Human Resources


1h 43m 1999

Brief Synopsis

Franck has been raised by his working-class parents to be upwardly mobile. His father and mother are extremely proud of his academic prowness and success. When Franck graduates from college and returns home, he goes to work in the Human Resources Department at the metalwork plant that has employed a

Film Details

Also Known As
Recursos humanos, Ressources humaines, Överflödiga människor
MPAA Rating
Genre
Comedy
Drama
Foreign
Political
Release Date
1999
Production Company
Bbc Films; Celluloid Dreams; Centre National Du Cinema; Creative Europe; Haut Et Court; Procirep
Distribution Company
SHOOTING GALLERY/SHOOTING GALLERY PICTURES; Cinemien; Haut Et Court; Mikado Film; Primer Plano Film Group; Rlj Entertainment, Inc.; Vision

Technical Specs

Duration
1h 43m

Synopsis

Franck has been raised by his working-class parents to be upwardly mobile. His father and mother are extremely proud of his academic prowness and success. When Franck graduates from college and returns home, he goes to work in the Human Resources Department at the metalwork plant that has employed all of his family for years. Before long, Franck's class-consciousness causes him to realize that managment is abusing its power and exploiting the workers. Unable to ignore these injustices, Franck begins to act as a liason between the workers, union and management in an attempt to win a shorter workweek and fairer working conditions.

Film Details

Also Known As
Recursos humanos, Ressources humaines, Överflödiga människor
MPAA Rating
Genre
Comedy
Drama
Foreign
Political
Release Date
1999
Production Company
Bbc Films; Celluloid Dreams; Centre National Du Cinema; Creative Europe; Haut Et Court; Procirep
Distribution Company
SHOOTING GALLERY/SHOOTING GALLERY PICTURES; Cinemien; Haut Et Court; Mikado Film; Primer Plano Film Group; Rlj Entertainment, Inc.; Vision

Technical Specs

Duration
1h 43m

Articles

Human Resources - A Critically Acclaimed Social Drama from France


It's almost a running joke for cineastes to insist that France makes the best movies in the world. That may well have been the case when giants like Jean-Luc Godard and Francois Truffaut were fresh on the scene, but it's hardly true these days. Nevertheless, the French film industry remains far ahead of America when it comes to character-driven pictures that slow down long enough to examine everyday life.

On the surface, Laurent Cantet's factory-based Human Resources doesn't seem very promising. But Cantet, like so many other French directors, has a blunt, documentarian's eye for detail. This often powerful little movie (now available on DVD from Image Entertainment) is full of sharp observations about father-son relationships and the difficulties of the working class. It's hard to imagine an American director handling the material with the intense focus that Cantet brings to it. It's harder still to imagine such a picture getting a release in the states, unless it starred Vin Diesel.

Jalil Lespert plays Franck, a college student who accepts an internship in the human resources department of the same factory where his father (Jean-Claud Vallod) has been saddled with a demoralizing job for over 30 years. When Franck gets there, the workers are having trouble with the factory's management, and their union isn't willing to cooperate in a negotiation process. Franck attempts to correct the situation, but only gives more ammunition to the big bosses.

Eventually, the company develops a plan to sack several employees, including Franck's father. This, as you might expect, causes a great deal of tension, and Franck has to make some tough decisions about his career and loyalty to his blue-collar family. You get the feeling Bruce Springsteen would love this movie.

Cantet obviously knew what he was trying to a accomplish here. His most startling move was to cast the entire picture with non-professional actors, outside of Lespert. He also didn't add music to the soundtrack, which lends another degree of documentary-like realism to the proceedings. The performances, across the board, are raw and heartfelt, with Vallod's work being every bit as impressive as Lespert's. These performers get to the cores of their characters in a hurry, with no needless actorly flourishes.

There aren't many extras to speak of. The original French trailer is included, as well as what amounts to a one-paragraph bio of Cantet. However, the film itself is what's important. The image is properly gritty, although some of that grit seems to come from a scratched negative, and the color separation is only so-so. But that definitely adds to the flavor. You need to watch this movie if you haven't seen it already - and odds are you haven't. You may well end up wanting to own it.

