A Price Above Rubies


2h 1998

Brief Synopsis

Sonia, both attractive and self-determined, supresses her wandering soul under a gentle marriage to the promising young scholar Mendel and their infant son. Upon Mendel's appointment to a prestigious Yeshiva, the young family is folded into Brooklyn's Hasidic community. Sonia moves uncomfortably wit

Film Details

Also Known As
Illusion av lycka, Price Above Rubies, Sonia Horowitz
MPAA Rating
Genre
Drama
Release Date
1998
Production Company
Axium International; Balsmeyer & Everett Inc; Cinema Research Corporation; Deluxe Entertainment Services Group; Duart Film And Video; Eastman Kodak; Film4 Productions; Great Northern/ Reiff & Associates; Greenestreet Films; Joann Kane Music Service; Lawrence Bender Productions; Lichter, Grossman, Nichols, Adler & Feldman, Inc.; MIRAMAX; Marshall/Plumb Research Associates, Inc.; New York City Mayor's Office of Film, Theatre and Broadcasting; New York City Police Department Movie And Tv Unit; Owen & Desalvo Company; Pacific Title & Art Studio; Panavision, Ltd.; Pandora Films; Pandora Films
Distribution Company
MIRAMAX; Cts; Film4 Productions; Filmfour; Filmladen Gmbh; Lucky Red; MIRAMAX; Miramax Home Entertainment; Tristar Pictures
Location
New York City, New York, USA; Brooklyn, New York, USA

Technical Specs

Duration
2h

Synopsis

Sonia, both attractive and self-determined, supresses her wandering soul under a gentle marriage to the promising young scholar Mendel and their infant son. Upon Mendel's appointment to a prestigious Yeshiva, the young family is folded into Brooklyn's Hasidic community. Sonia moves uncomfortably within the crowded community; strangely solitary but for the companionship an omnipresent Beggar Woman, and the aparition of her young brother Yossi, who died during their childhood. Mendel's close-knit family includes his firmly grounded sister Rachel and an entreprenurial brother, Sender. While the cloistered community fuses Sonia into its tapestry, Sender recognizes that Sonia shares his common desire to be a free-spirit. They strike-up an affair as Sender encourages her independence with a position at his select clientelle jewelry shop. As Sonia bests her competition, enchants and mingles with her customers, she finds a greater part of herself in a world that threatens both her security and future.

Crew

Douglas Aibel

Casting

Pembrooke Andrews

Dialog Assistant

Gregg Apirian

2nd Assistant Editor

William Baker

Driver (Rops)

Lesley Barber

Music

Guillermo Baretto

Song ("Yo Siempre Oddara")

Richard Battista

Driver (Rip)

Lawrence Bender

Producer

Alexander Berberich

Location Assistant

Jerome Best

Other

Jordan Beswick

Casting Associates

Tom Betterton

Location Scout

Peter Betulia

Construction Key Grip

Michael Betzag

Best Boy Grip

John Billeci

Other

Corey Bobker

Production Assistant

Stuart Brawley

Music Engineer

Adam Brightman

Line Producer

Robert Brown

Driver

Jane Bunnett

Song

Jane Bunnett

Song Performer ("Yo Siempre Oddara")

Seth Burch

Location Manager

Gary Burritt

Negative Cutter

Lieutenant Joseph Byrne

Special Thanks (Commanding Officer--New York Police Department Movie And Tv Unit)

John Cambria

1st Assistant Camera

Michael Cambria

2nd Assistant Camera

John Carrabino

Special Thanks

Hunter Carson

Set Production Assistant

Andrew Casey

Steadicam Operator

Dennis Lee Causey

Set Dresser

John Chandler

Foley Editor

Jake Chipps

Other

Kerry Clark

Other

Rodney Clark

Carpenter

Arthur Coburn

Editor

Robert A Conroy

Construction Grip

Jason Cramer

Post-Production Accountant (Owen & Desalvo Co)

Robert Currie

On-Set Dresser

James J Curry

Carpenter

Paul Curtis

Dialog Editor

Tracey D'arcy

Post-Production Coordinator

Lisa Davidowitz

Special Thanks

Denise T Davidson

Assistant (To Ellen Lutter)

John Diemer

Special Thanks

Dan Diprima

Music Editor

Pete Dominick

Set Production Assistant

Damien Donohue

Company Grip

Joe Donohue

Grip

John K Donohue

Dolly Grip

Kevin Doyle

Special Thanks

Ronald Dennis Drogan

Driver (Axi Van)

