their existence raw and unmediated by metaphor, and narratively direct, with a story that takes us from one dramatic crisis and disappointment to another. In many ways it is more conventional and literal than Kiarostami's work, a hard yet visually beautiful portrait of grueling third world lives under the desperation of poverty and the terror of war. Where Ghobadi's later films add an element of humor to the drama, this is simply grim: bold, vivid and arresting, to be sure, but bleak. But this is also elevated by excellent performances he draws from the undeniably photogenic children--he gets these non-actors, cast right out of the village, to behave like kids on camera and there seems no acting is going on--astounding locations, vivid photography and a harrowing climax that delivers the adrenaline-rush drama of an action thriller in a style consistent with immediacy and intimacy of the boy's experience. It is an accomplished and compelling debut. Kino's DVD release presents the film in the familiar European aspect ratios of 1.66:1 (though the disc lists it at 1.85:1). The image is perfectly watchable and the film has a rough, austere beauty but the transfer appears to be ported over from a European Pal master adjusted for NTSC. The image is soft and shows excessive video grain that is apparent on large monitors. In Kurdish with clean, white English subtitles. No supplements. For more information about A Time for Drunken Horses, visit Kino Lorber. To order A Time for Drunken Horses, go to TCM Shopping. by Sean Axmaker

Quotes

Trivia

Miscellaneous Notes

Winner of the Audience Award for Best Film at the 2000 Fort Lauderdale International Film Festival.

Winner of the Silver Hugo (special jury prize) at the 2000 Chicago International Film Festival.

Winner the Fipresci Award for Best Film in a Parallel Section and co-winner, along with Hassan Yektapanah's "Djomeh," of the Camera d'Or for Best First Feature at the 2000 Cannes Film Festival.

Limited Release in United States October 27, 2000

Released in United States 2000

Released in United States 2001

Released in United States August 2000

Released in United States Fall October 27, 2000

Released in United States June 2001

Released in United States May 2000

Released in United States October 2000

Released in United States September 2000

Shown at Austin Film Festival October 12-19, 2000.

Shown at Cannes International Film Festival (Directors' Fortnight) May 10-21, 2000.

Shown at Chicago International Film Festival October 5-19, 2000.

Shown at Edinburgh International Film Festival August 13-27, 2000.

Shown at Fort Lauderdale International Film Festival October 16 - November 12, 2000.

Shown at Rotterdam International Film Festival (Main Programme Features) January 24 - February 24, 2001.

Shown at Sydney Film Festival June 8-22, 2001.

Shown at Telluride Film Festival September 1-4, 2000.

Shown at Toronto International Film Festival (Contemporary World Cinema) September 7-16, 2000.

Feature directorial debut for Kurdish short filmmaker Bahman Ghobadi.

Released as part of distribution package: "Shooting Gallery Film Series" (Loews Cineplex Entertainment). The 2000 package also includes: "Titanic Town" (United Kingdom/1998), "One" (USA/1997), "Human Resources" (France/1999), "Non-Stop" (Japan/1997) (Iran/2000) and "Barenaked in America" (USA/1999).

Film uses mostly non-professional actors, including children from the Ekhtiar-Dini family.

Released in United States 2000 (Shown at Fort Lauderdale International Film Festival October 16 - November 12, 2000.)

Released in United States 2001 (Shown at Rotterdam International Film Festival (Main Programme Features) January 24 - February 24, 2001.)

Released in United States May 2000 (Shown at Cannes International Film Festival (Directors' Fortnight) May 10-21, 2000.)

Released in United States June 2001 (Shown at Sydney Film Festival June 8-22, 2001.)

Released in United States October 2000 (Shown at AFI Fest 2000: The American Film Institute Los Angeles International Film Festival (Asian New Clasics) October 19-26, 2000.)

Released in United States October 2000 (Shown at Austin Film Festival October 12-19, 2000.)

Released in United States October 2000 (Shown at Chicago International Film Festival October 5-19, 2000.)

Limited Release in United States October 27, 2000

Released in United States Fall October 27, 2000

Released in United States August 2000 (Shown at Edinburgh International Film Festival August 13-27, 2000.)

Released in United States September 2000 (Shown at Telluride Film Festival September 1-4, 2000.)

Released in United States September 2000 (Shown at Toronto International Film Festival (Contemporary World Cinema) September 7-16, 2000.)