For more information about Human Resources, visit Image Entertainment. To order Human Resources, go to TCM Shopping.

by Paul Tatara
Human Resources - A Critically Acclaimed Social Drama From France

Human Resources - A Critically Acclaimed Social Drama from France

It's almost a running joke for cineastes to insist that France makes the best movies in the world. That may well have been the case when giants like Jean-Luc Godard and Francois Truffaut were fresh on the scene, but it's hardly true these days. Nevertheless, the French film industry remains far ahead of America when it comes to character-driven pictures that slow down long enough to examine everyday life. On the surface, Laurent Cantet's factory-based Human Resources doesn't seem very promising. But Cantet, like so many other French directors, has a blunt, documentarian's eye for detail. This often powerful little movie (now available on DVD from Image Entertainment) is full of sharp observations about father-son relationships and the difficulties of the working class. It's hard to imagine an American director handling the material with the intense focus that Cantet brings to it. It's harder still to imagine such a picture getting a release in the states, unless it starred Vin Diesel. Jalil Lespert plays Franck, a college student who accepts an internship in the human resources department of the same factory where his father (Jean-Claud Vallod) has been saddled with a demoralizing job for over 30 years. When Franck gets there, the workers are having trouble with the factory's management, and their union isn't willing to cooperate in a negotiation process. Franck attempts to correct the situation, but only gives more ammunition to the big bosses. Eventually, the company develops a plan to sack several employees, including Franck's father. This, as you might expect, causes a great deal of tension, and Franck has to make some tough decisions about his career and loyalty to his blue-collar family. You get the feeling Bruce Springsteen would love this movie. Cantet obviously knew what he was trying to a accomplish here. His most startling move was to cast the entire picture with non-professional actors, outside of Lespert. He also didn't add music to the soundtrack, which lends another degree of documentary-like realism to the proceedings. The performances, across the board, are raw and heartfelt, with Vallod's work being every bit as impressive as Lespert's. These performers get to the cores of their characters in a hurry, with no needless actorly flourishes. There aren't many extras to speak of. The original French trailer is included, as well as what amounts to a one-paragraph bio of Cantet. However, the film itself is what's important. The image is properly gritty, although some of that grit seems to come from a scratched negative, and the color separation is only so-so. But that definitely adds to the flavor. You need to watch this movie if you haven't seen it already - and odds are you haven't. You may well end up wanting to own it. For more information about Human Resources, visit Image Entertainment. To order Human Resources, go to TCM Shopping. by Paul Tatara

Quotes

Trivia

Miscellaneous Notes

Winner of a Special Jury Prize at the 2000 Seattle International Film Festival.

Winner of the Fassbinder Award for Best Discovery at the 2000 European Film Awards (EFA).

Winner of two 2000 Cesar Awards, including Best First Film and Most Promising Actor (Jalil Lespert).

Winner of the New Director Award for Best First or Second Feature at the 1999 San Sebastian International Film Festival.

Released in United States Fall September 15, 2000

Limited Release in United States September 15, 2000

Released in United States on Video August 3, 2004

Released in United States September 1999

Released in United States 2000

Released in United States January 2000

Released in United States February 2000

Released in United States July 2000

Shown at San Sebastian International Film Festival (Open Zone) September 16-25, 1999.

Shown at New Directors/New Films in New York City March 24 - April 9, 2000.

Shown at Seattle International Film Festival May 18 - June 11, 2000.

Shown at the European Film Market, February 9-20, 2000

Shown at Karlovy Vary International Film Festival July 5-15, 2000.

Released as part of distribution package: "Shooting Gallery Film Series" (Loews Cineplex Entertainment). The 2000 package also includes: "Titanic Town" (United Kingdom/1998), "One" (USA/1997), "Non-Stop" (Japan/1997), "A Time for Drunken Horses" (Iran/2000) and "Barenaked in America" (USA/1999).

Entire cast is composed of non-professional actors, except for lead thespian Jalil Lespert.

Limited release in United Kingdom September 15, 2000.

Released in United States Fall September 15, 2000

Limited Release in United States September 15, 2000

Released in United States on Video August 3, 2004

Released in United States September 1999 (Shown at San Sebastian International Film Festival (Open Zone) September 16-25, 1999.)

Released in United States 2000 (Shown at New Directors/New Films in New York City March 24 - April 9, 2000.)

Released in United States February 2000 (Shown at the European Film Market, February 9-20, 2000)

Released in United States January 2000 (Shown at Sundance Film Festival (World Cinema) January 20-30, 2000.)

Released in United States 2000 (Shown at Seattle International Film Festival May 18 - June 11, 2000.)

Released in United States July 2000 (Shown at Karlovy Vary International Film Festival July 5-15, 2000.)