Maureen Duffy

Other

Ann Duval

Legal Services (Lighter Grossman Nichols & Adler Inc)

Robert Dwyer

Driver (Amera)

Joe Facey

Craft Service

Cyd Fenwick

Scenic Artist

John B Finn

Payroll Accountant

Rossana Fiore

Camera Scenic Artist

Robert Fitzgerald

Supervising Sound Editor

Robert Fitzgerald

Sound Effects Editor

Elizabeth Flaum

Sound Effects Editor

Scott Fleischer

Special Thanks (Panavision/New York)

John J Flugel

Set Dresser

Leo Fotopoulos

Driver Ho (Oneywagon)

Joann Fregalette Jansen

Co-Producer

Mary Gambardella

Script Supervisor

Ellen Gannon

Production Coordinator

Abbot Genser

Still Photographer

Shaun Gilbert

Other

Laura G Gillen

Scenic Artist

Joyce Goldman

Other

Henry Goldscher

Other

Elizabeth Goodall

Scenic Artist

Carlos K Goodman

Legal Services (Lighter Grossman Nichols & Adler Inc)

Kim Green

Special Thanks

Kevin P Griffin

Driver (Wing)

Alicia Haldenwang

Production Assistant

Marlus C Harding

Assistant Accountant

Kali Rashad Harrison

Set Production Assistant

Chris Hayes

Camera Operator

Ann Haywood

Charge Scenic Artist

Brent Haywood

Construction Coordinator

Janet Henry

Location Assistant

Wayne Herndon

Key Hairstylist

Eddie Herschler

Other

Phil Hetos

Color Timer

Lori Hicks

Key Makeup Artist

Bernard Hiller

Other

Winnie Hiller

Other

Adam Holender

Director Of Photography

Adam Holender

Dp/Cinematographer

Elaine Houseman

Sculptures Provider

Duncan Hoxworth

Stand-By Carpenter

Alice Hughes

Special Thanks (Regal Company)

Jesus Alemanys Icabanismoi

Song Performer ("Aprovecha")

Sean Kenelly

Dialog Assistant

Alan Kerr

Foley Artist

Tyler Kim

Assistant Property Master

Julie Kirkman

Special Thanks

Barbara Koplin

Special Thanks

Stephen Koplin

Special Thanks

Julius Kozlowski

Scenic Artist

Barbara Krauthamer

Wardrobe Supervisor

Ken Kugler

Music Conductor

Kevin Ladson

Property Master

Rick Lange

Second 2nd Assistant Director

Robert Lansing

Driver- (Lecric)

Jack Lechner

Special Thanks

Dan Leigh

Production Designer

Geroge Leong

Boom Operator

John Leonidas

Transportation Captain

Sally Lesser

Costume Shopper

Jason Lezama

Foley Editor

Jason Lezama

Adr Recordist

Marco Londoner

2nd Assistant Director

Ulf Loven

Carpenter

David Low

Music Contractor

Robin David Ludwig

Ramon'S Studio Consultant

Ellen Lutter

Costume Designer

Lev Mailer

Other

Blacke Maniquis

Assistant Editor (Los Angeles)

Anne Mccabe

Assistant Editor (New York)

Jabbar E Mcdonald

Location Assistant

Michael Mcdonald

Other

Courtney Mcdonnell

Assistant (To Lawrence Bender)

Winsome G. Mckoy

Wardrobe Supervisor

Tory Metzger

Special Thanks

William A Miller

Key Grip

Richard W Murphy

2nd Boom

Margo Myers

Production Accountant

Tom O'donnell

Special Thanks (Local 817 Teamsters)

Neil Orlowski

Key Set Production Assistant

John Ottesen

Special Effects Coordinator

Deborah Owen

Post-Production Accountant (Owen & Desalvo Co)

Rocco Palmieri

Other

Nicole Pennington

Special Thanks

John Penotti

Producer

Dan Perri

Title Sequence Designer & Producer

Linda Phillips

Other

Tom Piechura

Unit Publicist

Jay Richard Piro

Set Production Assistant

Jess Platt

Dialect Consultant

Francis A Porter

Camera Trainee

Jeremy Pratt

Stage Manager

John D Quaglia

Key Hairstylist

Dennis Radesky

Transportation Co-Captain

Sally Rainer

Other

Timothy T Rakoczy

Assistant Sound Editor

Scott Ramsey

Gaffer

Michael Lee Reed

Other

Sergio Reyes

Re-Recording Mixer

Luis Rodriguez

Driver Hair/Make-Up/ (Air/Make-Up/Wardrobe)

Leslie Rollins

Set Decorator

Joan Rowe

Foley Artist

Katie Rowe

Foley Artist

Sean Rowe

Foley Artist

William Sarokin

Sound Mixer

Elyse Scherz

Special Thanks

Mark Schwentner

Best Boy Electric

Gary Scott

Assistant Location Manager

Patricia Reed Scott

Other

B Tennyson Sebastian Iii

Re-Recording Mixer

Eryka Seimon Henderson

Art Department Facilitator

Burton Sharp

Group Adr Coordinator

Burton Sharp

Other

James E Sheridan

Set Production Assistant

Reic Shonz

Special Thanks (Great Northern/Reiff & Associates)

Mike Simpson

Special Thanks

Salvatore Sirico

Carpenter

Jeff Springer

Legal Services (Lighter Grossman Nichols & Adler Inc)

William Stabile

Other

Frederick H Stahly

Adr Editor

Frederick H Stahly

Dialog Editor

Bill Stern

Other

Nick Stevens

Special Thanks

Lee Stollman

Special Thanks

Kenneth Stopsky

Other

John C. Stuver

Dialog Editor

John C. Stuver

Adr Editor

Anita Sum

Production Associate

Jeff Swafford

Assistant (To Lawrence Bender)

Barry Sweeney

Driver Set (Et Dressing)

Glen-bob Sweet

Other

Shane Sweet

Other

Ruthie Tanami

Production Placement

Eric Thompson

Foley Mixer

Mitch Towse

Set Dresser

Dena Trakes

Casting Associates

Jessica Tuchinsky

Special Thanks

Chris Vaccaro

Grip

Craig Vaccaro

Key Rigging Grip

Nick Vaccaro

Grip

Orlando Valle

Song ("Aprovecha")

Jeff Vaughn

Adr Mixer

Heidi Vogel

Post-Production Supervisor

Andrew Vogliano

Other

David Wechsler

1st Assistant Director

Bob Weinstein

Executive Producer

Harvey Weinstein

Executive Producer

Gary Wimmer

Scenic Artist

Film Details

Also Known As
Illusion av lycka, Price Above Rubies, Sonia Horowitz
MPAA Rating
Genre
Drama
Release Date
1998
Production Company
Axium International; Balsmeyer & Everett Inc; Cinema Research Corporation; Deluxe Entertainment Services Group; Duart Film And Video; Eastman Kodak; Film4 Productions; Great Northern/ Reiff & Associates; Greenestreet Films; Joann Kane Music Service; Lawrence Bender Productions; Lichter, Grossman, Nichols, Adler & Feldman, Inc.; MIRAMAX; Marshall/Plumb Research Associates, Inc.; New York City Mayor's Office of Film, Theatre and Broadcasting; New York City Police Department Movie And Tv Unit; Owen & Desalvo Company; Pacific Title & Art Studio; Panavision, Ltd.; Pandora Films; Pandora Films
Distribution Company
MIRAMAX; Cts; Film4 Productions; Filmfour; Filmladen Gmbh; Lucky Red; MIRAMAX; Miramax Home Entertainment; Tristar Pictures
Location
New York City, New York, USA; Brooklyn, New York, USA

Technical Specs

Duration
2h

Articles

TCM Remembers - Kim Hunter


KIM HUNTER, 1922-2002

Kim Hunter, the versatile, distinguished actress who won the Supporting Actress Academy Award for her portrayal as the long-suffering Stella in A Streetcar Named Desire (1951) and appeared as Dr. Zira in three Planet of the Apes movies, died in her Greenwich Village apartment from an apparent heart attack on September 11, 2002. She was 79.

Born Janet Cole in Detroit on November 12, 1922, where her mother was a concert pianist, she made her professional debut at 17 with a small theatre company in Miami. She gained notice immediately with her strong voice and alluring presence, and eventually studied at the Actors' Studio in New York.

She made a striking film debut in an eerie, low-budget RKO horror film, The Seventh Victim (1943), produced by Val Lewton. She played a similar ingenue role in another stylish cult flick, When Strangers Meet (1944) - a film directed by William Castle and notable for featuring Robert Mitchum in one of his first starring roles. Hunter's big break came two years later when Michael Powell and Emeric Pressburger cast her in their splendid romantic fantasy, Stairway to Heaven (1946).

Despite her growing popularity as a screen actress, Hunter returned to the stage to make her Broadway debut as Stella in Tennessee Williams'A Streetcar Named Desire (1951). When Elia Kazan adapted the production for the silver screen, she continued her role as Stella opposite Marlon Brando, and won an Oscar as best supporting actress. A few more film roles followed, but sadly her screen career entered a lull in the late 1950s, after Hunter, a liberal Democrat, was listed as a communist sympathizer by Red Channels, a red-hunting booklet that influenced hiring by studios and the Television networks. Kim was blacklisted from both mediums despite never having been labeled a Communist, yet as a strong believer in civil rights she signed a lot of petitions and was a sponsor of a 1949 World Peace Conference in New York. She was widely praised in the industry for her testimony to the New York Supreme Court in 1962 against the publishers of Red Channels, and helped pave the way for clearance of many performers unjustly accused of Communist associations.

Hunter spent the next few years on the stage and didn't make a strong impression again in films until she was cast as Dr. Zira in the Planet of the Apes (1968), as a simian psychiatrist in the classic science fiction film. The success of that film encouraged her to continue playing the same character in two back-to-back sequels - Beneath the Planet of the Apes (1970) and Escape from the Planet of the Apes (1971). Hunter spent the remainder of her career on the stage and television, but she a terrific cameo role in Clint Eastwood's Midnight In The Garden Of Good And Evil (1997), one of her last films. She is survived by her daughter Kathryn, from her first marriage to William Baldwin, and her son Sean, from her marriage to actor and producer Robert Emmett.

By Michael T. Toole

TCM REMEMBERS J. LEE THOMPSON, 1914 - 2002

Oscar-nominated director J. Lee Thompson died August 30th at the age of 88. Though he worked in several genres, Thompson was best-known for his action films. Thompson was born in Bristol England on August 1, 1914. After graduating from college he became a playwright and it was the appearance of one of his plays on London's famous West End that got him noticed by the British film studio, Elstree. His first filmed script was The Pride of Folly in 1937 and others appeared sporadically until his career was side-tracked during the war when Thompson served in the RAF as a B-29 tail gunner. (He also reportedly worked as a dialogue coach on Hitchcock's Jamaica Inn, 1939.) Thompson's directorial debut came in 1950 when he adapted his own play Double Error to the screen as Murder Without Crime. Throughout the decade he directed a variety of dramas and comedies until hitting it big in 1958 with Ice Cold in Alex (released in the US minus 50 minutes under the title Desert Attack). It was nominated for three BAFTAs and was enough of a commercial success that Thompson landed the film that made his career: The Guns of Navarone (1961). This enormous international hit snagged Thompson an Oscar nomination for Best Director. He immediately followed that with the original Cape Fear (1962) and his reputation was set. Though Thompson remained active almost three more decades he didn't reach that level again. He worked on Westerns (Mackenna's Gold, 1969), horror films (Eye of the Devil, 1967), literary adaptations (Huckleberry Finn, 1974) and others. During this time, Thompson directed two Planet of the Apes sequels but was kept most busy working with Charles Bronson, for whom he directed nine films. Thompson's last film was in 1989.

KATRIN CARTLIDGE, 1961 - 2002

The news of actress Katrin Cartlidge's death at the age of 41 has come as a shock. It's not just the age but the thought that even though Cartlidge was already a major actress--despite a slender filmography--she held out the promise of even greater work, a promise that so few artists of any type can make. "Fearless" is perhaps the word most often used to describe Cartlidge but emotions are never enough for an actor; much more is required. Director Mike Leigh said she had "the objective eye of an artist" while remarking on her "her deep-seated suspicion of all forms of woolly thinking and received ideas."

Cartlidge was born in London on May 15, 1961. Her first acting work was on the stage, in tiny independent theatres before she was selected by Peter Gill for the National Theatre. Cartlidge also worked as a dresser at the Royal Court where she later made one of her final stage appearances. She began appearing in the popular British TV series Brookside before making her first film in 1985, Sacred Hearts. A small role in the Robbie Coltrane-Rik Mayall vehicle Eat the Rich (1987) followed before Cartlidge had her first leading role in Mike Leigh's scathing Naked (1993).

Cartlidge never took a safe approach in her films. She told The Guardian that "I try to work with film-makers who I feel will produce something original, revealing and provoking. If something provokes a reaction, it's well worth doing." You can see this in her choice of projects. Before the Rain (1994) dramatized violence in Macedonia in the wake of the Yugoslavian break-up and made Cartlidge something of a star in the area. She appeared in Lars Von Trier's controversial look at redemption, Breaking the Waves (1996), Leigh's sharply detailed story of aging friends Career Girls (1997), as one of Jack the Ripper's victims in From Hell (2001), as a call girl trying to leave the business in Clair Dolan (1998) and in the Oscar-winning film about Bosnia-Herzegovina, No Man's Land (2001). Her last work included a BBC adaptation of Crime and Punishment (2002), playing Salvador Dali's wife Gala in the BBC comedy-drama Surrealissimo (2002) and an appearance in Rosanna Arquette's directorial debut, Searching for Debra Winger (also 2002), a documentary about women in the film industry.

Cartlidge died September 7th from septicaemia brought on by pneumonia.

By Lang Thompson

Tcm Remembers - Kim Hunter

TCM Remembers - Kim Hunter

KIM HUNTER, 1922-2002 Kim Hunter, the versatile, distinguished actress who won the Supporting Actress Academy Award for her portrayal as the long-suffering Stella in A Streetcar Named Desire (1951) and appeared as Dr. Zira in three Planet of the Apes movies, died in her Greenwich Village apartment from an apparent heart attack on September 11, 2002. She was 79. Born Janet Cole in Detroit on November 12, 1922, where her mother was a concert pianist, she made her professional debut at 17 with a small theatre company in Miami. She gained notice immediately with her strong voice and alluring presence, and eventually studied at the Actors' Studio in New York. She made a striking film debut in an eerie, low-budget RKO horror film, The Seventh Victim (1943), produced by Val Lewton. She played a similar ingenue role in another stylish cult flick, When Strangers Meet (1944) - a film directed by William Castle and notable for featuring Robert Mitchum in one of his first starring roles. Hunter's big break came two years later when Michael Powell and Emeric Pressburger cast her in their splendid romantic fantasy, Stairway to Heaven (1946). Despite her growing popularity as a screen actress, Hunter returned to the stage to make her Broadway debut as Stella in Tennessee Williams'A Streetcar Named Desire (1951). When Elia Kazan adapted the production for the silver screen, she continued her role as Stella opposite Marlon Brando, and won an Oscar as best supporting actress. A few more film roles followed, but sadly her screen career entered a lull in the late 1950s, after Hunter, a liberal Democrat, was listed as a communist sympathizer by Red Channels, a red-hunting booklet that influenced hiring by studios and the Television networks. Kim was blacklisted from both mediums despite never having been labeled a Communist, yet as a strong believer in civil rights she signed a lot of petitions and was a sponsor of a 1949 World Peace Conference in New York. She was widely praised in the industry for her testimony to the New York Supreme Court in 1962 against the publishers of Red Channels, and helped pave the way for clearance of many performers unjustly accused of Communist associations. Hunter spent the next few years on the stage and didn't make a strong impression again in films until she was cast as Dr. Zira in the Planet of the Apes (1968), as a simian psychiatrist in the classic science fiction film. The success of that film encouraged her to continue playing the same character in two back-to-back sequels - Beneath the Planet of the Apes (1970) and Escape from the Planet of the Apes (1971). Hunter spent the remainder of her career on the stage and television, but she a terrific cameo role in Clint Eastwood's Midnight In The Garden Of Good And Evil (1997), one of her last films. She is survived by her daughter Kathryn, from her first marriage to William Baldwin, and her son Sean, from her marriage to actor and producer Robert Emmett. By Michael T. Toole TCM REMEMBERS J. LEE THOMPSON, 1914 - 2002 Oscar-nominated director J. Lee Thompson died August 30th at the age of 88. Though he worked in several genres, Thompson was best-known for his action films. Thompson was born in Bristol England on August 1, 1914. After graduating from college he became a playwright and it was the appearance of one of his plays on London's famous West End that got him noticed by the British film studio, Elstree. His first filmed script was The Pride of Folly in 1937 and others appeared sporadically until his career was side-tracked during the war when Thompson served in the RAF as a B-29 tail gunner. (He also reportedly worked as a dialogue coach on Hitchcock's Jamaica Inn, 1939.) Thompson's directorial debut came in 1950 when he adapted his own play Double Error to the screen as Murder Without Crime. Throughout the decade he directed a variety of dramas and comedies until hitting it big in 1958 with Ice Cold in Alex (released in the US minus 50 minutes under the title Desert Attack). It was nominated for three BAFTAs and was enough of a commercial success that Thompson landed the film that made his career: The Guns of Navarone (1961). This enormous international hit snagged Thompson an Oscar nomination for Best Director. He immediately followed that with the original Cape Fear (1962) and his reputation was set. Though Thompson remained active almost three more decades he didn't reach that level again. He worked on Westerns (Mackenna's Gold, 1969), horror films (Eye of the Devil, 1967), literary adaptations (Huckleberry Finn, 1974) and others. During this time, Thompson directed two Planet of the Apes sequels but was kept most busy working with Charles Bronson, for whom he directed nine films. Thompson's last film was in 1989. KATRIN CARTLIDGE, 1961 - 2002 The news of actress Katrin Cartlidge's death at the age of 41 has come as a shock. It's not just the age but the thought that even though Cartlidge was already a major actress--despite a slender filmography--she held out the promise of even greater work, a promise that so few artists of any type can make. "Fearless" is perhaps the word most often used to describe Cartlidge but emotions are never enough for an actor; much more is required. Director Mike Leigh said she had "the objective eye of an artist" while remarking on her "her deep-seated suspicion of all forms of woolly thinking and received ideas." Cartlidge was born in London on May 15, 1961. Her first acting work was on the stage, in tiny independent theatres before she was selected by Peter Gill for the National Theatre. Cartlidge also worked as a dresser at the Royal Court where she later made one of her final stage appearances. She began appearing in the popular British TV series Brookside before making her first film in 1985, Sacred Hearts. A small role in the Robbie Coltrane-Rik Mayall vehicle Eat the Rich (1987) followed before Cartlidge had her first leading role in Mike Leigh's scathing Naked (1993). Cartlidge never took a safe approach in her films. She told The Guardian that "I try to work with film-makers who I feel will produce something original, revealing and provoking. If something provokes a reaction, it's well worth doing." You can see this in her choice of projects. Before the Rain (1994) dramatized violence in Macedonia in the wake of the Yugoslavian break-up and made Cartlidge something of a star in the area. She appeared in Lars Von Trier's controversial look at redemption, Breaking the Waves (1996), Leigh's sharply detailed story of aging friends Career Girls (1997), as one of Jack the Ripper's victims in From Hell (2001), as a call girl trying to leave the business in Clair Dolan (1998) and in the Oscar-winning film about Bosnia-Herzegovina, No Man's Land (2001). Her last work included a BBC adaptation of Crime and Punishment (2002), playing Salvador Dali's wife Gala in the BBC comedy-drama Surrealissimo (2002) and an appearance in Rosanna Arquette's directorial debut, Searching for Debra Winger (also 2002), a documentary about women in the film industry. Cartlidge died September 7th from septicaemia brought on by pneumonia. By Lang Thompson

Quotes

Trivia

Miscellaneous Notes

Expanded Release in United States April 3, 1998

Released in United States 1998

Released in United States January 1998

Released in United States March 27, 1998

Released in United States on Video September 15, 1998

Released in United States September 1998

Released in United States Spring March 25, 1998

Shown at American Film Market (AFM) in Santa Monica, California February 26 - March 4, 1998.

Shown at Deauville Festival of American Film (in competition) September 4-13, 1998.

Began shooting February 10, 1997.

Completed shooting April 7, 1997.

Released in United States 1998 (Shown at American Film Market (AFM) in Santa Monica, California February 26 - March 4, 1998.)

Released in United States January 1998 (Shown at Sundance Film Festival (Premieres) in Park City, Utah January 15-25, 1998.)

Released in United States Spring March 25, 1998

Released in United States March 27, 1998 (Los Angeles)

Expanded Release in United States April 3, 1998

Released in United States September 1998 (Shown at Deauville Festival of American Film (in competition) September 4-13, 1998.)

Released in United States on Video September 15, 1998